NO CLEAN SINGING

AN NCS VIDEO PREMIERE: MARTYRDÖD — “HANDLÖST FALLEN ÄNGEL”

Dec 202016

I’ve already opened the floodgates to a torrent of words about Martyrdöd’s new album List. Count yourselves lucky — I could have gone on at even greater length extolling the virtues of the album. It remains one of my personal favorite releases of this year that’s about to expire. Insofar as I’m able to create any kind of objective distance from the music despite the immense, visceral impact it has had on me, I also think it’s one of the best albums of 2016. You may now be able to imagine my excitement at the chance we’ve been given to premiere the video you’re about to see for a song from the album, “Handlöst Fallen Ängel“.

List was released by Southern Lord on November 25. The video provides an excuse for people like me to urge other people who may not yet have explored List to STOP FUCKING AROUND AND DO IT. But happily, the video is a great stand-alone combination of sights and sounds, wholly apart from the excuse it gives me to hector you about this riveting album. Continue reading »

AN NCS PREMIERE: ENDALOK — “ELDHAF”

Premieres 5 Responses »

Dec 202016

In August we wrote about the debut demo Englaryk by a mysterious new Icelandic band named Endalok, which was released by Hellthrasher Productions and Signal Rex in October. It made an immediate and powerful impression, delivering chilling but enthralling music that seemed to emanate from alien spheres and nightmare realms. And now Endalok have already come storming back with a new EP. Entitled Úr Draumheimi Viðurstyggðar, it will be released on January 20 by Signal Rex.

We discovered the first single from the EP in late November, a track named “Afskræming holds og sálar”, which felt like a trip through a wormhole, a weird and wondrous trip in which the listener senses vast dark panoramas flashing past, with ravenous alien creatures racing after you, howling their unhinged rage at your invasion of their domains. Today we have the pleasure of bringing you another song from the EP, this one entitled “Eldhaf“. Continue reading »

BRUTAL UNREST: “TRINITAS”

Album Reviews 1 Response »

Dec 202016

(TheMadIsraeli prepared this review of the new album by Germany’s Brutal Unrest, coming in January from Hammerheart Records.)

I don’t demand originality or diversity of sound when it comes to my metal. All I ever ask of you is that if you aren’t going to do something interesting or experimental, write good riffs, show that you have a fundamental understanding of what makes metal great. And so I tend to like only super-out-there experimental/avant-garde/progressive extreme metal, or super-meat-and-potatoes, tried-and-true metal that pays homage to the roots and legacy of the genre.

Brutal Unrest definitely fall into the latter category, a majestic German death metal behemoth that listened to too much Aeon, Deicide, Suffocation, and Dismember and came out sounding exactly like the above album cover looks. Continue reading »

MYSTICUM: “PLANET SATAN”

Album Reviews 5 Responses »

Dec 202016

(We welcome back guest writer Lonegoat, the Texas-based necroclassical pianist behind Goatcraft, whose latest album Yersinia Pestis was released earlier this year by I, Voidhanger. In this piece, Lonegoat provides a different kind of review for the latest album by the Norwegian band Mysticum.)

Synopsis: Mysticum goes on a raging binge, warps to Planet Satan, dies.

Slowly and unwillingly, Mysticum recovered consciousness. He lay on his back, eyes tightly closed, trying to postpone the inevitable awakening. But conciousness returned and brought sensation with it. Needles of pain stabbed at his eyeballs, and the base of his skull began to pound like a giant heart. His joints seemed to be on fire, and his stomach was a deep well of nausea. It was no relief for him to realize that he was suffering from the absolute embodiment of all hangovers. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CRYPT OF SILENCE — “AWARENESS EPHEMERA”

Album Reviews, Premieres 2 Responses »

Dec 192016

The deepening of winter in the northern latitudes provides an auspicious setting for the release of one of the year’s most staggeringly powerful doom/death albums, Awareness Ephemera, by the Ukrainian band Crypt of Silence. It is being released today by the prominent Russian doom label Solitude Productions, and to commemorate the release we’re bringing you a full stream of its four immense songs.

This is Crypt of Silence’s second album, following 2014’s Beyond Shades, and it is far and away their most accomplished release to date. It draws inspiration from the early albums of such esteemed progenitors as Mourning Beloveth and My Dying Bride, creating a listening experience that is emotionally wrenching and stunningly heavy. Bodies are being broken upon the rack, and hearts have broken as well. Continue reading »

THE DGR-NCS HOLIDAY BUYERS’ GUIDE AND YEAR IN REVIEW FOR THE METALHEAD WHO HAS TO HAVE ABSOLUTELY EVERYTHING — 2016 EDITION (PART 1)

LISTMANIA 2016 11 Responses »

Dec 192016

(DGR created year-end lists of great length. He wrote many words about each listed item. Your humble editor fears that the site would collapse beneath this great leviathan of words if it reared its bulk in a single post, and has therefore decided to split it up. How many parts will be required to complete the undertaking hasn’t yet been determined — but this is Part 1.)

