May 182020
 


Uprising

 

(Andy Synn wrote each of the three reviews collected in this post, singing the praises of the new albums by Afsky (Denmark), Odraza (Poland), and Uprising (Germany).)

Black, as we all know, is the best colour.

It’s slimming, effortlessly classy, and goes with pretty much everything. Which I guess is why Black Metal fans are renowned as the sexiest, suavest-looking motherfuckers on the planet…

All joking aside, while conventional wisdom and common consensus seems to be that 2020 has, thus far, been a big year for Death Metal, it’s also been a banner year for Black Metal too, and I’ve already written about several absolutely stunning entries to the canon (for example, here, here, here, and here) that will doubtless end up on many year-end lists.

Well, now I’m about to add three more contenders for the crown to those lists, with the new albums from Afsky (DK), Odraza (PL), and Uprising (DE). Continue reading »

May 182020
 

 

Formed in 2017, and making it their mission to create morbid black metal of utmost darkness and depravity, The Rite released a debut EP (The Brocken Fires) the next year, and then a demo (The First Sin) in 2019. Now this international group are fast approaching the release of their debut full-length, Liturgy of the Black, with a June 19 release date set by Iron Bonehead Productions.

On this new album The Rite continue along the path they began charting on those earlier releases, combining hope-extinguishing doom riffs, eruptions of merciless savagery, and saturations of gruesome atmosphere to create music that is laden with dread and fueled by the adrenaline of fear. A couple months ago Iron Bonehead provided a striking demonstration of the new album’s horrifying power through the debut of a track named “The Black Effigy“, and today it’s our fiendish pleasure to provide another as we premiere “Necromancy“. Continue reading »

May 182020
 

 

On their new EP A Blunt Description of Something Obscene, Protosequence have created a genuine musical spectacle, a fusion of tech-death and progressive metal that manages to be both jaw-dropping and beguiling, both head-spinning and bone-smashing. It creates pyrotechnic displays of breath-taking instrumental agility that often seem completely deranged or utterly alien, accompanied by bestial vocal ferocity, but it also seduces the listener with elements of mesmerizing melody. And around every corner (of which there are many in these labyrinthine compositions), a new surprise awaits.

The EP will be released tomorrow by Lacerated Enemy Records, but today we bring you the chance to hear all the music. Get prepared for a wild thrill-ride — and of course we have our own thoughts about these tracks to help you prepare, though no one will blame you for skipping over them and pounding the Play button down below. Continue reading »

May 182020
 

 

(Comrade Aleks has brought us a new interview, and an especially interesting discussion it is, with Ascalaphus, one of the participants in Forlesen.)

Forlesen is the product of a spiritual and musical collaboration between Ascalaphus (vocals, guitars, synth, harmonium), Bezaelith (vocals, guitars, bass, synth) and Maleus (drums). I believe NCS readers know well Ascalaphus and Bezaelith due to their practices in Botanist and maybe Lotus Thief, and Maleus originally performed his duties in avant-garde outfits Kayo Dot, Vesper Moth, and Maudlin of the Well.

The interaction between these three artists turned into Forlesen’s first album Hierophant Violent, released by Hypnotic Dirge about a month ago. The band’s material is woven of psychedelic sonic filaments made from doom, ambient, and black metal – a blend which may surprise even Botanist’s followers. The album consists of just of two long tracks, but these tracks are worthy of listening, just as this exciting interview with Ascalaphus is worthy of reading. Continue reading »

May 172020
 

 

Well, it’s already late in the day, so I’ll dispense with introductory blather and just get right to it.

YSENGRIN

“Potencée d’Or” first appeared on this French band’s debut demo T.R.I.A.D.E back in 2008. Along with three other tracks from that demo, it has been “re-imagined” and re-recorded for the band’s new album (and their last one) Initiatio. The album also includes a revised version of “Monumentum” from the Archivum MMV-MMX demo dating to 2010, plus four new compositions, including two ambient numbers recorded live with the help of Frater Stéphane (N.K.R.T., Rosa Crux). Continue reading »

May 172020
 

 

I spent some time yesterday and more time this morning trying to figure out what to include in this week’s SHADES OF BLACK column. It shouldn’t have been an anxious experience, but it has been, because there is so much I wish I could write about and recommend. Though I know no one will live or die based on the choices I have to make, it’s still painful to leave anything good behind.

