Islander

Aug 222015
 

Archaea-Catalyst

 

Archaea are a six-piece melodic death metal band from Gothenburg, Sweden, whose debut album Catalyst is set for release on August 28. Earlier this year they recorded a set performed at the Swedish Emergenza festival, and today we’ve got pro-shot video of the band playing a song from the new album named “Cryosphere”.

Now, I bet I know what the cynics among you are thinking. You’re probably thinking about the plethora of melodic death metal bands spawned in Gothenburg over the last 25 years and wondering why the world needs another one. You may also be assuming that you know what this one is going to sound like.

Not being a cynic myself, all I will tell you is that I had a hell of  lot of fun listening to this song and watching the video — which of course is why you’re now about to see it here on our putrid site. Continue reading »

Aug 212015
 

Advent Sorrow-As All Light Leaves her

 

(Andy Synn reviews the new album by Advent Sorrow from Perth, Australia.)

Every so often a band you like makes an unexpected shift in sound, transforming that “like” into outright “love”. And that’s precisely what Advent Sorrow have done with their new album, As All Light Leaves Her, shedding the symphonic grandeur that permeated their debut EP in favour of an all-round darker and more desperate form of borderline DSBM-style sonic despair.

It’s not a complete paradigm shift, of course, as this extra layer of grim(e) was already apparent on Like a Moth to a Flame, the stand-alone single they released last year. But As All Light Leaves Her takes things a step further into the murk and mire, resulting in an album of bleak, harrowing melody and torturous metallic agony that errs closer to the sound of Infestus or early Shining than it does the more dramatic Dimmu Borgir-isms with which the band first made their name. Continue reading »

Aug 212015
 

Black Breath-Slaves Beyond Death

 

I’m still trying to catch up on recommending new music I discovered earlier this week. I unloaded a bunch yesterday, I have more today, and I’m hoping to pull together some more this weekend (although I’m leaving town today for a short vacation, and that may interfere with my blog compulsions).

BLACK BREATH

As I reported when I first found out, Seattle’s Black Breath have a new record coming from Southern Lord on September 25. It’s their third, with the title Slaves Beyond Death. Kurt Ballou recorded the album, Brad Boatright mastered it, and Paolo Girardi painted the cover art — and that’s some good help to have.

I thought it would be tough for Black Breath to top their great last album, Sentenced To Life, but based on the title track that premiered at Noisey yesterday I think they just might. Continue reading »

Aug 212015
 

Dysphotic-ChaosTerrain-front_cover

 

Santa Fe, New Mexico, is a one-of-a-kind town in a remarkably beautiful location. I’ve been fortunate to visit there three or four times over the span of my ancient life, but I couldn’t recall coming across any Santa Fe metal bands until I was introduced to Dysphotic about a month ago. What I heard then was a single called “All Consuming” that the band had released in advance of their debut EP, Chaos Terrain, and I really enjoyed it. And that led to this:

On August 29, Dysphotic will officially release Chaos Terrain, and we’re now giving you the chance to hear it in advance through our full stream of all the songs. And you really should make time to listen. Here’s why: Continue reading »

Aug 202015
 

Teloch Vovin-Further Down the Tunnel

 

Teloch Vovin are a theistic black metal band based in Long Island, New York, who have described their music as an expression of their spiritual beliefs, the changes they have experienced through their worship of Khaotic divinities, and the powers that speak through them. As the band have explained:

“The name Teloch Vovin was chosen as it represents everything that we attain to, everything we worship and work towards. “Teloch” meaning “Death” — “Vovin” meaning “Dragon”. It represents the duality of the concept of Khaos which calls to us. It is our Worship ov Death!!!”

On the fall equinox this year (September 23), they will release a new five-track EP entitled Further Down the Tunnel, which follows two previous EPs and a 2014 live CDR, Atah Gebur Le-Olam Sathanas. Today we bring you the EP’s final track, “Adoration/Vexation”. Continue reading »

Aug 202015
 

Beautality video clip

 

In February of this year we had the pleasure of premiering a song (“From the Abyss”) from the then-forthcoming second album by a London-based band named Beautality. The album’s name is Einfallen: A Tale Ov Torment & Triumph, and today we bring you the premiere of an official video for the album’s striking title track, “Einfallen“.

