AN NCS PREMIERE: NECROLEPSY — “CLOT OVER CONCRETE”

 Premieres  No Responses »
Jul 302020
 

 

Time brings change, sometimes unexpected, sometimes planned. When multi-instrumentalist Muttaki Shafayath and vocalist Ruzlan Safat created Necrolepsy in Sylhet, Bangladesh during 2012, they dedicated themselves to goregrind. They launched an EP named Exhibition of Mutilated Apparatus in 2014, and followed that with a sequence of split releases from then into 2016. In that year, Necrolepsy fell silent, though its members continued to create together in the stoner doom band Moonshiner, which released a self-titled demo on 2017.

But the ensuing years brought even further changes. Muttaki moved to Toronto, and Ruzlan moved to Dhaka. And when they decided to resuscitate Necrolepsy across the span of thousands of miles, they decided to focus more heavily on death metal than they had in their earlier goregrind-rooted music. With that new focus, they’re at work on an EP projected for release in 2021, and today we’re premiering its first single, which will be released for download on July 31st.

Today we’re presenting a stream of that single — “Clot Over Concrete” — and it is a spectacularly wild ride. Continue reading »

AN NCS INTERVIEW: CARACH ANGREN (SEREGOR)

 Interviews  3 Responses »
Jul 302020
 

 

(On June 26th Season of Mist released Franckensteina Strataemontanus, a new album by the Dutch symphonic horror metal band Carach Angren, and in this new interview DJ Jet caught up with guitarist/vocalist Seregor to discuss the album and many other topics of interest.)

 

Seregor, please give us a little history about Carach Angren, on how this band came about and what you wished to express through it.

Good day, we are a horror metal act from the southern parts of the Netherlands. Founded in 2003, we started off as a side project when we were active in former trash/blackmetal act “Vaultage”. As soon as this band seized to exist Carach Angren became fully operational as a three-headed formation and that machine never stopped roaring, going and growing. Ardek and I always had a distinct taste of how this band should sound, feel and look. Fast, high, blasts, low, complex, full, symphonic, emotional etc. Continue reading »

DROUTH: “EXCERPTS FROM A DREAD LITURGY”

 Album Reviews  2 Responses »
Jul 292020
 

 

(July 31 is the date set by Translation Loss Records for the release of the new album by Portland, Oregon’s Drouth, and here we have Andy Synn‘s review.)

It looks like this week is going to be (another) one dedicated to the underdogs.

After all, I’ve already written glowingly about Question and their killer new album, which could well end up on a few “Album of the Year” lists come December, and I’m almost done putting together this month’s edition of The Synn Report, which covers another band whose latest (but largely unheralded) record also deserves a lot more praise and attention.

Then there’s today’s feature, covering the second album from Portland-based blast-fiends Drouth, which looks set to finally (and firmly) put them on the Black Metal map. Continue reading »

AN NCS PREMIERE: SVNTH — “ERASING GODS’ TOWERS”

 Premieres  No Responses »
Jul 292020
 

 

As we wrote at time of our last premiere for this Roman band two years ago, in genre terms they were hard to pin down. At the time of that 2018 release (an EP named SVNTH) one could tick off references to black metal, post-rock, and Pink Floyd-inspired psychedelia, with a nod toward experimental flourishes — and you could also hear ambient sounds and folk-oriented digressions with a dark cast.

As we observed then, just making a list like that might make you think of a juggler feverishly trying to avoid dropping any of the multi-colored spheres he’s whirling through the air, but Seventh Genocide (who have begun shortening their name to SVNTH) made their amalgamation of myriad influences sound effortless. All those changing colors weren’t distracting; they just made the music more engrossing.

Which is one reason why we’ve been so curious to see what they would do on their next release. That next release turns out to be an album named Spring in Blue, which will be released by Transcending Records on August 28th. The band have previously released a first single called “Wings of the Ark“, and today we present a second one — “Erasing Gods’ Towers“. Continue reading »

AN NCS PREMIERE: BURNT OFFERING — “THE NIGHT OF HARVEST”

 Premieres  1 Response »
Jul 292020
 

 

“Darkness fell on the village. The night scattered silver stars across the sky shining with blackness. Harvest Night. The Night of the harvest of souls. Among the stellar myriad, one of the stars is the brightest One. The One that is the essence. The One which is the key. The One which is the Lord of the harvest of souls. On the waves of steppe grasses They wander without haste. Those whose will is the Star. Those whose blood is the Star’s light. Whose eyes keep its reflection. Whose ghostlike flesh will reap some primitive lives. The sickle is raised to reap. It is the Harvest Night!”

