Jan 152019
 

 

(This is Vonlughlio’s review of the new album by the French death metal band Ad Patres, which will be released by Xenokorp on February 8th.)

The following write-up is a special one for me. It concerns a band whose sophomore release elevated the quality of their music, preserving the sound that made them special but also evolving after so many years since their first album into a group that has a lot more to offer their fans.

Ad Patres formed in 2008 in France and released a demo in 2010, a split with Writhing in 2012, and then a full-length entitled Scorn Aesthetics released via Kaotoxin Records (now XenoKorp) in 2012. I discovered the album in 2013 and became a fan right away, enjoying how straight-forward and vibrant the music was, and the way in which the instruments interacted cohesively without getting in each other’s way. The vocals were especially good, giving added life to the music in patterns that suited it so well. Continue reading »

Jan 142019
 

 

After a weekend break I’m resuming the rollout of this 2018 Most Infectious Song list. As you can see, I have three new entries today, and will now begin including more threesomes in addition to twosomes in an effort to gather more songs in this growing collection before I force myself to stop (but don’t worry, we’ll probably be deep into February before that happens).

Unlike some of the preceding installments of this list, there’s no particular organizing principle behind my grouping of these three tracks, other than the usual factor that I’m addicted to all of them. (To check out the previous installments, you’ll find them behind this link, and to learn what this series is all about, go here.

DÖDSRIT

As you’ll have learned by now, I haven’t limited myself, in selecting songs for this list, to 2018 albums that were widely discovered and widely praised through year-end lists. But Dödsrit’s Spirit Crusher happens to be one that did receive significant year-end accolades, including a place in our own Andy Synn‘s list of the year’s Great albums, as well as his Personal Top 10 for the year (not to mention placements in many other lists we published in our 2018 LISTMANIA series). Continue reading »

Jan 142019
 

 

Man, have we got a treat for you today, the kind of treat that’s sure to uncork your adrenal glands and get your blood racing. The song by Toronto-based Of Hatred Spawn that’s featured in the video we’re presenting is a big part of what triggers that response, but just watching drummer JJ Tartaglia (Skull Fist) do his thing behind the kit is equally electrifying.

That song, “Severed Limb Convulsion“, comes from this ferocious death metal band’s self-titled debut album, which was released by Boonsdale Records on December 21, 2018. The same song was also the subject of a previously released guitar-playthrough video featuring the performance of JJ‘s brother Remy Tartaglia (ex-Unbidden). The band’s line-up is completed by bassist Oscar Rangel (ex-Annihilator) and vocalist Matt “Coldcuts” Collacott. Continue reading »

Jan 142019
 

 

(Andy Synn wrote the following review of the new album by the Norwegian band Endolith, which will be released by Rob Mules Records on January 18th.)

Hands up who here has heard Endolith’s debut album Voyager?

Ok, I see a few people have… maybe one or two more in the back, but the rest of you… shame, shame!

Honestly, after all the effort I went through (ok, maybe not that much effort) to talk about the record and highlight the band I’m not even sure you deserve to read about their new album at this point.

But, since I’m in such a magnanimous mood (and because Chicxulub is just so damn good), I suppose you might as well read on and get to know what should, if there’s any justice, turn out to be one of the best albums of the month, if not the entire year. Continue reading »

Jan 142019
 

 

(This is TheMadIsraeli’s review of the new album by Nailed To Obscurity, which was released on January 11th by Nuclear Blast.)

Nailed To Obscurity is a name I’ve heard a lot, but whose music I hadn’t listened to — just too much metal to check out at any given time, really. My ignorance stretched as far as not even knowing what kind of metal they played, if you can believe it. But when I checked out the single and title track to their new album, Black Frost, I discovered immediately that this band was my thing.

Nailed To Obscurity play a style of doom-driven melodic death metal that hits an intersection of In Mourning and a lot of Dan Swanö’s recent output with Witherscape. There are, of course, hints of Opeth, which I think were pretty low-key influential on this style, but the previous influences I mentioned are definitely at the forefront. Continue reading »

Jan 132019
 

 

In this second Part of this Sunday’s SHADES OF BLACK column I’ve changed course away from the predominantly atmospheric and sometimes folk-inflected music that dominated Part 1 in moody, mystical, and magnificent strains of sound. The selections in this Part are less easily categorized with broad brush strokes, but I guess I’d venture to say they are mainly more “muscular” and savage than what you’ll find in Part 1.

