NO CLEAN SINGING

DECOHERENCE: “EKPYROSIS”

Nov 222019

(Today Sentient Ruin Laboratories is releasing the debut album of the multinational black metal entity Decoherence, and to commemorate the occasion we have Andy Synn‘s laudatory review of the record.)

It still never fails to surprise me, although I probably should have learned by now, how conservative and parochial some Black Metal fans can be.

Don’t get me wrong, I’m a firm believer that every genre (not just Black Metal) has certain key features, certain boundaries, which define them, but it’s not hard at all to find bands pushing and exploring and expanding these boundaries in a way which still maintains the fundamental essence of the style.

That’s not enough for some people though, especially in Black Metal, where the issue of what is “true” and what is “false” often gets simplified down to “whatever I happen to like is real Black Metal, and whatever I don’t like isn’t”.

Still, even the most obsessive and obdurate of refuseniks will have a hard time denying that Ekpyrosis is one of the best Black Metal albums of the year. Continue reading »

AN NCS INTERVIEW: ANATOMIA (TAKASHI TANAKA)

Interviews 1 Response »

Nov 222019

(Comrade Aleks has brought us this very interesting and informative interview with Takashi Tanaka, drummer and vocalist of the formidable Japanese death-doom band Anatomia.)

There’s a sort of niche genre – something between crude, quite extreme death metal and death doom. It was set by Asphyx and Autopsy back in the early ’90s, and a good amount of bands carry on this tradition of mixing these sonic elements with brutal lyrics and straightforward delivery. Japan has two main bands of that kind – Coffins and Anatomia. You could see interview with Coffins here in November 2018, and now it’s Anatomia’s turn. Why?

Well, this band always has a new release. Yes, there are only three full-lengths in their discography, but just add to this score 14 split releases and 5-7 releases of other formats and you get a full picture.

Takashi Tanaka (drums, vocals) runs three more bands at the same time, so I believed it was wise to focus only on his Anatomia achievements. Continue reading »

AN NCS PREMIERE (AND A REVIEW): NOTT — “4”

Album Reviews, Premieres No Responses »

Nov 212019

This makes the second time in as many years that we’ve hosted the premiere of music by the Italian black metal band Nott, which is the creative vehicle of the lone wolf Mortifero from Lombardy. Last year the occasion was a song from an EP named Vestigium Mortis, and today it’s the advent of Nott’s fourth album, simply entitled 4.

Like the album title, the eight songs presented here are identified by numbers — chapter numbers in a musical volume. And this particular volume of Nott’s works will be released on November 30th by Third I Rex, in advance of which we’re hosting this complete stream of the music. Continue reading »

HAPPY 10TH BIRTHDAY TO US!

Birthday Posts, Metal News 50 Responses »

Nov 212019

On November 21, 2009, I made the first post at this blog, which, with tongue partially in cheek, I had decided to name NO CLEAN SINGING. I started it on a lark. I had no training or experience as a music writer. I had only scattered bits of knowledge about the long history of metal, because until recently I had spent my decades of time on earth mainly listening to other kinds of music. What I did have was a burgeoning attraction to heavy music and a lot of curiosity. Back in those early days of the blogging phenomenon, you really didn’t need much more than that to start out. Probably still don’t.

Of course, the intensity of my own interest and the ease of starting up didn’t mean that anyone would pay attention to NCS — and I didn’t expect that or need it. NCS existed as a hobby, for want of a better word, that I hoped would be an enjoyable diversion for me from the grind of daily life. That was the sum total of my motivation. If you had told me back then that I’d still be doing it 10 years later, and that NCS would achieve a certain level of global notoriety, I would have laughed so hard that I’d have been left gasping for air.

On this milestone birthday, I’ve thought about why, unexpectedly, we’re still here, and what has changed from those earliest of days. Continue reading »

OBSEQUIAE: “THE PALMS OF SORROWED KINGS”

Album Reviews 4 Responses »

Nov 212019

(Our old friend Professor D. Grover the XIIIth (ex-The Number of the Blog) returns to NCS with a review of the new album by the Minnesota “castle metal” band Obsequiae, which will be released by 20 Buck Spin this coming Friday, November 22nd.)

Joyous greetings and salutations, friends. Evidently, it’s been four years since Obsequiae graced the metal world with Aria Of Vernal Tombs, an album that came more or less out of nowhere to become my favorite album of that year. Following that, rather than wearing out its welcome, Aria instead settled further into my consciousness, cementing its status as my favorite black metal album ever and seizing a likely spot as one of my ten favorite albums ever.

Friends, given the volume of music I listen to on a weekly/monthly/yearly basis, this is no small thing.

