AN NCS INTERVIEW: DAVE INGRAM (BENEDICTION)

 Interviews  1 Response »
Oct 192020
 

 

(Last Friday, the 16th of October, Nuclear Blast released Scriptures, the first Benediction album since 2008, with Dave Ingram back behind the mic. And it is thus very good timing that DJ Jet has brought us this interview with the man himself.)

Dave, you have such an extensive career in death metal stemming back to the golden ages of the genre, having been in Benediction, then Bolt Thrower, and many other bands since then, and now back in front of Benediction today. What were the early days like in Benediction and Bolt Thrower?

Hey there, my dear friend. Thanks so much for the interview!

Right, jumping straight into it I can say that “back in the day” there was no internet to help facilitate self-promotion. You really had to work for things and have patience, since snail mail took a while. There were way more phone calls back then. I can remember standing around inside the one rehearsal studio we were at in early 1993. We were playing pool, and awaiting a phone call from the record label (Nuclear Blast) to let them know we were going to re-sign with them. While we waited, in walked Robert Plant and asked if he could use the phone. We explained the situation and he fully understood, saying he would come back later. One of us (I forget who) said to him, “You were great in Whitesnake.” He left with a confused look on his face. That’s just one example of what life was like back then. It was always fun, and it still is today! Continue reading »

SHADES OF BLACK: DARK BUDDHA RISING, SPYROS APOSTOLOU, INFANTS OF THE AFTERLIFE, GORRCH, SANCTUS HEXE, LYCOPOLIS

 SHADES OF BLACK  4 Responses »
Oct 182020
 

 

Although this column is principally devoted to flavors of black metal, sometimes I branch out and include music that’s outside the genre. Usually that happens when it’s something I don’t want to delay recommending, but it’s also usually music that at least to my ears has a “spiritual” kinship to black metal. And by “spiritual” I don’t mean satanic, but rather a kind of pitch-black mood that makes its placement in the playlist suitable (for want of a better word). I’ve done this today with the first two items.

DARK BUDDHA RISING

To begin, I’ve chosen an astonishing video made by Dehn Sora for the song “Sunyaga” by the Finnish dark underlords of psychedelic drone, Dark Buddha Rising. The song is from the band’s forthcoming seventh album, Mathreyata. Continue reading »

STAYING IN TOUCH (AND SOME MUSIC BY VACANTFIELD)

 Off Topic, RANDOM FUCKING MUSIC  20 Responses »
Oct 172020
 

 

I haven’t done this in a long time, so long that I had to research when the last time was — and it was in May, if you don’t count a post I made in July soon after the Covid death of a man who was an influential mentor and father-figure in my life. But I was stunned to see a map and accompanying data this morning, which made me think it was time again to invite people to share their thoughts about what has been happening to them and their communities during the pandemic. As usual, I’ve included some new metal for people who don’t feel like doing that.

That map I saw is the same one you can see at the top of this post. It was accompanied by this chart:

 

 

This shows that at least 909 new coronavirus deaths and 70,451 new cases were reported in the United States on October 16th. Over the past week, there have been an average of 56,040 cases per day, an increase of 29 percent from the average two weeks earlier. As of Saturday morning, more than 8,090,500 people in the United States have been infected with the coronavirus and at least 218,400 have died, according to a database maintained by The New York Times, which is where I found this dismal news (here).

That 70,451 number is eye-popping because it’s close to the all-time daily high of 73,523 on July 24th. In other words, here in the U.S. we’re in the vicinity of a new peak that would rival the worst days of the outbreak over the summer. Continue reading »

NEW MUSIC FRIDAY: BENEDICTION, DARK TRANQUILITY, WARDRUNA, REFUSED

 RANDOM FUCKING MUSIC  2 Responses »
Oct 162020
 


Benediction (photo by Karen Rew)

 

(Another Friday has arrived, and that means another selection of new songs and videos chosen and introduced by our contributor Gonzo.)

