Jul 072020
 

 

The North Carolina black metal band Worsen began as the solo project of multi-instrumentalist Rick Contes. After a debut EP in 2014 named Blood, five years passed before the release of Worsen‘s debut album Cursed To Witness Life last year. Contes again wrote the music and recorded all instruments and vocals. He has explained the events that led to the album, and the time it took to write it:

“This was a very personal and cathartic record for me that is lyrically focused on the death of my brother as well as dramatic conclusions to hollow friendships and the removal of toxic people and things from my life. It’s something I started alone that I needed to finish alone.”

Although the album was his own personal work, Worsen has now become a full band, with a line-up that has performed live and that is now preparing material for Worsen‘s next release. That full line-up is featured in the video we’re presenting today for “Open Grave“, an especially intense and emotionally wrenching track off of Cursed To Witness Life  — and it follows the band’s announcement that the album will now be released on vinyl by The Hell Command (USA) and Wolves Of Hades (Europe). Continue reading »

Jul 072020
 

 

Those of us who form the core staff at NCS have recently been reconsidering lots of the things we do here and how we do them. To be more precise, much of the discussion has involved what I do here and how I do them. A lot of the discussion boils down to being more selective in what we publish, and more willing to publish fewer posts every day if that’s necessary to make greater scrutiny possible.

One likely outcome of those discussions is that I will accept fewer premieres. For a while now I’ve been writing two or more premieres every day. I only agree to premiere music that I like and that I think fits the musical focus of the site, but that still leads to lots of premieres. I admit that I have a hard time saying no. One consequence of so many premieres is that I have much less time to write about music that I find on my own, including round-ups of new music and stand-alone reviews of records that we’re not premiering.

Because I’ve put myself in the position of not being able to write round-ups as often as I’d like, the backlogs grow to gargantuan proportions. I resort to gigantic Overflowing Streams collections in an effort to work through the backlogs, but even that format (in which I cut back on my own verbiage) takes time to put together, and so I wind up not even publishing those kinds of collections more than once a week (if I can even manage that).

This process of discussion and self-reflection has led me to realize another problem I’ve created for myself. Continue reading »

Jul 062020
 

 

(This is Todd Manning‘s review of the debut EP by the UK band Trial, which is set for release on July 10th.)

We might associate the Eighties with some sort of neon-nightmare Glam Metal and New Wave bastardized Pop Music, but there was definitely a strain of post-collapse apocalypticism running through the underground of Metal, Punk and Industrial at the time that seems to capture the dystopian/collapse feeling better than just about anyone, including those of us who now seem to be living out that particular dream. Trial might be of today, but they tap that Eighties eschatological strain as well as anyone.

This music sounds like it was composed in a plastic coffin, one of many strewn across the nuclear wasteland. The guitar summons the feel of primitive Thrash, simple riffs played in a minimalist fashion, almost sounding as if they’ve been ripped from some long-lost cassette demo. These are then juxtaposed against a cold and punishing drum machine and an equally disaffected vocal style that seems smuggled in from a Post-Punk record. The result is both captivating and punishing, often walking a fine-line near the fist-pumping goodness that recalls the Heavy Metal of an earlier time, yet with a layer of noise and abstraction poured over the mix that keeps this from being just a nostalgia trip. Continue reading »

Jul 062020
 

 

Now approaching the end of their first decade of activity, Australia’s Temple Nightside have firmly established themselves as a nightmarish force of nature — though it’s perhaps more accurate to characterize their brand of blackened death metal as a terrorizing radiation of supernatural power. Dense, destructive, and domineering, their music has also seemed to be the stuff of necromantic ritual, a form of arcane pitch-black incantation which draws its eldritch energies from the shedding of blood on a massive scale.

Temple Nightside‘s dedication to crypt-born, blood-freezing death metal punishment has been unflinching over the course of their first three albums and assorted shorter releases, but their music has not remained static. Their forthcoming fourth album reveals further dimensions of sound, though without retreating even one small step from the ferocious forward momentum of their warlike ravages.

That new album, Pillars of Damnation, will be released by Iron Bonehead Productions on August 7th, and the song we’re premiering today — aptly named “Wreathed In Agony” — is a vivid sign of the latest permutations in Temple Nightside‘s decimating evolution. Continue reading »

Jul 062020
 

 

We’ve been attentively following the progress of the German atmospheric black metal band Schattenfall since their first release in 2017, a debut album named Schatten in Schwarz. That album made a stunning first impression, but perhaps even more stunning was the band’s second album, 2019’s Melancholie des Seins, which our Andy Synn acclaimed in his review here as “equal parts haunting beauty and brooding melancholy,” presenting manifestations of “gloriously melodic misery” that were “second to none”.

Schattenfall followed that album with their Das Verderben EP in February of this year, and it proved again the band’s formidable talent for creating music that leaves lasting impressions. It was spellbinding but also capable of jolting ferocity and shattering emotional force.

