AN NCS ALBUM PREMIERE (AND A REVIEW): SLAUGHTBBATH

 Album Reviews, Premieres  3 Responses »
Sep 032019
 

 

You might be surprised to learn that the Chilean band Slaughtbbath hail from San Vicente de Tagua Tagua, a small countryside town that we’re informed has no metal scene at all. It is an unexpected source for the kind of absolutely electrifying and utterly ferocious power that this demonic trio have channeled through their amalgam of black metal, death metal, and thrash — a power surge that has punched straight through the red zone on their new album Alchemical Warfare, which will be released by Hells Headbangers on September 6th — and which we’re proudly premiering today.

The band waste no time releasing the whirlwind, opening the album through “Ritual Bloodbath” with the sounds of utter mayhem and then a lightning storm of brazen, blaring riffs, rampantly maniacal drumming, and utterly vicious vocal barbarism. Those sounds are delivered with explosive volume and intensity. The guitar leads writhe like fire elementals freed from their magical chains. The percussive propulsion is both turbo-charged and seems to change in the patterns and progressions from second to second. The vocalist ultimately resorts to wild screaming, caught up in the incendiary madness of this music — and who could blame him? Continue reading »

ACHERONIAN SCAR: “GATE INTO THE ABYSS”

 Album Reviews  1 Response »
Sep 032019
 


I’m Back.

 

(TheMadIsraeli returns to NCS after a hiatus with this review of the debut album by the Swiss band Acheronian Scar, which was released yesterday.)

The symphonic death metal space has long been dominated primarily by SepticFlesh and Fleshgod Apocalypse as its gatekeepers. Both have become legendary bands in their own right who’ve released a decent catalogue of powerful, majestic, yet brutal and sinister death metal inn which they’ve attempted to mix classical elements and instrumentation in a way that meshed. I, however, feel both bands have gotten a little too comfortable. Both Fleshgod and SepticFlesh feel like they are leaning back on the gimmick of their orchestral elements, and foregoing the need to push the metal instrumentation and composition aspects of their material. For me, the last two albums from both bands ended up being forgettable and lacking in substance.

Acheronian Star are the meteor-killing-the-dinosaurs moment for symphonic death metal in my mind, and the best band I’ve heard attempt this style. They precisely attack the style’s greatest weakness, an over-emphasis on the symphonic and a belittling and simplifying of the death metal part of the music. They boast technical musicianship and compositions that rival Obscura and Beyond Creation while employing a stripped-back orchestral presence that carries the majesty and vitriol of albums like Fleshgod’s Agony without relying on the orchestral gimmick. Continue reading »

AN NCS PREMIERE: NACHTTERROR — “SEA OF DREAD”

 Premieres  1 Response »
Sep 022019
 

 

Nachtterror‘s new album Judgement is one of those rarities that lavishly combines music and visual art, presenting a separate piece of painted artwork for each track — and it’s even more rare because the visual artist is also one of the band’s two vocalist/guitarists. You can see his album cover above — which we’re presenting for the first time — and after the jump you’ll see his evocative art for the song, “Sea of Dread” that we’re premiering today in the run-up to the album’s October 10 release by Hypnotic Dirge.

Judgement is this Saskatchewan symphonic black metal band’s first release since their 2015 split with Altars of Grief, entitled Of Ash and Dying Light. That split made a huge impact on those of us here at NCS, and on many other listeners. We had the privilege of premiering a track from that split by each band, and Nachtterror‘s contributions to the split displayed gripping dynamism in their compositions and an ability to create enveloping atmospheres of darkness around the ebbs and flows of intensity.

Since then, as this new song reveals, they’ve become even more accomplished in their craft, though that shouldn’t be surprising since Judgement has been nearly 10 years in the making. Continue reading »

AN NCS PREMIERE: IGNIVOMOUS — “SHACKLES OF THE DEMIURGE”

 Premieres  No Responses »
Sep 022019
 

 

Within the wide-ranging expanse of death metal some bands devote themselves to music of monstrous, primeval power, ruthlessly savaging the mind with the sounds of violence, oppression, and horrifying degradation. The Australian band Ignivomous are within that lineage, and have been honing their evil craft for more than a decade. Their growing mastery is on full display in their new album, the first one since 2012’s Contragenesis. Entitled Hieroglossia, it will be released by Nuclear War Now! Productions on November 15th.

For this ravaging new album the band’s core membership of Sean Hinds (guitar), Chris Broadway (drums), and Jael Edwards (vocals) has remained in place, augmented by the recording debuts of guitarist Lewis Fischer (Altars) and bassist Chris Jordon (Inverloch, Eskhaton). Thematically, we’re told, “Heiroglossia continues Ignivomous’ investigation into topics of Philosophical pessimism, influenced by the works of Thomas Ligotti and E.M. Cioran, and Gnostic concepts of the fallen and hostile nature of the material world.”

Today we’re presenting a new song from Heiroglossia, but before we get to today’s premiere, let’s first consider a previously released song from the album, because you’ll encounter it first in the Bandcamp player below. Continue reading »

DISILLUSION: “THE LIBERATION”

 Album Reviews, Exceptions to the Rule  3 Responses »
Sep 022019
 

 

(This is Andy Synn‘s review of the new album by the German progressive metal band Disllusion, which will be released on September 6th by Prophecy Productions.)

As we’re all aware, music isn’t a competition. But it’s hard, dare I even say impossible at times, not to compare and contrast artists/albums and pit them against one another, weighing up their relative merits, in order to conclude, subjectively at least, which is somehow “better”.

