Jan 132021
 

Good morning/afternoon/evening my friends and a hearty “remain indoors” to you all.

Andy Synn here, stepping in for our great and glorious leader who, sadly, can’t be with you/us right now. And for good reason.

Well, I say “good”, but there’s actually nothing “good” about it. Due to inclement, semi-apocalyptic, weather conditions, our beloved overlord is currently without power, internet, or (for the most part) phone signal, meaning that he hasn’t been able to put together any of the posts he had planned for today.

We’re hopeful that, at some point, he’ll have his access to the grid (and therefore the web) restored, but for now we’d just like to issue an apology for the technical difficulties we’re currently experiencing.

Don’t worry though, it wouldn’t be an NCS post without at least some new music, so after the jump I’m going to share a few quick thoughts on a certain EP which dropped just last night (along with the requisite bandcamp embed, obviously) so we don’t feel like today has been a total waste.

Continue reading »

Jan 122021
 

 

Among almost all die-hard metalheads the phrase “Bay Area thrash” immediately brings to mind a very well-defined and much-loved sound, but one that for many listeners has been done to death, to the point that for many fans clutching their old favorites the chance of finding something new seems hardly worth the time. But while Molten are a Bay Area band and thrash is a vital part of their DNA, their new album Dystopian Syndrome is very much worth all the time you can give it.

As you will discover through our premiere of the entire album stream today in advance of its January 15th release, thrash is the foundation but not the entire edifice of what they’ve constructed. As a function of the band’s varied musical interests, their music is a richly embellished experience that channels changing moods and energies and reveals a taste for instrumentation not usually found in the genre, while also delivering monstrous vocals and the kind of technical performance skill that drops jaws and pops eyes. Continue reading »

Jan 122021
 

 

This is one of those premieres that spurred us to engage in arcane research, and to learn some macabre facts which you can now learn too, in addition to digesting the most obvious thing, i.e., a new song by Dipygus — unless it digests you first.

We will of course eventually turn to the music off this California death metal band’s forthcoming second album, Bushmeat, but first let’s share the results of our curiosity, beginning with the band’s name. What does it mean? Continue reading »

Jan 122021
 

 

Editor’s Note: Once upon a time, and for many years in the earlier life of NCS, Seattle-based Joseph Schafer wrote with us under the pseudonym BadWolf. From NCS he went on to become the editor of Invisible Oranges, and since then has written about music and culture for the likes of Decibel, Noisey, Consequence of Sound, Bandcamp, and more, in addition to collaborating on the production of Northwest Terror Fest. But this time of year he sometimes returns to NCS with a year-end list, and has surprised us this year by doing it again. This time his list includes a Top 10 of not-metal selections, a Top 10 of metal selections, and a list of honorable mentions.

 

My New Year’s resolution has been to drink almond milk instead of half-and-half and as a result the first lesson I’ve learned in 2021 has been: you can’t microwave that particular nut-based creamer. As such, my fingertips are burnt, so let’s keep this brief – and by brief I mean under two thousand words.

First things first: 2020 fucking sucked. Is there any other way to put it? Fuck the last year. Many of my closest comrades lost their jobs and endured quiet personal hells in isolation while white nationalists tried to overturn the country and a literal plague killed our loved ones. Not to mention, no live shows. Yuck. It’s probably not over but at least the worst of it seems behind us – that is, so long as you wash your hands wear a mask and take the damn vaccine. Continue reading »

Jan 122021
 

 

(Here is Andy Synn‘s review of the second album by the Mexican metal band Aztlan, which was released on January 1, 2021.)

As I was saying to my buddy Islander recently, the start of the new year generally feels a lot more relaxed and laid back than the months which follow. The regular release torrent has been reduced to a trickle, and there’s a lot less pressure to stay on top of all the “big” new releases… mostly because there aren’t that many of them.

The benefit of this, obviously, is that we’re free to browse and sample new bands and new albums more at our own pace, and able to give new discoveries the time they really deserve without feeling that we’re otherwise missing out or falling behind in the process.

Mexican septet Aztlan are the latest band to reap the rewards of this annual fallow period, as any other time of the year there’s a chance that Legión mexica, the group’s second album, might have gotten lost in the rush.

And that would have been a real shame, as it’s a brilliantly unorthodox blend of thrashy energy and folksy melody which combines both choppy metallic riffs and unusual, pre-Hispanic instrumentation into one impressively hypnotic whole. Continue reading »

Jan 112021
 

 

With a previous incarnation under the name Snorri and contributions to underground black metal across various other projects, three lifetime friends from Perth are now cutting their way forward under the name Pestis Cultus. Their self-titled debut album will be released on February 12th, and from that album we are today premiering a track named “Black Tongue Hymn“, which follows a previous single, “To the Old Ruins“.

The album begins and ends with an intro and outro fashioned by Mortiis, and in between Pestis Cultus have fashioned a truly chilling yet electrifying experience, one that’s hideous and vampiric, violent and chaotic, sepulchral and sinister — and yet with a turn-on-a-dime dynamism that makes each song more twisting and turning than a simple exercise in raw black metal orthodoxy. These two tracks you can now hear are solid proof of that. Continue reading »

Jan 112021
 

 

For obvious reasons, I couldn’t resist putting these three songs together for Part 6 of this list. They were all going to be on the list at some point, but the band names just cried out for combining them.

And the combination is especially delicious because the sounds are so distinct from each other despite the commonality of that one word.

I’ll also mention, for those who might be encountering this series for the first time, that you can find the songs that have preceded these on the list by clicking this link.

Continue reading »

Jan 112021
 

 

(TheMadIsraeli wrote the following essay, which connects two of his favorite pasttimes.)

Besides being a devoutly obsessive-compulsive audio consumer of the style of metal and all of its extremities I’m also an obsessive-compulsive consumer of interactive video games.  I have been all my life, and in a lot of the same ways as metal, video games are just as responsible for saving me from struggles with mental health issues and helping me cope with life.  I find this funny, because if one really breaks down and examines video games, especially modern ones, at their cores…

They are essentially just interactive metal. Continue reading »

Jan 112021
 

 

(In this new interview Comrade Aleks put questions to the two main members of the Italian band Mourning Mist, whose second album Amen was released last November by BloodRock Records.)

Mourning Mist hail from Perugia, Umbria. This Italian band was started back in 2013 by Mid. (drums, vocals) and Echerual (violin). A year later Kvasir (bass, vocals, guitars) joined and the crew started to explore the skills they had, playing different sorts of black metal in new territories.

Their self-titled debut appeared in 2015 and I’m still bewildered with this blackened eclectic mix of genres, but their sophomore album Amen (October, 2020) is clearer and closer to my doom-bound heart. The new material wears the mark of alchemical trials, yet general tone is recognizable for followers of traditional mournful doom metal.

We’ve made this interview with Echerual and Kvasir to learn more details about Mourning and Mist. Continue reading »

Jan 102021
 

 

I had more time this Sunday morning than I did yesterday to check out new music, focusing as I usually do on the blackened arts. Unfortunately for me, if not for you, I still didn’t have time to write as much as I would like about what I’ve selected for this column. For much of it I resorted to fragmentary impressions rather than more complete reviews, or even complete sentences. But I bet you’ll enjoy the music anyway.

MALIST (Russia)

…blazing and boisterous… thrusting and thunderous… moody, melancholy, and mysterious at times, but mainly explosive and exhilarating (and highly addictive)… Continue reading »