(Andy Synn reviews the spectacular new come-back album by Norway’s Extol)
So, all my cards on the table… I approached this album with an equal mix of awe and trepidation. After all, this band means a huge amount to me, and as much as I’ve been hoping for a reunion for a long, long time, there’s always been that nagging fear in the back of my mind that things simply might not be the same after so long.
So you can imagine my relief to discover that this album fulfils, and perhaps exceeds, all of my hope and expectations – combining the scintillating spirit and raw passion of their early orks with an even greater sense of self-awareness and mature song-writing – in a manner which simultaneously reinforces the band’s legendary reputation and primes them to be introduced to a whole new audience
Of course, my fellow acolytes will probably already be locked in… so what can I say that will entice the unfamiliar listener to give these long-lost legends a shot?
Well, a good place to start would obviously be with this edition of THE SYNN REPORT, wherein I take a deep-dive into the band’s diverse discography, as their long-awaited fifth album effectively draws from all the different eras of their career – from the Prog Death days to their Tech Thrash period to their more overtly melodic moments pre-hiatus – and combines them into what, as signified by the decision to call the record simply Extol, is perhaps the definitive statement of their identity. Continue reading »