Consider, for example, the comeback album from German Prog-Metal sensations Disillusion.

For those unfamiliar with the band, over the course of these seven tracks you’ll encounter echoes of the cinematic style of Devin Townsend, the epic riffage of Insomnium, the moody melancholy of In Mourning, and the intricate songwriting of Opeth, all interwoven in a way that’s not only far more cohesive and coherent than the most recent release by the former, but which suggests that the latter three will have to produce something truly special in the next few months if they’re not going to be outdone.

For those who already know Disillusion, however… all I really need to say is that The Liberation isn’t just the long-awaited follow-up to their semi-legendary debut (sorry Gloria fans) but might just be even better. Continue reading »

SHADES OF BLACK (PART 2): FERALIA, ARCTOS, DOLD VORDE ENS NAVN, OSSOMANCER, HAR

 SHADES OF BLACK  1 Response »
Sep 022019
 

 

HA!  Surprised you, didn’t I? I already posted a SHADES OF BLACK column in its usual place yesterday, and I didn’t hint that there would be a second column this week. Or at least I didn’t give any hints yesterday. I did hint last Sunday (a week ago) that I had a second Part in the works. I just didn’t get it finished before the hectic weekdays began. But this is that second Part which I had planned 8 days ago. That makes the music a bit dated, but no worse the wear for that.

I’ll also wish a Happy Labor Day to those of you in the U.S. and Canada who are enjoying the holiday. You gotta love a holiday that celebrates labor by giving people an excuse not to work.

FERALIA

On August 11th the Italian black metal band Feralia released their first single, “Conception“, which was also the first excerpt from their album, Helios Manifesto. The album is described as “a concept that runs through the mystical / initiatory path of man as ‘god’ of himself, using sometimes Aleister Crowley and thelemic extracts to explain with images an esoteric and initiation mood”. On this album the trio of Italian musicians are accompanied by Tibor Kati (Negura Bunget, Sur Austru) as the lead singer. Continue reading »

SHADES OF BLACK: MAYHEM, PLATEAU SIGMA, NEBULA ORIONIS, MARTELO PERPETUO, KOSTNATĚNÍ, GORRCH

 SHADES OF BLACK  12 Responses »
Sep 012019
 

 

I usually don’t include new songs by the truly “big name” bands in these columns, because anyone who cares about black metal will have already discovered them, and often because there’s better stuff churning deeper in the underground. But I made an exception today, for reasons to be explained, and then moved on from there deeper into subterranean recesses. I’m kind of proud about the way the music flows in this collection. You can decide for yourselves whether, as a playlist, these selections work well together.

MAYHEM

The Internet loves “best of” lists, especially in genres of entertainment. If you peruse any of the many web lists of the best black metal of all time it’s inevitable that you will see De Mysteriis Dom Sathanas. That release happened 25 years ago, but even if Mayhem had never recorded anything else they probably would have already assured themselves an important place in the history of black metal.

But of course they went on to release four more albums of (it must be said) uneven quality, along with a slew of compilations, live recordings, and other scattered short things, all of which together demonstrate that from humble beginnings Mayhem has mutated into a formidable business enterprise. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): EZKATON — “SHEEN AND MISERY”

 Album Reviews, Premieres  5 Responses »
Aug 312019
 

 

We have a rare Saturday premiere, for a rare album, with a few words of introduction (okay, more than a few).

Building on the strength of three fine previous releases the Ukrainian atmospheric black metal band Ezkaton has completed a fourth one, a new album named Sheen and Misery. That’s what we’re presenting today through a stream of its 12 songs before the September 2nd release by Ashen Dominion. The title of the album itself reveals a great deal about the music, as does the record’s conceptual premise. Continue reading »

WAXING LYRICAL: RITES OF THY DEGRINGOLADE

 Interviews, WAXING LYRICAL  1 Response »
Aug 312019
 

 

(For this week’s edition of Andy Synn‘s column devoted to lyrics in metal he posed questions to Paulus Kressman (Rites of Thy Degringolade), and obtained very illuminating answers, as you shall see.)

As much as I hope you all enjoy the information and insight offered by these articles, I have to admit, there’s a certain amount of self-interest involved too, as the work of putting some extra focus on this underappreciated aspect of the metallic arts grants me an opportunity to talk to some of my favourite bands/artists and to (hopefully) gain a deeper understanding of their music.

Case in point, I was recently able to speak with Paulus Kressman, the founder and prime creative force of Canadian Black/Death esotericists Rites of Thy Degringolade – a band whose work I’ve followed and supported for years and whose most recent record, last year’s phenomenal The Blade Philosophical, was one of my favourite albums of 2018 – about the process and philosophy behind his arcane and abrasive art.

Not only was he more than happy to oblige, but his in-depth responses have given me an even deeper understanding of, and appreciation for, the band’s entire discography.

So, without further ado, I present to you the latest edition of Waxing Lyrical. Continue reading »

DEATH RITUALS (PART 2): ORTHODOXY, PANDEMONIUM, NEKROSITY

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Aug 302019
 

 

We’re concluding a round-up of new death metal we began here earlier today. All of the following songs come from albums set for release in the coming weeks.

ORTHODOXY

This first selection, “Flame of Primordial Essence“, is one of nine tracks on Novus Lux Dominus, the debut album by the Spanish band Orthodoxy, whose line-up includes members of Domains, Profundis Tenebrarum, and Whoredom. It’s a successor to the band’s 2015 demo, Shaarimoth, which we praised here. Continue reading »

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