Islander

Jul 262015
 

Confessional

 

(Father Synn has been shirking his ministerial duties lately. We trust he has duly administered chastisement to his flesh. And now he is again ready for your flesh. Share your metal confessions in the comments. This is not a request.)

Forgive me my children, for I have synned… it has been one whole month since our last confessional. Truly it is a poor shepherd who neglects his flock for so long. Woe be upon me if any of you have been led astray in the meantime.

My only excuse, the only caveat I can offer… is that I’ve been off enjoying myself and getting drunk quite a few times… so suck it.

As always, let my sins be the shining light leading you on the path to redemption! Continue reading »

Jul 262015
 

VI-album art

 

I’m still surrounded by excellent new metal, like a cork bobbing in the ocean. In a post yesterday I collected four recently released songs and videos, and I have more to recommend today. In this post I’ve included three more new songs and one new album stream, followed by music from two releases that are not quite as new but are new to me. The music here falls within the realms of black metal, although as you’ll find out, the tracks are still quite diverse.

This is a long post with a lot of music in it, and perhaps I should have broken it up into pieces. But though it may appear daunting in its length, I hope you’ll stick with it, because there’s a lot of good metal in here from some tremendously talented bands.

VI

This first new song caught my eye because the band — whose name is VI — has a line-up that includes current or former members of Aosoth and Antaeus. The cover art by the talented Alexander L. Brown is a real eye-catcher, too.

The band’s debut album De Praestgiis Angelorum is scheduled for release on September 25 by Agonia Records, in a 6-panel digipack CD and on vinyl. There’s also a shirt that features that cool cover art. Look at all this tasty stuff: Continue reading »

Jul 252015
 

Ahab-The Boats of the Glen Carrig

 

I didn’t do a very good job this past week posting about new songs that I liked as they were coming out, and as a result I have a big collection of them gazing up at me with sorrowful eyes.  I’ve picked four of them to recommend in this post, with the goal of keeping you off-balance. I’ve collected a few others for a “Shades of Black” post that I’m planning for tomorrow.

AHAB

A couple of days ago Germany’s Ahab premiered a music video for the first complete track off their new album The Boats of Glen Carrig, coming from Napalm Records on August 28. The name of the song is “Like Red Foam (The Great Storm)”, and I’m thoroughly hooked on it. The riffs are enormous, and they drive the song’s bleak, somewhat dissonant melodic refrain into your head like railroad spikes. I’m more a fan of the enraged roars than the clean vocals in the song (what a shock!), but it’s a minor quibble. Continue reading »

Jul 242015
 

Destruktor-Opprobrium

 

Today is the day, the day when Hells Headbangers opens the cage door and allows Destruktor’s new album Opprobrium to run rampant across the world. It’s the band’s first full-length since Nailed emerged in 2009, and it’s one hell of an album.

The first minute and a half of “Priestiality” might seem at first blush to function as a statement of intent, its slow, dismal chords and funereal drum rhythm casting an aura of gloom right from the start. But slow and dismal isn’t really what Opprobrium is about. It’s about ripping big bleeding holes in your body while giving your head the kind of enthusiastic whipping it deserves.

With the exception of a few astutely placed breaks in the onslaught, Destruktor deliver one furious, fast-paced blast of energy after another, mixing together elements of black metal, thrash, and death metal into music that’s vicious but tremendously infectious (in both senses of the word). Continue reading »

Jul 242015
 

Fallen

 

(Grant Skelton contributed the following prose, and I thank him for it.)

In a year that has already produced some astounding funeral doom (Shape Of Despair, Bell Witch, Foehammer) and a whole lot more around the corner (Ahab, Skepticism, My Dying Bride), I thought it fitting to bring attention to another entry in the sepulchral annals of funeral doom.

Fallen were a Norwegian side project of Christian Loos and Anders Eek (both members of Funeral) and Kjetil Ottersen (also of atmospheric doom trio Omit). Their first and only album A Tragedy’s Bitter End was released in 2004. The album title was perhaps an ominous foreshadowing of the band’s future, as Christian Loos committed suicide in 2006. That fact drives a weighted hook through the soul of the music, adding a downcast despondence to the listening experience.

The vocals, while clean, are sullen and low. They are dour and dreary, structurally resembling Gregorian chant at times. The journey is comparable to scaling a hill during a thunderstorm while dragging a tombstone shackled to each ankle. Continue reading »

Jul 242015
 

HAethen-Shaped By Aolian Winds

 

(Andy Synn reviews the debut album by Philadelphia’s Hæthen.)

How strange… following on from the 60th edition of The Synn Report, which went up earlier this week [here], it seems like I’m sticking around in Philadelphia for another band – Black Metal misanthropists Hæthen, whose debut album Shaped by Aeolian Winds, was actually released wayyyyyy back in February of this year – however, to my endless shame, I’m only just discovering it now.

Still, what we have here, no more and no less, is a striking slab of evocative, highly atmospheric Black Metal – carefully crafted and refined by people who clearly know the genre like the back of their hands – and, while it may not be the most original or earth-shattering album ever produced, it remains a fine collection of deftly written, deeply impressive songs in its own right. Continue reading »

Jul 242015
 

A pleasant slumber

a pleasant slumber

Hey there, happy Friday. I got back home late last night after a short out-of-town trip for my fucking day job. I didn’t write anything to post this morning before crawling into bed and sleeping like a dead man. By coincidence, none of our other regular writers sent me anything last night or this morning. So, basically, I got nothing right now.

I do have a very nice album premiere planned for today, but I haven’t finished writing it yet. In the meantime, rather than just have the site sit here with nothing on it except yesterday’s posts (as good as those are), I thought I’d try something out for a change — basically, the idea is to see if you’ll do my work for me.

One thing I haven’t managed to do this week is put together a round-up of new songs and videos. So, what I’d like to propose is this: Continue reading »

Jul 232015
 

lowres_dDesigner_cover_internet

 

(Here’s Austin Weber’s review of the new Defect Designer album.)

Too often, we forget about killer releases after a song premiere we enjoy has passed out of memory before the record itself drops. Granted, this is not always true for everyone, or for everything that is released, but it is certainly something I have noticed. Which is why we are here today to talk about Defect Designer in spite of writing about them recently here at NCS.

Some of you may recall the premiere we did just a few weeks ago for a song (“The Terrible”) from Ageing Accelerator just a few weeks ago. Nevertheless, as a refresher, here is a written reminder to check out this fantastic new Defect Designer record now that it has been released. Continue reading »

Jul 232015
 

CD BEZ OPISU

 

The Polish death metal band Ogotay have completed a new album (their second) named Dead God’s Prophet that will be released by their new label Selfmadegod Records on August 1. We were given the opportunity to premiere a new song from the album of our own choosing. After listening to the album and liking it a lot, I agreed.

But picking the song turned out to be more difficult, because there is a lot of good stuff to choose from on this release, and the songs certainly aren’t all alike. The one I eventually chose was “Entering the Void”, which is the album’s fourth track. Continue reading »

Jul 232015
 

Kataklysm-Belphegor tour

 

Just a few quick notes in here about three new North American tours that were announced within the last week. Two of the headlining bands — Kataklysm and The Black Dahlia Murder — also premiered new songs yesterday, so I’ve included a stream of them below as well.

KATAKLYSM / BELPHEGOR

This is an interesting mix of co-headliners — Canada’s Kataklysm (whose new album Of Ghosts and Gods was given an initial assessment by Andy Synn for us here) and Austria’s Belphegor (whose most recent album was 2014’s Conjuring the Dead). The complete schedule is below, but first, a video… Continue reading »