HYPOCRISY: “WORSHIP”

 Album Reviews  3 Responses »
Dec 092021
 

 

(Here is Wil Cifer‘s review of the new Hypocrisy album, which was released on November 26th by Nuclear Blast.)

This album deserves some love.

As a kid in the ’80s the Devil seemed dangerous to me.When bands like Deicide and Morbid Angel came out the darkness felt more tangible. While what they say about metal being the gateway to Satanism is apparently true, since 36 years later I am even more devoted to the Left Hand Path, and not the Entombed album, I can see where the concept of Ole Scratch has lost the danger it once held. Thus a band like Hypocrisy seems even more vital than they did in the ’90s by releasing an album about conspiracies.

Pentagrams are a fashion statement, government plots involving other-dimensional beings scares a larger audience as if an institution is going to conspire about aliens. What else might they not be truthful about? Thus the lyrical content of Worship gives a heavier feel to the music as a whole. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): HAMMERDRONE — “A TRINITY OF RAGE”

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Dec 082021
 

 

This has been a day of many premieres at our site but we have one more that should not be missed — a complete stream of a new concept EP by Hammerdrone from Calgary, Canada. Its title is A Trinity of Rage, and it’s fast approaching a December 10 release.

This newest record adds to a Hammerdrone discography that includes a pair of albums and a pair of EPs. It has been four years in the making and is being presented along with an original short story, “Eversor” (available as a bonus download via Bandcamp). The story revolves around the fictional second book of Revelation, in which is foretold the threat of Heaven’s destruction at the hands of Eversor, The Destroyer. Lyrically, the EP’s three tracks pick up where the short story ends and carries the narrative forward to its conclusion. Continue reading »

AN NCS PREMIERE: SCHIZOPHRENIA — “SEA OF SORROW”

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Dec 082021
 

The Belgian death/thrashers Schizophrenia made their first appearance in our pages when our stalwart supporter eiterorm concluded a “Shades of Speed” column with a stream of their 2020 debut EP Voices, a record he exalted as an exercise in “fast-paced bludgeoning” that would encourage you “to headbang your brain out of your skull”.

Now we’re thrilled to help spread the word about Schizophrenia’s debut album Recollections of the Insane, which is due out on February 18, 2022. It sees the band again firing on all turbocharged cylinders, but getting even bigger, bolder, and more stylistically expansive than before, invoking vivid memories of such bands as Morbid Angel, Demolition Hammer, Slayer, early Sepultura, Dissection, Death, At The Gates, Obituary, Bolt Thrower, and Pestilence.

Today we’ve got a prime example of the album’s blood-rushing explosiveness and adept dynamism through our premiere of “Sea of Sorrow“. Continue reading »

AN NCS PREMIERE: BARÚS – “CHÂSSIS DE CHAIR”

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Dec 082021
 

(Andy Synn introduces a new song from the upcoming EP by French “Atmospheric Death Metal” maestros Barús)

Necessity, or so they say, is the mother of invention.

As such, we have the exigencies and restrictions of the last few years to thank – or blame – for Fanges, the upcoming new EP by Barús, which is scheduled to come out on December 31st via Aesthetic Death and Breathe Plastic.

And to prepare you for this highly-anticipated (by those in the know, at least) new release we have a premiere of the EP’s second song, “Châssis de Chair“, to share with you all. Continue reading »

AN NCS INTERVIEW: JOURNEY INTO DARKNESS

 Interviews  No Responses »
Dec 082021
 

 

(We present Comrade Aleks’ interview of Brett Clarin, the main man behind the symphonic black/death metal band Journey Into Darkness, whose latest album (which we premiered and reviewed HERE) was released in September 2021 by Spirit Coffin Publishing.)

Brett Clarin was one of a few guys who started the death/ thrash / doom act Apparition in 1988. They changed the name in 1991, becoming Sorrow, and got a contract with Roadrunner Records for a full-length album. Some may suppose the guys were lucky, and indeed the album Hatred and Disgust saw the light of day in 1992. But as it happens sometimes with some labels, Roadrunner switched their attention to something more appealing for them and Sorrow didn’t get their deserved exposure.

Sorrow was soon disbanded but Brett started that strange project Journey into Darkness. His first solo work under that name, Life Is a Near Death Experience (1996), was an experiment, something like darkwave, a kind of sympho black metal without vocals and actually without guitars or typical metal instruments at all. Brett left the project for 14 years but now there are two more albums in his discography – Multitudes of Emptiness (2020) and Infinite Universe Infinite Death (2021). It’s okay now!

With Jei Doublerice on vocals Brett provides us symphonic death / black metal and it’s something we’re going to talk about with him. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): RÖKKR — “RÖKKR”

 Album Reviews, Premieres  1 Response »
Dec 072021
 

 

Into the winter of the soul.
Into the ice.
Foreverblack meadow, embrace new dawn, on raven’s wing,
Hear winter’s song.

