Sep 282018
 

 

Ten years in the making, the self-titled debut album of NYC’s Agony Kings hit the streets in October of last year, delivering 13 tracks of high-octane crossover-thrash, which has been recommended for fans of Suicidal Tendencies, Anthrax, D.R.I, Dropdead, Cro Mags, and Napalm Death.

One look at the men in the band, and you can tell this wasn’t their first rodeo. For this band of brothers — vocalist Mike Stack (False Gods), drummer Bobby Grander, guitarist Jim Shearman, and bassist Matt SazookiAgony Kings was an outgrowth of their previous band, What Doesn’t Kill Me, and the album, as they say, has been “a perfect reflection of the trials and tribulations that have driven us for this last decade”. And for listeners, it’s a high-voltage kick in the ass. Continue reading »

Sep 282018
 

 

Let’s get to the point right up-front: The Sjukdom track we’re about to present is downright terrifying, so much so that you may find yourself holding your breath, and gasping by the end. It’s that relentlessly and nightmarishly vicious.

The name of the track is “Naerver“, and it’s one of seven that will be included on this Norwegian band’s forthcoming second album, Stridshymner Og Dodssalmer, which is due for release by Osmose Productions on October 26th. Continue reading »

Sep 282018
 

 

The song you’re about to hear is a wonderful surprise, in more ways than one. Before you get into the music, the outer trappings of the record might begin to form certain expectations — which ultimately become up-ended by the time the song ends.

You gaze at the cover of this EP, a photograph taken in May (by the band’s guitarist, bassist, and backing vocalist) on a misty morning in the Vosges region, France. You consider that the name of this Belgian band is Soul Dissolution, that the name of the song itself refers to darkness, and that the EP which includes it (set for release on October 18th) is named nowhere. And from all that, you might surmise that thoroughly gloomy and melancholy sounds are about to come your way. And at first, the music seems consistent with those expectations. At first. Continue reading »

Sep 282018
 

 

(Andy Synn brings us this review of the crushing new EP by California’s Armed For Apocalypse on the day of its release.)

While I’m still slaving away on this month’s edition of The Synn Report (it’s a big one, and I think you’ll all be very pleased with how it turns out) I’ve realised that, in all likelihood, I’m probably not going to get it done in time for posting today.

It will probably make an appearance early next week, however, so don’t worry.

As a result of this realisation I decided to take a quick look around the ol’ interweb and see what else I might be able to write about in the meantime, so as to tide you all over until Monday.

And, wouldn’t you know it, but the long-awaited comeback EP from Californian Sludgecore quarter Armed For Apocalypse drops today! Continue reading »

Sep 272018
 

 

Loneshore began their musical journey together in 2014, in Rio de Janeiro, Brazil. Drawing influence from such bands as Katatonia, Opeth, and Alcest, they have meticulously crafted a debut album named From Presence To Silence that will be released by BadMoodMan Music and Solitude Productions tomorrow (September 28th), and on the eve of that debut for which the band have worked so hard, we present a live performance video for an album track called “Effigy“.

The song is a long one (about 10 minutes), but completely engrossing, in part because it’s so multi-faceted, drawing together elements that range from doom to death metal to post-rock and prog, and in part because it’s so dynamic — and so alive with passion (which also comes through quite clearly as you watch the band members perform the song in the video). Continue reading »

Sep 272018
 

 

There was once a time when the music of Vreid could be characterized, at least at a high level, as melodic black metal or black thrash. Those days are pretty much gone. The expansion of Vreid’s music into more diverse territory has been an evolving process, evident from the changes that have occurred with each successive album, but the band’s new album Lifehunger seems more heedless of genre boundaries than any other, and the result is an ever-changing experience, richly embroidered with a multitude of musical styles, of which black metal is only one.

Lifehunger will be released tomorrow by Season of Mist, and today we’re helping premiere a full stream of the record — preceded by a few more words of introduction. Continue reading »

Sep 272018
 

 

In 1988 the Spanish poet, novelist, and prolific essayist Julio Llamazares published his second novel, entitled La Lluvia Amarilla (“The Yellow Rain”). Widely praised, it was translated into English years later, leading to even more praise. As one review of the first English translation described it:

“In this somber and elegiac novel… the last, dying resident of a deserted village in the Spanish Pyrenees, ‘forgotten by everyone, condemned to gnaw away at my memory and my bones like an old dog,’ summons the ghosts of his past.”

Left only with his dog after the suicide of his wife, “on what seems to be his final night on earth, he recalls the tragedies that have befallen him,” including the death or abandonment of every child and the collapse of his village into rot due to the closing of the local mill and the departure of all residents, save himself. The review concludes: Continue reading »

Sep 272018
 

 

(In this new edition of Andy Synn‘s occasional series, he reviews new releases by three UK bands — Crippled Black Phoenix, Famyne, and Spires.)

Despite my well-documented griping about how frequently certain sections of the UK scene seem to embrace mediocrity, there’s still a hefty amount of quality music and quality bands coming out of these green and pleasant lands these days, and today’s edition of “The Best of British” rounds up three of them for your aural delectation.

Fair warning, however, the following three albums contain a lot of clean singing so… you’ve been warned! Continue reading »

Sep 262018
 

 

Almost one year ago we had the pleasure of premiering (and reviewing) All Is of No Avail, the debut EP of an enigmatic Belarusian black metal duo who call themselves Khandra (Хандра), a Russian word for “melancholy”. Though originally planned as a self-release through Bandcamp, that EP was quickly picked up by Redefining Darkness Records, which released it both digitally and on CD.

Now the same label is poised to release Khandra’s debut album, entitled There is No Division Outside Existence, on October 12th in the U.S. (with Possession Productions handling the European release), and once again we’re fortunate to bring you another Khandra premiere, a track from the album called “Decaying Into the Ascended“. Continue reading »

Sep 262018
 

 

Adam Burke strikes again, creating another immediately eye-catching piece of artwork for what turns out to be an equally riveting album. This time, the music comes from the California black metal band Imperialist, whose debut album Cipher will be released by Transcending Obscurity Records on October 20th.

In introducing the music of Imperialist, Transcending Obscurity makes reference to the traditions of such bands as Necrophobic, Dissection, and Sacramentum, with nods to the thrashier dynamics of Aura Noir and Vektor as well. And while harnessing such dark, savage, and melodically memorable sounds as those names might suggest, Imperialist have also created a futuristic, sci-fi-themed concept for Cipher, which is evoked by Adam Burke‘s cover painting.

Several songs from the album have surfaced so far, and today we have another — “Umbra Tempest“. Continue reading »