Nov 072016
 

xoth-invasion-of-the-tentacube-front-cover

 

In the distant future when the Tentacube invades our pitiful, beleaguered planet (by which I mean three days from now, on the other side of our ghastly election), the widely differing strands of extreme metal will be fused into a single, monstrous, throbbing tentacle groping for your pleasure centers. By which I mean that Seattle’s XOTH will release their debut album, Invasion of the Tentacube, which you will be able to hear in its entirety below.

It may be an exaggeration to claim that XOTH have fused together all of the divergent strands of metal into a single heavy chord, but it’s true that attempting to cabin this head-spinning collage of sounds within a few simple genre terms would be a fool’s errand. The part about the pleasure centers? That’s totally true. Continue reading »

Nov 072016
 

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Prepare yourselves for an atmospherically oppressive and unnerving concoction of skull-splintering death-doom and pestilential black metal, because that’s what we’re about to bring you through our premiere of the debut, self-titled demo by a young band from Murcia, Spain, named Evocación. It will be released on tape by Caligari Records on November 11.

In a word, the music is horrifying — the stuff of hallucinations and nightmares, or perhaps smoke-shrouded rituals in which incantations are uttered, blood is spilled, and lives are lost. Continue reading »

Nov 072016
 

mylingar-doda-vagar

 

You might think that when we agree to premiere new music by a mysterious new band, we would have at least some inside information about the musicians, their origin story, precisely where they are from, etc. But in the case of Mylingar, we remain in the dark — which is where their music dwells as well. We do know they are from somewhere in Sweden, and we have heard their debut EP Döda Vägar, which will be released in late November or early December by Amor Fati Productions. An excerpt of one song from the EP (“Såren”) was made public last month, and today we bring you a second track called “Friheten“.

Apart from the music itself, which sends bolts of lightning into your head, perhaps some further insight into the band can be discovered through the name they have chosen for themselves. As explained by Wikipedia, “mylingar” is a Swedish word that invokes a legend “about ghosts/spirits of unbaptized and/or unnamed children that have been forced to roam the earth until they could force someone to name and/or bury them, in fact ‘killing’ them for real so they can finally rest”: Continue reading »

Nov 072016
 

cryptic-realms-enraptured-by-horror

 

Imagine a swarm of giant carnivorous hornets from hell murdering a water buffalo and tearing its flesh into a bloody, quivering mass of viscera and bone. Okay, hold that thought….

On November 21 a collaboration of two Mexican labels, Iron Blood & Death Corporation and Death In Pieces Records will release the debut album of Cryptic Realms, which bears the descriptively accurate title Enraptured By Horror. Today we bring you the premiere of the title track, also descriptively accurate in its name. Continue reading »

Nov 072016
 

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( Norwegian blogger Gorger is back, highlighting still more releases that we have overlooked.  To find more of his discoveries, type “Gorger” in our search bar or visit Gorger’s Metal.)

Three months have flown by since my last installment. Sorry to keep you waiting. Not that you’ve been waiting, but you know you’ve been missing out on something in the meanwhile. I’ve grown a long list of candidates, but I’d rather not overheat your brain, so we’ll be focusing on a quadruple set as usual, with a further installment coming very soon. Continue reading »

Nov 072016
 

setentia-darkness-transcend

 

(We’re grateful to New Zealand writer Craig Hayes (Six Noises) for bringing us this review of the debut album by New Zealand’s Setentia, which will be released on November 11 by the Finnish label Blood Music.)

Setentia are an atmospheric death metal band from New Zealand. They write hard-hitting, complex songs where jagged melodies do battle with tremolo deluges on dissonant soundscapes. The band’s accomplished full-length debut, Darkness Transcend, intertwines gut-felt ferocity with forward-thinking expressiveness. And yes, with those creative hallmarks, Setentia have been compared to New Zealand’s much-lauded death metal behemoth Ulcerate, many times.