It’s always fun when I wake up on Friday mornings and discover new music I never saw coming, especially when it’s from bands I’ve loved for 20+ years. It reminds me of simpler times. For me, though, nothing beats the old feeling of walking into a record store and browsing through new releases for hours at a time.

Alas, the modern conveniences of having gigabytes of new shit funneled into your ears simply by opening your phone these days is nice, but this week’s new music is a trip into a universe of nostalgia for me. Why? I’ve bought CDs from all four of the bands I’ve included this week – some of which I still have in a giant binder that I don’t open very much anymore. Maybe I’ll go revisit that now.

Anyway, hope you enjoy these tracks as much as I do. Continue reading »

AN NCS DEMO PREMIERE (AND A REVIEW): ÅSKOG — “VARG”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Oct 162020
 

 

The Swedish duo known as Murdryck began musical life in 1999 as a “Blackened Dark Ambient” project, disappeared for a time, and then rejuvenated themselves as a Black Metal band in 2014. Thereafter, they released two excellent albums, 2016’s Antologi MMXV (reviewed here at NCS) and 2019’s Födelsen. And then, to the sorrow of Murdryck’s fans, they disbanded. But it turns out that the two men behind Murdryck weren’t finished after all.

That duo — bassist/vocalist Lars Hansson and guitarist Adam Chapman — came back together early this past summer, inspired to renew their cooperation in pursuit of fresh ideas. Adopting the name Åskog, they ensconced themselves in a decrepit forest house owned by Lars deep in the woods of Värmland and wrote four songs between July and August. As they explain, the themes of the music were spawned by the band’s presence in that old forest house, with its own morbid history and its wilderness setting, during a time when the Covid-19 pandemic turned the world into chaos: “You only have to watch nature documentaries to realize the natural world is truly a horrific place. The great outdoors is romanticized, but the reality is it is brutal with no room for concession or concern.”

But what kind of music was born of this reunion, and Åskog’s focus on the cold and harsh brutality of nature? You are about to find out, because today we’re streaming Varg, Åskog‘s first demo, on the eve of its October 17 release. In its digital edition, it includes two of the four songs written this past summer, and a cassette tape edition will include a third one as a bonus. Continue reading »

AN NCS INTERVIEW: FVNERAL FVKK

 Interviews  No Responses »
Oct 162020
 

 

(We welcome back Comrade Aleks, who has brought us a long-gestating but highly engaging interview with Frater Flagellum, drummer of the German epic doom band Fvneral Fvkk, and we thank him for his time as well.)

Probably there’s still an intrigue for those who skipped Fvneral Fvkk’s debut full-length Carnal Confessions (released on the 27th of September, 2019). What does a band with a name like this play? Death’n’thrash? Blasphemous black metal? Or its punkish version?

Actually, this outfit from Hamburg preaches epic doom metal with texts focused on modern Catholic crimes against children, but I bet you’ve heard about them despite your musical preferences because Carnal Confessions was one of most noticeable albums of this kind for the whole of 2019.

Fvneral Fvkk has remained a quartet since 2015, and although session musicians have joined their live masses, the core lineup has been the same since then: Cantor Cinaedicus (vocals), Vicarius Vespillo (bass), Frater Flagellum (drums) and Decanus Obscaenus (guitars). The band’s members tend to keep their personalities incognito, though it’s well-known that there are members of Crimson Swan, Fäulnis, and Ophis in the band. Not a big secret then, right?

This interview was started 11 months ago or so, but things happened as we know… However I need to thank Frater Flagellum for the time he spent on answering all of this, it’s much appreciated – God speed you on, oh good Frater! Continue reading »

AN NCS PREMIERE: PESTE UMBRARUM — “WHERE VILE TEMPESTS CONVOKE (I AM BORNE)”

 Premieres  No Responses »
Oct 152020
 

 

Barely more than two years ago I was floored by Night Shines Eternal, the debut demo by Peste Umbrarum, a Portland, Oregon black metal band that includes members of Panzergod, Death Fetishist, and Deathsaw, and former members of Daemoniis ad Noctum, Cult of Unholy Shadows, and Hiding. I wrote then, at the end of a lengthy review: “This demo really is a stunner, powerfully expressing a range of moods from debilitating depressiveness to incendiary euphoria. If I had to sum up it up in a single word, it would be this one: Magnificent”.

