KING CONQUER

 Album Reviews  4 Responses »
Nov 212010
 

Yesterday was the 21st birthday of NCS co-founder and occasional contributor to this site, IntoTheDarkness. I saw him all-too-briefly last night before he embarked on some first-time-legal-debauchery with his buds and bud-esses (all badass, no doubt). I hope he’s alive today to see this tribute to his legal adulthood.

As you regular readers know, ITD is our resident deathcore maven. Though his tastes run in other directions, too (for example, he’s the one who finally pushed me to listen to Cloudkicker and Dan Dankmeyer), he still dearly loves his deathcore and knows the genre pretty damned well. The day before his birthday, as I was on my way back to Seattle from vacation, I got this text message from him: “I might have a new favorite deathcore band. check out king conquer’s new album. HOLY SHIT.” (As I’ve noted before, ITD doesn’t bother with capitalization except for emphasis.)

So, in honor of ITD’s birthday, I did check out the debut album from King Conquer without delay. It will be officially released on November 23 on Mediaskare Records and it’s called America’s Most Haunted. And . . . well . . . holy shit, indeed.

King Conquer are a howling horde of barbarians on a rampage, swinging downtuned axes and blast-beat mallets straight for your head — but there’s more to their musical attack than the usual blunt instruments. This band is one of the most promising new purveyors of hardcore-influenced death metal we’ve heard this year. (more after the jump, including some King Conquer music . . .) Continue reading »

“THAT’S METAL!” – BUT IT’S NOT MUSIC (NO. 21): COWBOYS, ALIENS, PAROTTA, OPIUM, AND THE COSMOS

 That's Metal -- But It's Not Music  24 Responses »
Nov 202010
 

Catching up. That’s what I’m doing this weekend. In the place where I spent my vacation, the net connection was too slow for video-watching, so much of my catching up involves watching videos I wanted to see over the last 10 days but couldn’t. A slew of them were featured on a web site called TYWKIWDBI. It’s an absolutely awesome site, even though it’s got nothing to do with metal music. I don’t have the time to browse that site every day, but without fail, whenever I do, I find fascinating shit.

I hadn’t planned on adding any more NCS posts today, but I couldn’t resist sharing with you this collection of items I found on TYWKIWDBI over the last week. All but one of the items are videos — and all of them fit the profile of this NCS series — things that are fucking metal, even though they’re not music.

So, after the jump, we have for you a trailer about a forthcoming movie that looks awesome, a video of a parotta-maker which proves that practice does make perfect, some eye-popping images of an opium factory from 160 years ago, and a final, very eloquent video about you and me and our connection to the cosmos.  (all these rip-offs from TYWKIWDBI, plus some of our own embellishments, after the jump . . .) Continue reading »

A WORD OF THANKS . . . AND A RENEWED INVITATION

 Uncategorized  6 Responses »
Nov 202010
 

I got back to Seattle from my vacation last night. It’s great to be home, and all that. But to be honest, I had a great fucking vacation, and it’s possible I would have led a very happy and fulfilled life if I had never come home. Ever.

My blog obsession subsided from an insistent, incessant shrieking to a dull background roar. One of the reasons I was able to enjoy myself so much was that so many of you stepped up and wrote guest contributions for this site so that we could continue adding new posts every day even though I didn’t write anything myself. I had lots of fun reading those guest posts, and based on the significant uptick in our site visits during the last week, it’s evident that NCS readers enjoyed the change of pace, too. To all those people who contributed to NCS over the last 10 days, thank you!

Plato wrote that necessity is the mother of invention. Of course, sometimes, necessity is just a motherfucker. But in this instance, our felt need to keep this site cranking along gave birth to a change that was all good — so good that we want it to continue. I’m recharged and ready to dive back into writing again, but at the same time, we want to continue running guest posts. We’ve already received some additional contributions, and I’m expecting more to arrive over the coming week from people who wanted to submit something for publication during my vacation but were delayed for one reason or another in getting their posts to me before I left.

We’ll be running those additional guest posts off and on over the next week, but it doesn’t have to stop there. We want to encourage not only the people who wrote for us during my hiatus but anyone else out there who has an interest in what we do at NCS to send us guest submissions whenever the spirits move you to do it. Let’s keep a good thing going!

I have a lot of catching up to do — even in the space of 10 or 11 days, lots of new music and videos were released, and some interesting developments appeared in the news. So, I’m not going to waste time describing “how I spent my vacation” — except to say that I spent a lot of time looking at clouds. And after the jump, I have for you . . . Continue reading »

A TEASER: NECRONAUT

 RANDOM FUCKING MUSIC  2 Responses »
Nov 202010
 

[Just in case we ran short of quality guest contributions to use while I was away, I wrote a few brief pieces before leaving. They’re called “teasers” because they’re just brief tastes of new albums that I’d like to review for NCS when I get back — because they’re really good. Of course, I have the attention span of a gnat, so there’s a chance I’ll never do that, and these teasers will be all I accomplish.]