You knew this was coming, or you would if you had been around here the last few years. It’s been a long-standing tradition here at NCS that when the Listmania series happens, I take the filter completely off and just produce a gigantic screed of words that is occasionally interrupted with album art, music streams, and album titles with little numbers next to them. This year is no different.

In fact, this year has been insane. This is the first year amongst the now handful of years that I’ve done this where I’ve actually dreaded making the top whatever list for the end of the year. Anyone who asked me what I thought about my albums of the year basically got a shocked thousand-yard stare and me uttering “2016’s year-enders are going to be a bloodbath”. Continue reading »

AN NCS PREMIERE: ALTAR OF BETELGEUZE — “AMONG THE RUINS”

Exceptions to the Rule, Premieres 2 Responses »

Dec 192016

With the soaring popularity of the latest albums by Crypt Sermon and Khemmis, the stage seems well set for the advent of Among the Ruins, the new album by Finland’s Altar of Betelgeuze. It’s set for release by Transcending Obscurity Records on March 10, and today we bring you the premiere of its immersive title track.

Altar of Betelgeuze consists of bassist and growler Matias Nastolin (Decaying), guitarist and clean vocalist Olli “Otu” Suurmunne (ex-Decaying), guitarist Juho Kareoja, and drummer Aleksi Olkkola (Sclerosis, ex-Cardinals Folly). Their first album, an excellent one named Darkness Sustains the Silence, was released by the Memento Mori label in early 2014. Continue reading »

AN NCS PREMIERE: PRYAPISME — “A LA ZHEULEULEU”

Premieres No Responses »

Dec 192016

Three years have passed since the maniacal French ailurophiles in Pryapisme delivered their last album, Hyperblast Super Collider. To feed the hunger of their fellow inmates in the asylum, they released morsels of psychoactive sustenance last year packaged in an EP called Futurologie. But now it’s time for another full course. Let us allow the band themselves to introduce what they have done:

Here is our third album : « Diabolicus Felinae Pandemonium », or the story of the birth of the Diabolic Cat who will end the human race. With more than 3 years of work, 10 songs, 57 minutes, 88 GB of audio, 861 tracks, and more than 99% of processor overload, this is our album of the immaturity!

Diabolicus Felinae Pandemonium won’t be released by Apathia Records until February 3rd, but we have been selected as the conduits for a track from the album, an exotic and wondrous taste of the full mind-bending pandemonium that bears the title “A La Zheuleuleu“. Continue reading »

SHADES OF BLACK (PART 2): GRAVATUS, APOGNOSIS, ASH AND COAL, DARK PORTRAIT, ZAKAZ, TOTENWELT

Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK 7 Responses »

Dec 182016

I’ve managed to complete the second part of a two-part post that I began earlier today, though it’s not as complete as I had hoped. This second installment includes five full albums or EPs, all of which deserve more words of praise than I have time to give them, but once the new week begins I’ll have even less time than I do today. And so I’ve decided it’s better to make relatively brief exclamations of excitement than none at all.

In addition to those five full releases, this post includes one new advance track. It’s only barely in the usual blackened vein of this series (if at all), but I like it so much that I’ve bent the rules.

GRAVATUS

We begin with a new album named LI_E by the one-man Romanian project Gravatus, which was released on November 12. This was my first exposure to the music of Gravatus, but I’ve found myself enthralled by LI_E. Continue reading »

SHADES OF BLACK (PART 1): WIEGEDOOD, LE CHANT NOIR, DEATHFUCKER, THE LIFTED VEIL, AN HOMAGE TO SUMMONING

RANDOM FUCKING MUSIC, SHADES OF BLACK 6 Responses »

Dec 182016

Last Sunday was bereft of a Shades of Black feature, so today I plan to have two. Yes, I’ve obviously forgotten my oft-learned lesson about not announcing future plans when you’re a part-time, half-witted metal blogger who can’t predict the diversions of life. So the truth is, the second part of this post may or may not arrive today. But at least you’ll have two good advance tracks, two excellent full releases, and one wonderful tribute compilation to keep you company in case I go off the rails.

WIEGEDOOD

Here’s an excerpt from our man Andy Synn’s review of Wiegedood’s last album,

“The Belgian three-piece, whose name is also the Dutch term for ‘Sudden Infant Death Syndrome’ (way to keep it morbid, guys), possess an enviable knack for pumping out a ferocious torrent of rage and fury, whilst maintaining a keen melodic edge that’s neither weak nor overbearing. That may not sound like much, but it’s a hard balance to get just right, and these guys make it look like child’s play. Pun intended.”

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