Islander

Aug 272015
 

Mordbrand vidclip

 

One of these days I’ll learn that part-time, half-witted metal bloggers shouldn’t make promises about what they’re going to do. Yesterday I wrote that I would post two round-up’s of new music in an effort to partially catch up on all the new songs that had emerged since the last one I compiled five days earlier, but that obviously didn’t happen.

However, thanks to Austin Weber, we do have two today, with this being the second one. One silver lining to the cloud of my tardiness is that since yesterday I discovered one more item worth recommending to you — and it’s the first one in this post.

MORDBRAND

For those who haven’t religiously followed my scribbling over the last few years, I will confess that I’m a slavish fan of Sweden’s Mordbrand. It’s not that they have any compromising photos of me, it’s because they’ve been so consistently good at what they do. Out of all the outstanding songs they’ve released, perhaps my favorite track is “That Which Crawls” from their 2014 album Imago — and today they released a video for that very song. Continue reading »

Aug 272015
 

The Black Dahlia Murder-Abysmal

 

(TheMadIsraeli reviews the new album by The Black Dahlia Murder.)

If Everblack was BDM’s darkest record, Abysmal is the band’s brightest, brimming with a raw, incendiary energy that calls back to the band’s early days of Unhallowed and Miasma. With a distinctly higher quotient of Arsis-isms in the riffs (undoubtedly due to Ryan Knight’s influence) and an overall recommitment to the band’s love of pedal-point-intensive harmonized riffing, Abysmal is to these ears a refreshing record.

I felt Everblack was less melodic death metal, and more of a death metal album that had melodic parts in it, which I think was the band’s goal at the time. I thought and still think it’s in fact the band’s best record, and while Abysmal doesn’t hit the sweet spot for me that Everblack did, that may be because Abysmal just isn’t punching my personal preference buttons hard enough. That’s not intended to detract from the fact that it’s a great record, among so many others that BDM have produced over the years. Continue reading »

Aug 272015
 

Fell Ruin vid clip

 

In the spring of this year, Detroit’s Fell Ruin released their debut EP, Devices. It drew the attention of NCS writer TheMadIsraeli, who praised it here on our site. Now we have the opportunity to premiere the band’s official video for the EP’s opening track, “The Climb“.

The video was directed by the band’s vocalist Brian Sheehan, and it was filmed and edited by Seven Sun Studios, with after effects by Brian Kaurich. I mention all those names because this video really is good. It’s mysterious, unsettling, and hypnotic, the kind of visual artistry that pulls you in and keeps your attention rooted, waiting to see what will happen — though the answer to that question may depend on your own imagination.

Of course, the video can’t be divorced from the music; it’s the combination of the two that makes it such an engrossing experience. Continue reading »

Aug 272015
 

Cerebric Turmoil cover

 

(Austin Weber steps up for round-up duty, with new music from four bands.)

While we already shove enough music down your throat on a daily basis to have your anus crying musical notes for a year, I figured I might as well present some more killer metal to up the rectal/ear discomfort of our readers. Below you’ll find a smattering of new songs by groups about to release new material, as well as a heads-up about a new release worth investing time in. A feast for the fetid-minded awaits you. In either a pleasant or unpleasant way. Your choice.

CEREBRIC TURMOIL

Oftentimes promising metal bands I’ve been interested in have sadly bitten the dust before they were able to release a proper album or EP. So often, all we have in memoriam is a brief demo or split material. For a number of years now, it’s looked like that very fate might befall German death metal band Cerebric Turmoil. After a 2006 demo, the band started off at a very high level, releasing a split album with none other then Defeated Sanity, which should give you an idea of their sound and also the quality of their music. In fact, at one point, the band actually had Defeated Sanity’s bass player in their ranks, and they also had famed oddball guitarist Fountainhead (now in Obscura) in their line-up at one point too.

After releasing their split with Defeated Sanity in 2008, the band broke up that same year. And while they re-formed in 2010, a full-length statement was nowhere in sight. Only now in 2015 are the band on the cusp of releasing their very promising debut, Neural Net Meltdown (on November 13th) through Amputated Vein Records. They just released the first song from it called “Grotesque Dreaming”, which I’ve embedded below for you to jam. Continue reading »

Aug 272015
 

Broken Flesh album art

 

(Grant Skelton presents his review of the new album by Broken Flesh — along with our premiere of a full-album stream.)

Broken Flesh formed in 2004 in Oklahoma City, Oklahoma. They released their first album Forever In Flames in 2009 on black metal label Sullen Records (now defunct). On Forever In Flames, the band performed as a three-piece with Kevin Tubby handling guitar and vocals, additional guitar by Steve Maxwell, and Brandon Lopez on drums. Forging a strong DIY ethic, Broken Flesh followed up that album with an independent EP called Stripped, Stabbed and Crucified in 2012. The EP was the band’s only release to feature Ricky Puckett on vocals. Jacob Mathes took over as the band’s bassist and backup vocalist.