Many of us assume that December is an ill-fated time of year for the release of new metal records, what with lots of fans (and writers) being preoccupied with year-end lists and year-end life diversions. But on the other hand, the onset of darkness and cold that December heralds makes it an ideal time of year for the advent of certain kinds of music, the kind that delves into the darkness that comes as the wheel of birth and death rotates into winter — and it seems that RÖKKR‘s self-titled debut album is one of those.

The words quoted above are from the lyrics of one of the album’s five tracks. Further connections to the season are found in such song titles as “Blackest Dawn”, “Into the Ice”, and of course the closing track “Winter”. But how does the music itself form the connection? Today you’ll find out — though it probably isn’t what you would expect. Continue reading »

VOICES: “BREAKING THE TRAUMA BOND”

 Album Reviews  1 Response »
Dec 072021
 

 

(This is DGR‘s review of the new album by Voices, which was released in late November by Church Road Records.)

I don’t think I was prepared for what transpired within the bounds of the hour-plus of the latest Voices album, Breaking The Trauma Bond. Now there will definitely be a few of you who smirk and go, ‘well, Voices being weird is modus operandi for them,’ and there is definite truth to that statement. Voices are a band  I show to people not because I fully enjoy everything they do but because when the band wrap their minds around a concept – especially since 2014’s London – they somehow manage to make some of the most fascinating and equally abrasive music out there.

The band have a core of death metal and black metal running through them but every release since 2013’s From The Human Forest We Create A Fugue Of Imaginary Rain has been so starkly different from the others that they’re a hard band to pin down, especially since they paint themselves as being sophisticated and avant-garde artistes. However, not even the early single release of An Audience Of Mannequins earlier in the year fully covers what happens within Breaking The Trauma Bond, because the two songs on that single may be the only two traditionally ‘heavy’ songs on this release. Even for Voices, Breaking The Trauma Bond is a fuckin’ weird disc. Continue reading »

CYNIC: “ASCENSION CODES”

 Album Reviews  3 Responses »
Dec 072021
 

 

(We present Wil Cifer‘s review of the new album by Cynic, which is out now on Season of Mist.)

It was surprising to find Paul Masvidal carrying on the torch of Cynic after the death of both Sean Malone and Sean Reinert. It seems this is how he is coming to terms with it.

The tone of this album suggests he took some DMT and used aliens as his support group for this sonic therapy. Normally lineup changes of this magnitude give me pause when going into an album but a few things regarding this one gave me more reassurance, such as the fact that drummer Matt Lynch who plays on this album was recruited by Masvidal and Malone, before Malone’s death. Rather than replace Malone, the bass lines are played on a bass synth, since his style of playing was untouchable. This picks up closer to where they left off with Traced in Air as it is a return to the heavier sounds that preceded the elf-like prog of Kindly Bent to Free Us. Continue reading »

LISTMANIA 2021: POPMATTERS’ LIST OF “THE 20 BEST METAL ALBUMS OF 2021”

 LISTMANIA 2021  12 Responses »
Dec 072021
 

 

As part of our annual NCS LISTMANIA extravaganza we re-publish lists of the year’s best metal that appear on web sites which appeal to vastly larger numbers of readers than we do — not because we believe those readers or the writers have better taste in metal than our community does, but more from a morbid curiosity about what the great unpoisoned masses are being told is best for them. It’s like opening a window that affords an insight into the way the rest of the world outside our own disease-ridden nooks and crannies perceives the music that is our daily sustenance.

One of those sites is PopMatters. It has been in existence since 1999. In its own words the site “is an international magazine of cultural criticism and analysis” with a scope that “is broadly cast on all things pop culture”, including “music, television, films, books, video games, sports, theatre, the visual arts, travel, and the Internet”. PopMatters claims that it is “the largest site that bridges academic and popular writing in the world”.

As in past years, last week PopMatters published a list of “The 20 Best Metal Albums“ of the year, again under the by-line of Spyros Stasis and Antonio Poscic. You’ll find that list below. Continue reading »

AN NCS VIDEO PREMIERE: RAT KING — “MORBOSO”

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Dec 062021
 

 

In April 2017 at Seattle’s tiny Funhouse venue I witnessed one of the earliest live performances by Rat King (along with my first exposure to live performances by Seattle’s Rhine and Arizona’s Lago). I wrote about the show here, At that point Rat King was a complete unknown to me (the two key members, bassist/vocalist Daniel Racines and guitarist Ricardo Racines, had moved to Seattle from Ecuador), but they made an immediate positive impression.

At that point Rat King had a debut album (Garbage Island), an EP, and a split in their discography, and they released a second album (Vicious Inhumanity) in 2020. That second album reflected a change in style, moving toward a fast-paced and vicious blend of death metal and grind, and on their new EP Santa Hipocresía (set for release on December 10th via Within The Mind Records) they mainly stay in the fast and furious lane.

But not everything on the new EP is high-speed savagery, as you’ll discover through our video premiere today of a bludgeoning and sinister track called “Morboso” (“morbid” in English). Continue reading »

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