BLODHEMN

I’ve been deplorably late in catching up to the third album by this one-man band based in the black metal hot-bed of Bergen, Norway, but under persistent prodding by my Norwegian friend eiterorm, I finally have. That third album, Mot Ein Evig Ruin, will be released on February 16th by the Dutch label Soulseller Records, and now there are two tracks out in the world — “Dra Te’ Helvete“, which surfaced in October, and more recently “Det Gjekk Ein Faen“. Continue reading »

Jan 132019
 

 

This weekend has been similar to the last one. I didn’t try to write anything for yesterday, and that left me free to focus on choices for today. With so much time, I found many things to recommend, so many that I’m again dividing this post into two parts (shocking, I know). And it made sense to put these particular selections together int Part 1.

SAOR

Roughly two years after the release of Guardians, the Caledonian metal band Saor are returning with a new record named Forgotten Paths. Along with another group of session musicians supporting him, Saor’s visionary Andy Marshall is also aided this time by Neige from Alcest (on the album’s title track, which opens the record).

Of the four songs on the new album, three are quite long, including the edited version of the track that debuted in recent days through a beautiful and mysterious music video that includes jaw-dropping vistas of the Scottish highlands (as well as appearances by Mr. Marshall and what seems to be a pair of twin witches). Continue reading »

Jan 112019
 

 

After yesterday’s digression into obscure blackened realms, today I’m returning to death metal with two more additions to our list of Most Infectious Songs. I’m also again indulging in the delights of pairing up songs that seem to belong together, in this instance one from the old guard and one from some relative newcomers who are definitely kindred spirits, sonically speaking.

To check out the previous installments in this evolving list, they’re collected behind this link, and to learn what this series is all about, go here. We’ll have other posts at the site this weekend, but I’m pausing this series until Monday while I try to figure out what to add to the list next week.

BLOODBATH

Surely it will come as no surprise that I’m including “Bloodicide” on this list. If you read my comrade DGR’s review, or the column in which he put The Arrow Of Satan Is Drawn at No. 14 on his year-end list, you know that he loves that album but is “absolutely smitten with the sheer gall it took to name a song ‘Bloodicide'” — in addition to considering it one of the better tracks on the record. And I feel much the same way.

It’s a prime example of how much ridiculous fun Bloodbath must have had in writing and recording the album, and it proved to be (by my lights at least) the most infectious song on the track list, in part because of the joy that comes from yelling out “Bloodicide!” along with Nick Holmes (at least inside my head). Continue reading »

Jan 112019
 

 

Depravity Ordained is the name of the debut album by Vile Apparition from Melbourne, Australia, which will be released by Memento Mori on January 21st — and the music is indeed depraved, delivering an especially brutish and electrifying form of old-school death metal malignancy.

But before we get to the music — a new excerpt of which we’re presenting today — how about that metal AF cover art?!? Immediately attention-grabbing, it’s also the kind of macabre rendering that stays with you, and will likely lure listeners into this music just as effectively as any words might do. Kudos to Chaostouched for this glorious creation! And now, on to the music… Continue reading »

Jan 112019
 

 

The Italian black metal band Malvento has been a continuing source of fascination over the course of four albums and numerous splits as their esoteric musical formulations have morphed and evolved over a career that now spans more than 20 years. We have had the fiendish pleasure of premiering some of that band’s more recent twisted creations, and remain eager (and perhaps a bit fearful) to discover what they might do next. In the meantime, we’ve learned that Malvento guitarist Nefastus is behind a solo project called Experior Obscura, which is itself a source of chilling fascination.

A little more than two years ago Experior Obscura self-released in digital form a debut album named Iter in Nebula (on which Nefastus was aided by drummer “R“), and followed that in 2017 with a split release in partnership with Malvento entitled Abyssus Abyssum Invocat, which included two of the tracks from Iter In Nebula. That split took physical form as a cassette tape, but the quantities were so limited that only a few handfuls of people were able to draw it within their clutches.

In short, Experior Obscura, true to its name, has dwelled in a shadowed obscurity. But its existence is about to become less obscure, because the UK-based label Third I Rex, whose selections have proven to be persistently intriguing, will be releasing Iter In Nebula next month, both digitally and in a limited CD digipack edition. That will undoubtedly expose Experior Obscura‘s diabolical talents to a wider audience, and we’re doing our own part to advance that cause today by presenting the stream of a track named “Awake, Waking! Continue reading »