The video was directed, filmed, and edited by Dan Giannopoulos in his guise as Italian horror maestro Dario Pimento, and it includes excerpts from such horror films as The Satanic Rites of Dracula, Profundo Rosso, and Horror Express, along with appearances by Beautality’s mastermind David Ravengarde and Suzy Griffiths (aka Suzy Nola). The video is really a 14-minute short film that, in the director’s words, is “a nightmarish and visceral vision of lust, insanity and redemption”, telling the “brutal story of a love that goes too far”, “a love that takes a man to the very pit of hell”. Continue reading »

Aug 202015
 

Thy Catafalque- Sgùrr

I haven’t had time to compile a round-up of new music since Monday. I enjoy posting premieres and accompanying reviews when I like the music, and we’ve had a lot of those this week (more are coming later today), but they do tend to cut into the time available to search out other new songs worth recommending. When three or four days pass without a round-up, it’s not possible to cover everything I’d like to cover — too much good music comes out every day. So this is just an initial group of things I’d like to recommend for now; with luck I hope to prepare another round-up for tomorrow.

THY CATAFALQUE

There are few bands whose music I admire as much as Thy Catafalque. Thanks to praise about the band I first read at The Number of the Blog back in early 2011, I discovered the wonders of Thy Catafalque’s discography and began writing about the music, which in turn led me to make the acquaintance of the band’s remarkable mastermind Tamás Kátai. And then later that same year I was simply blown away by the band’s newest album, Rengeteg. I’m terrible at making narrowed lists of things I like, but if I were to attempt to make a list of my 10 favorite metal albums of all time, I know it would be a strong contender. Continue reading »

Aug 202015
 

Negative_Zone

 

(The author of this piece is Andy Synn. I expect it will generate some critical discussion — I hope it will — and as the editor of the site I expect to join in that discussion.)

Now, don’t worry, this has nothing to do with the (supposedly woeful) new Fantastic Four movie (“Fant4stic”?) that’s just come out. No, it’s just another rambling column by yours truly about the perils and pitfalls of this thing we call “blogging” – in this case on the topic of negativity, or the lack thereof, at this site and others.

You see, there are definitely times when I wish that NCS could be a little bit more negative in its outlook. Not much. Not drastically. But there’s definitely times when I’ve felt like writing about an album in order to point out its flaws more than to praise it, particularly when I see that album receiving what I feel is undue (or, worse, downright suspicious) levels of praise (more on this topic in a subsequent column).

That’s not to say we aren’t critical here at NCS, when the occasion calls for it. Though we try to remain positive and post mainly about music we’ve heard/found/discovered that really kicks our proverbial asses, we’re also willing to say when we think certain aspects or elements don’t seem to be working, or need a bit of polish, or simply aren’t quite up to the band’s usual standards (see my recent Soilwork review for an example of this).

So, I think there’s definitely a time and a place for a bit of negativity, without sliding into full-scale abuse. But where do you draw the line? Continue reading »

Aug 202015
 

Venom Prison-The Primal Chaos

 

For the second day in a row, we bring you a premiere that’s preceded by a striking piece of cover art, which again tests my completely irrational hypothesis that cool cover art usually means cool music. This cover was created by Raul Gonzalez (Morbus Chron, Skinfather, Master), and in this case the music is a new four-song EP by a band from South Wales in the UK named Venom Prison. The name of the EP is The Primal Chaos, and my completely irrational hypothesis has been validated once again — because Venom Prison’s music is really damned cool, too.

The EP’s title track will stagger you in your tracks right from the beginning. The massive, groaning riffs and potent drum strikes hit with tremendous power, as if designed to soften you up for all the ferocious, grinding death metal savagery to come. But Venom Prison don’t just deliver morbid, early ’90s death metal, they also mix in elements of hardcore. Continue reading »

Aug 192015
 

Gorepunch-Give Em Hell

I bet that cover art got your attention. It was created by Enrique Lopez Lorenzana and it graces Give ‘Em Hell!, the debut album by a band named Gorepunch that will be released by Seeing Red Records on August 25.

The band may be new, but the members have paid their dues in such bands as Aborted, System Divide, Fear Factory, and Malignancy — and if the cover art didn’t get your attention, I bet that info did. So now, perhaps you’re ready to find out about the music — which you can explore in depth by listening to our premiere of the entire album.

But first, why don’t you check out the album’s back cover, just to make sure you’re properly prepared and in the right frame of mind: Continue reading »