It was thus with genuine excitement that I learned Peste Umbrarum would be releasing their first full-length. Entitled Night Canticles of the Ancient Ana’themae, it shows every sign of being not just as magnificent as that first demo, but even more spectacular. It’s projected for release in time for Samhain by Astral Nightmare Productions, and it’s our great pleasure today to present the first advance track, an exhilarating experience named “Where Vile Tempests Convoke (I Am Borne)“. Continue reading »

AN NCS PREMIERE: VYRION — “MONUMENTS”

 Premieres  4 Responses »
Oct 152020
 

 

Somehow our putrid site has come this far without ever turning our gaze in the direction of Vyrion. Doing so now creates a feeling of dismay at how much we have missed, because this quartet from Brisbane, Australia have already released two albums that are real gems. It’s hard to say they are underrated, because both Vyrion (2011) and Geo (2014) both received glowing reviews from respected writers, but it’s nonetheless true that neither of them seems to have commanded the level of attention they deserve.

Six years on from Geo, Vyrion are returning with a new full-length named Nil that will beindependently released on October 26th, and we can only hope that it will open eyes like ours, which for too long haven’t focused on Vyrion’s talents. Today our aim is to aid that process of discovery by premiering a song from the new album, a track named “Monuments“. Continue reading »

DEFACING: “THE BEGINNING OF HUMAN CRUELTY – DESTROYING YOUR DIGNITY”

 Album Reviews  No Responses »
Oct 152020
 

 

(Here we have Vonlughlio’s recommendation of a new compilation record by the Chilean brutal death metal band Defacing, which is out now on Rotten Cemetery Records.)

Defacing is one of the best BDM acts from Chile. Originating back in 2001, they graced us in 2003 with their demo The Beginning of Human Cruelty, a display of powerful in-your-face Brutal Death that has all the qualities fans of the genre love.  But it was not until 2005 with the release of their debut album, the well-named Spitting Savagery, that I was able to discover them.

A friend of mine said when we listened to the album (and I quote) “South America Cryptopsy twins”, and the funny thing is, they cover “Phobophile” on this release (which is hands-down an amazing cover). But for me, they are not twins. Sure, there is a strong influence, but Defacing still managed to create a special sound.  For 31 minutes you find yourself in constant movement with the punishing riffs, the blast beats, and vocals that are utterly nasty and full of hate.  This album made an impact that still holds 15 years after its release, an underrated gem of one great project. Continue reading »

AN NCS PREMIERE: KING OV WYRMS — “THORNE BEARER”

 Premieres  No Responses »
Oct 142020
 

 

King Ov Wyrms is the solo project of Tuscon musician Michael Sanchez, a vehicle that he developed apart from his main band (Pain Patterns) beginning in 2015 as a way of delving more deeply into more extreme forms of sonic aggression, drawing influence from classic death and black metal acts of the late ’80s and early ’90s, including such venerated names as Morbid Angel, Bloodbath, Enthroned, Vader, and Dark Funeral. As he has explained about King Ov Wyrms‘ forthcoming debut album:

“Lord Ov Thornes is an album that to me attempts to bridge a gap between the earliest forms of death and black to a more modern approach of metal production, almost like taking Morbid Angel’s Formulas Fatal To The Flesh and mashing it with Sulphur Aeons’ Gateway To The Antisphere. These brutal compositions that have been in the works for several years are finally ready to surface from their grim depths and inspire a new wave of death metallers.”

King Ov Wyrms has already released a first single from the new album (“Threnody“), and today we’re helping spread the word about a second one — “Thorne Bearer“. Continue reading »

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