This is the fifth teaser. The first one was about The Secret. The second was about Blood of Kingu. The third one was about Melechesh. The fourth one was about The Wretched End. This one is a taste of the new album by:

The Band: Necronaut

The Band’s Location: Sweden

The Album: Necronaut

Label: Regain Records

The Band’s MySpace page:  http://www.myspace.com/necronaut666

Brief notes:  Necronaut is the all-star project of Fred Estby, the former drummer of Dismember and Carnage. He recruited an impressive line-up of guests to help create this album. Shit, “impressive” is really an understatement. Wait and see.

“Old school” is a really over-worked, cliched expression, but given Estby’s personal history and the pedigree of the dudes who are involved in this project, we have to use it: This is old-school death metal, with a hellish current running through it.

Here’s a track — the vocals on this one are supplied by Andreas “Drette” Axelson (Tormented, ex-Edge of Sanity):

Necronaut: Twilight At the Trenches

To see the complete line-up of people that Estby recruited to contribute to this album, click past the jump . . . Continue reading »

THAT WASN’T THEM – VOLUME 2: STEALING FROM CHILDREN

 RANDOM FUCKING MUSIC  2 Responses »
Nov 192010
 

[EDITOR’S NOTE: Today we have yet another guest post by ElvisShotJFK — this one being the second installment in a series he created in his last post.]

Don’t you hate it when you hear a good song but don’t know who’s it’s by? Sometimes it’s more frustrating when the song is a cover and you can’t figure out who’s actually playing it. The more obscure the song or band, the harder it is to figure out where to look. Even with the wealth of knowledge to be found online these days, Napster Syndrome is alive and well, making some songs difficult to accurately track down. People still get it wrong, no matter how many times someone who knows what they’re talking about says something.

Like Cradle Of Filth (who I mentioned earlier in Volume 1), Children Of Bodom have recorded several covers over their career, going so far as to release an album’s worth of covers, some of them recorded specifically for the album. Not only that, but they used midgets to help promote the album.


Heavy metal midgets. Awesome.

Where was I? Oh yeah . . . even though they’ve done a fair amount of covers, there are songs that have been credited to them that were actually done by other bands.

Let’s get Blooddrunk and dive right in . . . Continue reading »

A TEASER: THE WRETCHED END

 RANDOM FUCKING MUSIC  3 Responses »
Nov 182010
 

[Just in case we ran short of quality guest contributions to use while I was away, I wrote a few brief pieces before leaving. They’re called “teasers” because they’re just brief tastes of new albums that I’d like to review for NCS when I get back — because they’re really good. Of course, I have the attention span of a gnat, so there’s a chance I’ll never do that, and these teasers will be all I accomplish.]

This is the fourth teaser. The first one was about The Secret. The second was about Blood of Kingu, The third one was about Melechesh. This one is a taste of the new album by:

The Band: The Wretched End

The Band’s Location: Norway

The Album: Ominous

Label: Nocturnal Art Productions, with marketing and distribution worldwide through Candlelight Records

The Band’s MySpace page:  http://www.myspace.com/thewretchedend

Brief notes:  This band is a collaboration between Samoth (Emperor/ Zyklon) on lead and rhythm guitar, and Cosmo (Mindgrinder) on lead and rhythm guitar plus bass and vocals — those two previously worked together on a deathpunk project called Scum — plus Nils Fjellström (Dark Funeral, In Battle, Aeon) as the drummer. Some very nice death/thrash played by people who know what the fuck they’re doing.

Here’s a track:

The Wretched End: Red Forest Alienation

MUSIC TO xxxxx TO

 RANDOM FUCKING MUSIC  19 Responses »
Nov 172010
 

[EDITOR’S NOTE: Our temporarily Australian correspondent The Artist Formerly Known As Dan has another list for you today. He left out a few activities. We sure hope the comments fill in the holes . . .]

If you are like me (read: a nerd) then you tend to categorize everything, especially music.  Whenever I hear something new, I’m very quick to make a judgement about the overall sound and what type of music it is. Only, I’m not filtering it into one of those sub-genres that are constantly argued about on the internet. I’m thinking about if I like the music enough to listen to it again. If the answer is yes, then I think about when I would listen to the music again, and what the associated activity might be (don’t ask me how or why I do this – I probably have a problem).

Anyway, the point is, I think about music as something to augment my life and its associated activities, like some kind of bizarre “soundtrack to life.” For example, I really really enjoy gaming to Dagoba. I’m not positive how it started, but I think I was playing Guild Wars and I played the entirety of Face the Colossus and it was just fucking awesome.

This post is mostly meant to stimulate discussion, so what is your favorite music to xxxxx to?  I’ll list some examples below of some activities and what I like to hear while doing them.  (after the jump . . . including music to hear) Continue reading »

THAT WASN’T THEM – VOLUME 1: ROBBING THE CRADLE

 RANDOM FUCKING MUSIC  7 Responses »
Nov 162010
 

[EDITOR’S NOTE: Today we have another guest post by ElvisShotJFK. He has filth for you. As in, Cradle of . . . or maybe not.]