Those words are the backdrop fashioned by the multi-national trio Burnt Offering to the song we’re premiering today from their debut album Harvest (“Жатва”), which will jointly be released by Casus Belli Musica and Beverina on August 20th. Those words, and the song, also channel the inspiration of the band members Nameless Enemy, Blind Idiot God, and Asbath (from Darkestrah) to pay tribute to the raw archaic black of the early ’90s Scandinavian scene, and early Ukrainian black metal groups such as Astrofaes — a time “when Black Metal was a source of terror and sorcery”. Continue reading »

SEEN AND HEARD: CRIPPLED BLACK PHOENIX, OXALATE, REBAELLIUN, TENEBRA

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  3 Responses »
Jul 292020
 

 

Happy hump-day. To help get you over the hump I compiled this short collection of new songs and videos from among others I checked out last night and this morning. Apart from the fact that I thoroughly enjoyed all of these, they give you a lot of variety. Surely you will enjoy at least one, if not all of them. If you don’t, we’re not offering refunds.

CRIPPLED BLACK PHOENIX

The opening drum pattern in this first song and video reminded me of Kate Bush‘s hit from the mid-’80s, “Running Up That Hill”. Even if I hadn’t already been a fan of Crippled Black Phoenix and curious to see what they’d be doing on their new album, that alone would have rooted me in place for the rest of this ride — and what a wonderful ride it is. Continue reading »

QUESTION: “REFLECTIONS OF THE VOID”

 Album Reviews  6 Responses »
Jul 282020
 

 

(We present Andy Synn‘s review of the new album by the Mexican death metal band Question, which will be released by Chaos Records on July 31st.)

The annual battle for “Death Metal Album of the Year” is always a close-fought and contentious one, and 2020 is no exception.

So far I’ve seen a lot of people throwing their weight behind Ulthar’s Providence and Black Curse’s Endless Wound (and with good reason, because both albums are great), and there’s also been a hell of a lot of buzz about the new Necrot (which I’m sure we’ll be reviewing very soon) and, to a lesser extent, Draghkar’s long-gestating, soon-to-be-released debut.

However, from where I’m standing, it’s Reflections of the Void which is the real dark-horse contender for the title. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): ÆPOCH — “THE SCRYER”

 Album Reviews, Premieres  No Responses »
Jul 282020
 

 

A little more than two years on from the release of their Awakening Inception debut album, the Ontario-based death metal band Æpoch are on the verge of releasing a new EP named The Scryer, a six-track, 30-minute offering that diverges in some ways from that full-length debut. The band themselves state that when these songs were originally written, their main influences were Death, Through The Eyes Of The Dead, and Abysmal Dawn, and they pursued musical ideas that were “much less progressive and technical than our more recent influences”.

But these are relative comparisons, because The Scryer is still home to a lot of full-throttle technical virtuosity and an unmistakably adventurous instrumental spirit. Yet the EP’s appeal also significantly derives from its exotic melodic qualities, which provide a unifying theme throughout this extravagant thrill-ride of an EP.

Today we’re happy to present a full stream of The Scryer in advance of its July 31 release, along with some detailed notes about what you’re about to hear. Continue reading »

ABRAMELIN: “NEVER ENOUGH SNUFF”

 Album Reviews  3 Responses »
Jul 282020
 

 

(Here’s Vonlughlio’s review of the new album by Melbourne-based Abramelin, which was released on May 15th of this year.)

Yes as we all know 2020 has been a year we would rather forget and move toward the future. Everyone has been affected in one way on another, but I’m not getting into that here. All I am going to do in these disturbing times is to wish all the best to all the readers of NCS and its staff — and of course to recommend some music.

No live shows, which is a bummer, but a least we are getting new music from different projects around the globe, so there is that (at least).  I am writing in this instance to speak about a surprise release by an underground band who after 20 years have released a new full-length that for me is comeback of the year. Continue reading »

SEEN AND HEARD: OTTONE PESANTE, SILVER KNIFE, EVOKE, 0-NUN, MÖRK GRYNING

 Metal News, RANDOM FUCKING MUSIC  7 Responses »
Jul 272020
 

 

I’m trying to get back into the more normal swing of things after some recent disruptive events I’ve already written about. I made a start yesterday with a two-part SHADES OF BLACK, and am continuing today with this round-up of other music I’ve recently been enjoying. As you’ll see, I probably could have made this Part 3 of yesterday’s column, because it does lean pretty hard into blackened sounds.

OTTONE PESANTE

If you suspect, or perhaps have already concluded, that metal made exclusively with trumpet, trombone, and drums isn’t your kind of thing, I urge you (again) to reconsider. And if you’ve already embraced what Ottone Pesante do with those instruments, the first track in this collection will cause you to squeeze them harder to your chest (figuratively speaking, of course, because hugs may be disease-riddled these days). Continue reading »

 Older Entries  Newer Entries