Really, though, even as Aria settled around my brain like a comfortable chair around your butt, I found myself craving more, and so when I discovered that they finally had a follow-up album in the works, my excitement was palpable. (Entertainingly enough, there exists a possibility that I may have offered favors of a sexual nature to Islander in exchange for the procurement of a promo copy of the album, although I will neither confirm not deny such rumors. I can admit, however, that once said promo was acquired, it became the only thing I listened to for at least a week.) Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): THE DRIFT — “SEER”

Album Reviews, Exceptions to the Rule, Premieres No Responses »

Nov 202019

This coming Friday, November 22nd, the South African sludge metal band The Drift will release their third album, Seer, which forms the final installment in the Deluge trilogy that began with 2013’s Dreams of Deluge and 2015’s The Mountain Star. The new album is packed with ideas and diverse experiences, so much so that calling The Drift a sludge band is a great oversimplification, even if that label does accurately capture a part of their sound (but only a part).

The Drift sum up Seer as “the sound of introspection, with tracks ranging from claustrophobic and frenetic to open and expansive”, and that is accurate, but that too only scratches the surface of the broad spectrum of sounds and sensations that a trip through Seer reveals. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): THIRD CHAMBER — “HARVESTING OUR DECAY”

Album Reviews, Premieres, SHORT BUT SWEET 2 Responses »

Nov 202019

Although Harvesting Our Decay is the debut EP by Calgary-based death metal band Third Chamber, this is another example of a band whose members have a long history in the underground scene, in this case having performed with numerous Calgary groups, including Culled, After Earth, Meddigo, False Flag, WAKE, Disciples of Power, Exit Strategy, and Razorwing. And as some of those names suggest, Third Chamber‘s line-up — drummer Dustin Hahn, guitarists Jamie McIsaac and Jay, bassist Russ Gauthier, and vocalist Shane Hawco — have brought elements of grindcore and hardcore into their death-dealing metal.

The result of their collaboration, as vividly revealed on Harvesting Our Decay, is music that’s explosively powerful, making ample use of pulverizing grooves, maniacal riffing, and hair-raising vocal ferocity, while also paying attention to tempo dynamics and incorporating an array of dark melodic flavors that help give the music a memorable character.

The band will release Harvesting Our Decay on November 22nd, but we’re giving you the chance to check out all 21 minutes of it today. Continue reading »

CATTLE DECAPITATION: “DEATH ATLAS”

Album Reviews 12 Responses »

Nov 202019

(Andy Synn authored this review of the eagerly anticipated new album by Cattle Decapitation, which is set for release on November 29 by Metal Blade Records.)

As every amateur gambler knows, you never quit when you’re on a hot streak.

As every real gambler knows, however, hot streaks are an illusion, and it’s only the utterly naïve, or the foolhardy, who like to think that lady luck has, for some reason, taken a special interest in them.

Californian crushers Cattle Decapitation have been on their own little hot streak ever since 2009’s The Harvest Floor, with both the breakthrough/breakout release of Monolith of Inhumanity and it’s arguably even better follow-up, The Anthropocene Extinction, earning them a guaranteed place on pretty much every End of the Year list that mattered.

But what goes up must, inevitably, come down, and every bubble has to burst sometime.

So the question is, can Death Atlas continue the band’s winning ways, or is it time to cash out? Continue reading »

AN NCS VIDEO PREMIERE: PIST — “FOOLS GAVE CHASE”

Premieres 1 Response »

Nov 202019

With their new album Hailz, released not long ago by APF Records, the UK band Pist took some significant steps away from the “stoner doom” label that had become affixed to their previous releases, even though the band had never been comfortable with that label in the first place. As vocalist David Rowlands has explained, “in our eyes we’re a heavy metal, rock ‘n’ roll band who listen to a fair bit of Black Metal and Punk”. Those interests come through loud and clear in the seven tracks on Hailz. As David has further said, he and guitarist John Nicholson had loads of ideas for riffs and basic structures, but when “we entered the jam room with these ideas and the four of us put our heads together it started growing and growing. I feel this record reflects more of our personal influences from shit like Darkthrone to Elder, Orange Goblin to Uada“.

“Fools Gave Chase“, the album track we’re presenting today through the premiere of a lyric video, bears out these descriptions of how the music took shape, and is a great example of the hybrid of sensations that the album as a whole so powerfully delivers. Not for naught is the album described as a release that will appeal to fans of Orange Goblin, Kvelertak, Motörhead, Entombed, Uada, and Black Breath. Continue reading »

SHORT BUT SWEET: HUMAN SERPENT — “THE VACUITY”

Album Reviews, SHORT BUT SWEET No Responses »

Nov 202019

(Here’s DGR’s review of a new two-song EP by the Greek band Human Serpent, which was released on November 18th.)

It wouldn’t be a black metal release if it didn’t have a flair for the dramatic, and the duo behind Greece’s Human Serpent are no different, describing their latest release — a two song EP entitled The Vacuity — as having been written during “the last days” of’ 2016 and 2018, and recorded at various points in “autumntime of 2017” and “wintertime of 2019”. It’s a simple turn of phrase that can easily be read as “the music for this was written during the last week of….”, but because it is black metal and in the case of Human Serpent, fiery and high-speed black metal, “the last days of…” begins to sound suitably apocalyptic, as if the world ended at the end of each of those two years.

Going by Human Serpent‘s prior discography the group would be more than happy to provide the soundtrack to such events. Continue reading »

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