At one point I took a break from mentally wrestling with myself over black metal and listened to other things. By pure chance I happened to listen to the first three songs in this collection right in a row, and thought they went together beautifully. I added the fourth one as a wake-up call, and as a transition to whatever I wind up including in SOB.

AMIENSUS

Minnesota’s Amiensus should need no introduction to faithful visitors to our site. We’ve been writing about their music, and occasionally hosting premieres of it, since 2013. Obviously, we are fans, and you should be too. If you happen to be newcomers, you’ll soon have a chance to get on board because Amiensus have a new album named Abreaction that will be released this summer by Transcending Records. Continue reading »

May 162020
 

 

I hope your weekend is treating you well. Because I didn’t over-do things during my usual Friday night virtual happy hours, I was able to spend some time catching up with new songs and videos this morning, and I picked these to share with you. It’s an eclectic mix, even by the standards that I usually apply to these round-ups in an effort to ensure variety (and to keep our visitors off-balance). Lots of videos in this particular collection, too.

TRIPTYKON (Switzerland)

To lead off, here’s a video of a live performance by Triptykon of “Rex Irae” from Celtic Frost’s Into the Pandemonium. The song is the first movement in the “Requiem” trilogy, which also includes “Grave” (performed for the first time at the same concert where this video was filmed) and “Winter” (which first appeared on Monotheist).

The performance of all three movements of “Requiem” took place at Roadburn 2019, and Triptykon was accompanied by the Metropole Orkest, by Hannes Grossmann on drums, and by vocalist Safa Heraghi. The orchestration was composed by Alkaloid and Dark Fortress frontman Florian “Morean” Maier, working with Tom G. Warrior. Continue reading »

May 152020
 


(Andy Synn has compiled reviews of six recently released EPs that will make your shut-in time more bearable)

In the unending onrush of new albums coming out every month it’s easy to lose track of some of the smaller, though no less stellar, examples of ravaging riff-craft being released at the same time.

The thing is, sometimes what you want is more of a snack than a full meal, which is why it’s important that we make room in our schedule, now and then, to really appreciate some of the sweet metallic morsels like the six I’ve selected here today. Continue reading »

May 152020
 

 

Three-and-a-half weeks ago we premiered a video teaser of music from a new Italian death metal band named Instigate. The band initially attracted our attention because of the people who are in the line-up. As that video explained, the idea for Instigate sprang from the mind of guitarist Stefano Rossi Ciucci, who is a member of the Italian death metal band Bloodtruth, whose music we have featured more than one at NCS, most recently in our December 2019 premiere of a video for a track off their ravaging 2018 album Martyrium, released by Unique Leader Records.

Rounding out the Instigate line-up are Bloodtruth bassist Riccardo Rogari, vocalist Stefano Borciani from Demiurgon, and drummer extraordinaire Kevin Talley, who has performed with the likes of Suffocation, Dying Fetus, Misery Index, and Chimaira.

The line-up is indeed impressive, and it happily turns out that Instigate’s music is just as impressive as you would expect, even though the current plague has forced the band members to record from their separate home studios, with the results being re-amped and mixed by the engineering maestro Stefano Morabito at his famed 16th Cellar Studio in Rome.

And now, to follow that earlier teaser, today we’re presenting a complete track from the band’s forthcoming demo EP, Echoes Of A Dying World, which will be released on May 29th. And, as you can see, we’re also unveiling the tremendous cover art by Vladimir “Smerdulak” Chebakov (Hideous Divinity, Katalepsy, and more). Continue reading »

May 142020
 

 

This morning I thought I would have time to pull together a round-up of new music to recommend. In sifting through tracks and videos that had hit my radar screen over the last 24 hours, it dawned on me that the songs I most wanted to feature were all variants of black or “blackened” metal. And so, without planning to do so, I have a week-day edition of SHADES OF BLACK for you.

GAEREA

It’s no secret that I’ve been a huge fan of this Portuguese band since their inception, and have really enjoyed watching their profile become more prominent and their fanbase expand so dramatically since the release of their debut EP in 2016. Their new sophomore album, Limbo, has been high on my most-anticipated list for 2020, and at last we have a track to share, along with the fantastic cover art by Eliran Kantor. Continue reading »