Back when Napster ruled college dorms, it allowed people to download and listen to all kinds of music that they might not have otherwise been able to hear. What started off as a simple idea snowballed into a fight with labels and artists picking sides; some were against the practice, while some embraced what it could do for their exposure.

Most people may remember Metallica’s role in the downfall of Napster, armed with 60,000 pages of user info.To many, the band seemed hypocritical, considering the tape trading that preceded the widespread usage of the internet that fueled the metal masses. However, Metallica did have a good reason to be concerned, but I think they handled it poorly and instead of looking at the immediate problem they faced (a leaked demo of “I Disappear”), they went for the symptom – the users of Napster. Napster’s founder didn’t help matters any when he showed up at the VMA’s wearing a Metallica shirt, then joked that he borrowed it from a friend.

Years have gone by and the Napster of old is long gone, as are some of its alternatives. While peer-to-peer is still around, torrents and hosting sites like Rapidshare, Megaupload and dozens of others serve the same purpose, but without many of the actual benefits. If someone had a bunch of stuff you were familiar with and liked, chances are he or she also had some other stuff that you’d like, not to mention the possibility of finding demos, rare tracks and bootlegs. Plus, not every download means a lost sale, but that’s a matter for another time.

Legal issues aside, there was another dark side to Napster and its kind — people who had no fucking clue who made the songs. “Weird Al” Yankovic was credited to almost every unknown funny song (or parody), while many a metal song were attributed to the big names, Metallica and Megadeth at the top of the heap.

Sadly, this trend continues to this day, and thus I present to you two songs attributed to one band, this band being Cradle Of Filth, who I’ve been a fan of for many years. I’m not here to defend the band, because they don’t need it and I’m not trying to change anyone’s mind about them. That’s not why I’m here, and I don’t mind if you don’t like the band. I do mind some of the attitudes people have toward the band, but there’s not really anything I can do about that.

So, let’s move on to the songs, after the jump. Continue reading »

A TEASER: MELECHESH

 RANDOM FUCKING MUSIC  2 Responses »
Nov 162010
 

[Just in case we ran short of quality guest contributions to use while I was away, I wrote a few brief pieces before leaving. They’re called “teasers” because they’re just brief tastes of new albums that I’d like to review for NCS when I get back — because they’re really good. Of course, I have the attention span of a gnat, so there’s a chance I’ll never do that, and these teasers will be all I accomplish. So I’m running them now, even though I don’t need to]

This is the third teaser. The first one was about The Secret. The second one was about Blood of Kingu. This one is a taste of the new album by:

The Band: Melechesh

The Band’s Location: The Netherlands (ex-Jerusalem)

The Album: Epigenesis

Label: Nuclear Blast

The Band’s MySpace page:  http://www.myspace.com/melechesh

Brief notes:  Exotic, eastern, invigorating, black as night, red as fire, and sometimes bright as day. Sounds like nothing else. Here’s a track:

Melechesh: Sacred Geometry

THINK LOCAL, SOUND GLOBAL: DAGON

 Album Reviews  13 Responses »
Nov 152010
 

[EDITOR’S NOTE: Today’s guest post is from a Midwestern dude who will become a regular guest contributor to NCS, and his NCS nom de plume is BadWolf.]

Michigan is known for many things: the automotive industry, cherries, astronomical rates of violent urban crime. To this list I would add excellent melodic death metal bands that routinely sound straight out of northern Europe. The most well known of these bands is The Black Dahlia Murder, but the underground scene in Michigan is filled with bands that sound quintessentially Swedish. The best of these bands might be Michigan’s best-kept secret, Dagon (there’s a HP Lovecraft reference right in the name — of course they’re quality).

Dagon play melodic death metal reminiscent of NCS favorites Arch Enemy and Amon Amarth, full of big chunky riffs and anthemic choruses—this is hook salad, not riff salad. So what? Melodeath bands dealing in earworms are a dime-a-dozen. Where Dagon excels is in the sheer number of subtle neoclassical and prog nuances they add to the formula.

Twin lead guitarists Chris Sharrock and Briant Daniel employ NWOBHM-style guitar harmonies to create a thicker, meatier guitar sound than most (read: over-produced) bands emulating the Gotheburg sound. Bassist/Vocalist Randy Ladiski is the band’s MVP—his prog-tinged six-string basslines propel their songs with an impressive gallop while deepening the melodies and occasionally dipping into funk territory. Randy’s co-vocalist is drummer, Truck Batterbee.

That’s right, singing drummer. Batterbee and Ladiski share vocal duties about 50/50, with Ladiski providing low gutturals and Batterbee handling Abbath-sounding black metal shrieks. Their voices are intense but audible. When listening to Dagon, even a metal novice can easily decipher the lyrics (completely focused on ocean-related topics), which are well-written and poetic if not incredibly insightful. That’s fine, melodic death has never been the genre of choice for stupendous lyricists anyway.  (more after the jump . . .) Continue reading »

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