Over the next year, the band adjusted their lineup, honing their sound and perfecting their craft. While guitarist Kevin Tubby and drummer Brandon Lopez remained constant, Jacob took over lead vocals, with Joshua Mathes stepping in on bass. The musical seeds they began to sew on Stripped, Stabbed and Crucified manifested in 2013. That year, the band birthed Warbound. Their evolution was complete. In the span of only one year, Broken Flesh’s songwriting metamorphosed into a repulsive death metal scourge devoid of mercy… a wanton and sadistic lash with which to flagellate their listeners and fans.

Warbound saw Broken Flesh ascend from sepulchral obscurity. After its release, they played a hometown show with Rockstar Energy’s Mayhem Festival and Mexico’s Exodo Fest. In 2014, the band gave live audiences the pleasure of hearing new material written after Warbound. Broken Flesh attracted the attention of Luxor Records, and Luxor re-released Warbound in January. The new album was produced by Nick Morris of As They Sleep (who also have new material in the pipeline). The track “Hell” features a guest solo from Morris.

Now, No Clean Singing is proud to offer an exclusive stream of Broken Flesh’s new self-titled album in advance of its September 4 release date. Continue reading »

Aug 272015
 

Thw Wounded Kings-George

 

(Comrade Aleks presents this interview with George Birch of UK-based The Wounded Kings.)

Born in misty Dartmoor, raised in vapors covering the infamous Grimpen Mire, doom metal outfit The Wounded Kings started their way to listeners in 2005. The somber Embrace of the Narrow House and the mournful and mystic Shadow Over Atlantis were composed by the duo of Steve Mills (bass, drums, guitars, piano) and George Birch (bass, guitars, vocals); both albums helped the band not only attract the attention of listeners but also to get in contact with Sweden’s I Hate Records, and later in 2014 – with Candlelight Records.

George left the band in 2010, but that didn’t stop Steve, who recorded two successful albums with a new line-up that included Sharie Neyland on vocals. George returned to The Wounded Kings not long ago, and now the band is finishing a new album. What should we expect from it? Let’s ask George Birch himself. Continue reading »

Aug 262015
 

Under the Church-Rabid Armageddon

 

It’s so nice to find a band still early in their discography who consistently kill it with each new release, especially when their weapon of choice is raw, unrepentant, bestial death metal of the old school. The band I happen to have in mind at the moment is Under the Church.

Perhaps the consistent quality of what they’re doing is to be expected, because although Under the Church is a new name, the band was started by two former members of Sweden’s Nirvana 2002 — drummer Erik Qvick and bassist Lars Henriksson, and they are joined by Australian vocalist Mik Annetts. Continue reading »

Aug 262015
 

Spectral Lore-Gnosis

 

The remarkable one-man Greek band Spectral Lore has recorded a new EP named Gnosis that will be mastered by Colin Marston (Krallice, Gorguts) and released around November by the tasteful I, Voidhanger label.

Though Spectral Lore calls Gnosis an EP, it will be close to 40 minutes in length. It is the second of at least three EPs that Spectral Lore has planned for 2015, the first one being Voyager, which was released in May (and there may be a fourth before the year draws to a close). Continue reading »

Aug 262015
 

biting the hand

 

(NCS writer Andy Synn penned the following thoughts….)

So this column is something of a follow-up to my piece entitled “The Negative Zone” that was published last week (here), as there were certain issues and ideas touched upon there that I felt deserved closer attention, particularly the complex, convoluted, and sometimes downright chaotic, relationship between humble Metal blogs like ours, and the Labels, PR reps, and bands that we deal with on a daily basis!

Now, I’m not sure how many of you, or indeed if any of you, stop to think much about the various issues that go into running a blog like this, or whether you simply just enjoy reading the articles now and then (which is totally fine!). But it’s not just about making sure the reviews get edited and published on time (or, at least, in a timely fashion), there’s also a hell of a lot of work involved in managing the relationships that keep the gears turning and keep that content rolling in – all the while trying to maintain at least some sense of journalistic integrity and honesty! Continue reading »

Aug 262015
 

Plague Rider-paroxysm cover

 

Paroxysm is the name of the new EP by Plague Rider. The Oxford English Dictionary, which seems like the appropriate reference source since Plague Rider hail from the former mother ship, alternately defines “paroxysm” as “a sudden strong feeling or expression of an emotion that cannot be controlled” and “a sudden attack or violent expression of a particular emotion or activity”. With a name like that as an EP title, you don’t expect ambient drone. And as you’re about to find out, the EP lives up to its name.

You will find out, because today we’re premiering a full stream of all four songs on Paroxysm. Like the EP’s name, the song titles are also suggestive — “Retrovirus”, “Occidite”, “Hydrophobe”, and “Prion”, most of them referring to infectious, lethal agents. In a word, all the songs are remarkable (as well as lethal). Continue reading »