That’s an understandable comparison to make. Sonic similarities aside, Setentia and Ulcerate have higher profiles than most other New Zealand death metal bands because they’re signed to international record labels (Finnish label Blood Music, in Setentia’s case). Continue reading »

Nov 062016
 

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Until our old friend Phro reminded me recently, I hadn’t realized that almost a full year (343 days, to be exact) has passed since the last time I did a THAT’S METAL! post. The last one was the glorious 100th edition of a series that began here in January 2010. I used to compile them almost every Sunday, and then the series became irregular, and then it sputtered to a complete halt, having been overwhelmed by my obsession with music.

I fell into the habit of posting Shades of Black compilations on Sundays, as a way of getting one more day each week to throw new metal at you while also indulging my own rapidly growing devotion to black metal. But with Phro‘s reminder I’ve realized that I do miss this series — not enough to restore its regular Sunday slot, but enough that I’ve resolved to make a THAT’S METAL! post on the first Sunday of each month, beginning now. The rest of the time I’ll continue to post in the Shades of Black series on Sundays (and I still plan to do a short one of those later today or tomorrow as well).

So much time has passed since the last of these installments that I ought to explain what I’m doing: I collect images, videos, and news items that I think are metal, even if they’re not metal music. And what makes something metal even though it’s not music? There’s no one exclusive reason. It could be something that’s morbid, frightening, awe-inspiring, nauseating, destructive, ludicrous, or just really fucking loud. I can’t give a comprehensive definition; but to quote what U.S. Supreme Court Justice Potter Stewart famously said about porn in Jacobellis v. Ohio (1964), “I know it when I see it”.

I have nine items for you today, and the theme I’ve chosen for the first four of them is “The Thrill Of Descent“. You’ll see why. Continue reading »

Nov 052016
 

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I thought about taking today off and not posting anything. I’m more than usually worn out after three days on the east coast working, and then dragging my weary ass through the door of my home at midnight last night. I also have plans to resurrect my “THAT’S METAL!” column tomorrow after a year hiatus, and those take some time to put together.

But rather than just bail on the site altogether, I decided to try to spread the word about some good new discoveries and just not write quite as much about them as I usually do. For that, I apologize to the bands and to those of you who find something worthwhile about the words in addition to the music streams in these round-ups. For those who just routinely jump straight to the players, you’re missing nothing.

I made these particular picks in the way I often do, i.e., pretty randomly but with an eye toward creating musical diversity in the playlist; as you’ll discover, there’s ever greater-than-usual diversity today. I also wanted to focus mainly on relatively DIY bands who I suspect aren’t yet very well known even in underground circles.

DEFECRATOR

On another Saturday one month ago I included in one of these round-ups the 2015 debut demo by a Sacramento-area band named Defecrator, along with a review that made comparisons to such groups as Mitochondrion and Auroch. On October 31, Defecrator released a new 7″ EP (via Our Ancient Future) named Satanic Martyrdom, and it expands on the promise of that first demo. Continue reading »

Nov 042016
 

the-great-old-ones-eod-a-tale-of-dark-legacy

 

I’m still in our nation’s capital on a business trip, doing the best I can to ignore the last frightening days of the presidential campaign in an effort to avoid an aneurysm. I had some time to kill before my flight home today, so I quickly sifted through some of the new music I discovered in recent days and compiled this selection.

My disturbed mind decided the following songs would make a nice grouping. In different ways, they summon a skin-crawling sensation of horror, which is how I’ve been feeling in light of tightening poll results in that torturous presidential campaign I mentioned.

THE GREAT OLD ONES

The new album by The Great Old Ones falls into my “highly anticipated” category. Two days ago Season of Mist announced details about the release and DECIBEL premiered a song. Continue reading »

Nov 042016
 

videmur-through-endless-fields-of-grey

 

Videmur is a two-man international project consisting of Andreas Stieglitz (Belgium), who performs all the instruments, and vocalist/lyricist Brandon Solis (Puerto Rico)). Their debut album Finality emerged in 2014, and they also released a song called “Ethereal Reality” which appeared on a split last year with Akaitsuki. The band have now recorded a new EP named Through Endless Fields of Grey, and we’re bringing you a stream of its opening track, “Like Autumn Leaves“.

In its sound as well as its title, the song suits our slow, chilling slide through fall and into winter here in the northern hemisphere, as our natural surroundings recede and lose their luster, to be replaced by a more frigid form of vibrancy. Continue reading »