Jan 212018
 

 

(Andy Synn presents our first Rearview Mirror post in many moons. For those who may have forgotten, the column is a rare instance in which we look at metal’s past rather than its present and future.)

 

Even though we’ve been running these “Rearview Mirror” columns for quite a while now it appears that this is only my third contribution to the series.

Whether that’s simply because I’ve been too busy, or because I like to have a rest on the seventh day (make of that what you will…), the fact remains that this particular corner of NCS has largely been left to Islander (and occasionally DGR) to run.

But today it’s my turn behind the wheel, and I’ve decided to take this opportunity to highlight one of the most overlooked albums in the discography of the legendary Testament! Continue reading »

Jan 192018
 

 

(Andy Synn reviews the new album by the Austrian band Harakiri For the Sky, which will be released by AOP Records on February 16th.)

If you’re a long-time follower of the site you may have picked up on an ongoing war of words between some of our writers about how to properly categorise the music of the Austrian duo Harakiri for the Sky.

And while I agree that how you choose to describe their sound doesn’t directly affect the quality of their material one iota, I still think it’s important that we use the right terms and the right language when writing about the band (or any band), as it can definitely have an effect on how people judge and perceive them.

All of which is a very long-winded way of saying that Arson is one damn fine slab of punchy, pulse-quickening Melodeath… and I won’t hear a single word to the contrary! Continue reading »

Jan 172018
 

 

(Here’s Andy Synn’s review of the new album by the Spanish metal band Neter.)

 

Legacy… that’s a word which I’ve been thinking about a lot lately. The legacy that some bands leave, and the legacy to which all bands belong.

And it does seem, from my admittedly limited perspective, that the idea of legacy is considered to be more important in the Metal scene than most, what with our differentiation and delineation of “Old School vs New”, and our preoccupation with categorising various genres (and sub-genres) into historical “waves”.

Not that any of this is a bad thing, by the way. If anything it always helps to know where you come from, in whose footsteps you might be following, and on whose shoulders you currently stand.

It’s why pretty much every Metal band, no matter how “extreme” they might be, owes a significant debt to Slayer or Metallica, and are part of a legacy tracing its origins not just from Judas Priest and Black Sabbath, but also from Blues and Rock and Roll and from a host of other acts and artists and musical styles down through the ages. Continue reading »

Jan 152018
 

 

(We present Andy Synn’s review of the new album by Norway’s Horizon Ablaze, which will be released on February 17th by Leviatan/Diger.)

Ever since Emperor first semi-reformed for their ongoing series of reunion shows people have been asking them about the possibility of a new album. And while this, in itself, isn’t all that surprising, the band’s forthright comments about how that’s never going to happen have been rather refreshing.

As Ihsahn himself has said multiple times, any new album would have to be a product of both his and Samoth’s different writing styles, and the two of them have since diverged so much – one leaning more and more towards pure Prog, the other delving ever deeper into more deathly waters – that finding some sort of consensus or common ground that still actually represented the Emperor sound, would be almost impossible.

But… if they ever did produce a sequel to Prometheus I would imagine it wouldn’t sound a million miles away from the extravagant, expressive extremity of The Weight of a Thousand Suns. Continue reading »

Jan 132018
 

 

(Here’s a personal list by Andy Synn identifying eagerly anticipated forthcoming 2018 albums.)

 

One week ago Islander published a list of upcoming albums expected to be released over the course of the next twelve months, and also solicited comments and recommendations from our readers concerning which albums (and EPs) they were most looking forward to.

Well, as successful as that endeavour was, now it’s my turn to talk up some of my most anticipated album scheduled for release in 2018. Continue reading »

Jan 092018
 

 

(Here’s Andy Synn’s review of the debut EP by The Predecessors from the UK.)

 

It’s a simple fact that not every band knocks it out of the park on their first try. And, in today’s high-speed, high-attrition digital world – where a thousand new releases are just a few keystrokes away, and new bands have to crawl and scrabble and claw for even the merest scrap of attention – it’s all too easy for an otherwise talented young band to slip between the cracks simply because they don’t quite have all their pieces in the right place yet.

Which is very nearly what happened with Nottingham quintet The Predecessors and their debut EP, Rot. Continue reading »

Jan 052018
 

 

(We present Andy Synn’s review of the new album by the Portuguese band Sinistro, released today by Season of Mist.)

 

Is it just me or… are we undergoing something of a Doom renaissance right now?

I may be somewhat late to the party in acknowledging this – explicitly at least – but it definitely seems to me that the last 6-12 months have seen a real resurgence of interest in the style, bolstered by a plethora of truly spectacular releases running the gamut from the more gothic end of the spectrum, all the way to the groaning weight of the most crushing Funeral Doom, via the brooding misery of the always-welcome Peaceville sound…. with little sign that this slow-moving tide is starting to slacken off or ebb.

But, with albums as good as Sangue Cássia still coming out, why would we want it to? Continue reading »

Jan 032018
 

 

(Here’s Andy Synn’s review of the new album by Watain, which is slated for release on January 5 by Century Media.)

 

There once was a band named Watain
Whose music and gimmick became
Extremely divisive
They dressed up like bikers
And from it reaped “fortune” and fame

Ok, so the above limerick may not be 100% accurate, but I think it gets the broad strokes right for the most part. But perhaps, for an album as important (and potentially provocative) as this one, some more context is needed? Continue reading »

Dec 302017
 

 

(In the final Synn Report of 2017, Andy assesses the discography as it exists to date of the distinctive Norwegian band Drottnar — whose Facebook page is here.)

 

Recommended for fans of: Mayhem, Dødheimsgard, Krallice

For the final edition of The Synn Report in 2017 I found myself torn between a number of possibilities, ranging from bruising, technically-adept Death Metal, to high-energy, thrash-infused Melodeath, to grim and gritty Black/Death riffosity.

In the end however I made the choice to go with the Technical/Avant-Garde Black Metal menace of Norway’s Drottnar (although don’t worry, the other bands referenced obliquely above will all be getting their own features very soon).

Calling their sound “Bunker Metal”, the Fredrikstad quintet have always been one of the more unusual and hard-to-pin-down members of the Norwegian scene, with a sound that largely defies easy definition and clean categorization, and an image that pulls more from Soviet-style militarism than the pseudo-fascist iconography employed by many of their brethren.

However I’m hopeful that this column will serve as a great introduction to a band who I think are one of the most overlooked, and underrated, acts to ever come out of the great frozen North. Continue reading »

Dec 232017
 

 

(Andy Synn wrote this installment of his occasional series about things that come in fives.)

As you’ll no doubt be aware, a little over a week ago saw the sudden and untimely demise of Sanctuary/ex-Nevermore vocalist Warrel Dane.

And while this is, assuredly, a heavy blow indeed for his friends and loved ones, it’s also a loss for the Metal scene as a whole, since I would contend that Dane was, without doubt, one of the most unique and distinctive singers (not to mention lyricists) of the past twenty years.

His death also means that the long hoped for Nevermore reunion will never happen and, even though there was some lingering bad blood between them, I’m sure that his ex-bandmates (Loomis, Sheppard, and Williams) must still be reeling from the shock of his passing.

So, having given things a little bit of time to settle (I didn’t want us to be accused of “cashing in” on his death, or anything like that) I’d like to present you with five of my favourite Nevermore songs, as a minor tribute to Warrel Dane and his remarkable voice. Continue reading »