And now it’s our pleasure to present a full stream of Schattenfall’s latest work, an instrumental EP entitled Einsamkeit that’s set for release on July 13th. Continue reading »

Jul 052020
 

 

Last week wore me out, for a lot of reasons. After sleeping for an alcohol-assisted 11 hours Friday night I decided to take a vacation from NCS yesterday, and a vacation from listening to music of any kind. But I got back into the swing of things this morning, beginning before the sun rose. And from that listening session I picked what you’ll find here. I’m beginning with two bands whose past music I’ve enjoyed and then moving off into previously uncharted waters.

KATAVASIA

We kind of went overboard in our coverage of this Greek black metal band’s 2015 debut album Sacrilegious Testament and their follow-on 2017 EP Daemonic Offering: I count 9 posts we made about those releases, including an interview and a track premiere. If you’d like to get caught up, you’ll find all those articles here.

The band drew all that attention, not just here but elsewhere, in part because of the line-up, which included members of Aenaon, Varathron, Hail Spirit Noir, Agnes Vein, and Melan Selas. The line-up remains mostly intact on the band’s second album, Magnus Venator, which will be released on September 4th via Floga Records. Continue reading »

Jul 032020
 

 

I’m mindful of the fact that today Bandcamp is waiving its revenue share, which means that more of the money you throw at Bandcamp releases today will land in the pockets of bands and labels. So I’m trying to make a lot of recommendations, many of which were included in Part 1 of this post. But I’m also mindful of the fact that time is running out. And so although this Part 2 of today’s collection consists of complete releases rather than individual songs, I’m not attempting anything close to reviews, just a few words of description and recommendation.

Needless to say, there are dozens of other recent releases I could have included here (2020 has been ridiculously strong for metal, IMO), so there’s more than a bit of randomness in the choices I made. Nevertheless, I back each of these wholeheartedly. (I should add that this collection is heavy on the black and blackened metal, because that’s where I’ve spent a lot of my recent listening time.)

ADORA VIVOS / AMIENSUS  (U.S.)

A beautiful and ravishing split that includes not only a great Amiensus song but also the magnificent return of Adora Vivos after a 7-year silence, a band that includes former Amiensus multi-instrumentalist J. Waller (on both Restoration and Ascension) and Amiensus vocalist/guitarist James Benson. This one won’t leave you the same way it found you. Continue reading »

Jul 032020
 


Ars Magna Umbrae

 

This is a great day for metal fans to support bands with their money. It’s a harrowing day for metal bloggers like myself.

It’s a great day because Bandcamp is again waiving its share of revenues from sales on its site, which means more money generated from purchases and donations goes directly to bands and labels, some of whom are in turn donating proceeds to charitable causes.

It’s a harrowing day because bands and labels have been releasing a HUMONGOUS AMOUNT OF MUSIC to take advantage of the occasion. Beginning yesterday and continuing today, my in-box has exploded with Bandcamp alerts and press releases, and that’s on top of the usual flood of other new music appearing earlier in the week. There’s no way I can sample all of it. But I’ve sampled some of it, and you see the results in this post — or at least some of them.

What I’ve done here is to collect individual songs and videos for new releases (and a few older ones), arranged in alphabetical order by band name. Many of those releases, but not all, can be purchased or pre-ordered on Bandcamp to take advantage of the revenue-share waiver. In Part 2 I’ll quickly throw out recommendations for complete new releases that would also be good candidates for your Bandcamp purchases. Continue reading »

Jul 032020
 

 

(This is Andy Synn‘s review of the new covers EP by the German band Mantar, (a favorite at our site since the beginning), which is out now on Brutal Panda Records.)

Is it just me, or has it been a hell of a long week?

I’m not just talking about things here at NCS either. My job has been keeping me extra busy every single day, and between that and trying to balance things at home and with the band… it seems like I haven’t had a moment to spare, and right now I honestly feel like I could sleep for a week.

Because of that, because of everything that’s been going on, I’ve decided that I wanted to end the week on something a little bit more “fun”. After all, the only reason any of us write here for NCS (it’s certainly not for fame or fortune) is because we enjoy it. And if we’re not enjoying it, then what’s the point?

Thankfully it didn’t take me long to settle on what to write about, as not only are Mantar one of my favourite bands of the last decade but their new covers EP is one hell of way to pay tribute to the group’s influences and inspirations. Continue reading »

Jul 032020
 

 

I think even the most devoted fans of thrash would admit that it’s hard to stand out from the pack, especially in 2020, after so many decades have been filled with so many bands and albums, both great and not-so-great. It’s even harder when a band feels a strong bond to such icons of the genre as the early works of Metallica, Slayer, and Death, as well as the continuing influence of Kreator and Demolition Hammer.

And that’s what makes Deathstorm so well worth your time — they relish those influences, and their music is unpretentious and uninterested in trying to reinvent the wheel or reconfiguring it into some new mechanism of propulsion, yet these Austrian wolves still do stand out from the pack. How do they do it? The song we’re premiering today from their upcoming fourth album Dread Shall Reign (which will be released by Dying Victims Productions on July 31st) will show you how — in spades. Continue reading »