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SOLUS EX INFERIS: “EXOGENESIS”

 Album Reviews, SHORT BUT SWEET  No Responses »
Apr 192022
 

 

(This is DGR‘s review of a new EP released on April 15th of this year by the New York-based death metal band Solus Ex Inferis.)

Sometimes you land on a new release simply because you were curious as to what a certain musician might’ve been up to at a given moment. There are absolutely other avenues to discover music, but sometimes it’s just fun to go down the internet rabbit hole and see what other projects someone might be involved in. That is what led me to the death metal group Solus Ex Inferis and their newest release Exogenesis.

Every once in a while the thought that superhuman drummer Marco Pitruzzella has contributed work to something like twenty-plus projects will cross my mind. For the past few years he’s had credits on at least two-to-four releases, with Solus Ex Inferis becoming the latest project to which he’s contributed, adding to the vast body of work for this prolific musician.

Solus Ex Inferis are also one of a recent slate of death metal projects that have truly embraced being from all over the world, with Demonic Resurrection‘s Sahil Makhija (the Demonstealer) joining the fray alongside guitarist Dave Sevenstrings for their latest EP, while also calling in help from bassist Sean Martinez of Decrepit Birth/Muldrotha as well as some guest soloists.

What this translates to is the latest EP Exogenesis hailing from all over the world in the name of bulldozer brutality. You’ll know whether the twenty-five odd minutes of Exogenesis are for you if this statement gets you excited. Continue reading »

AN NCS PEMIERE: ANNIHILATION RITE — “DAMNATION CROWNS”

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Apr 182022
 

The name of the debut album by the German band Annihilation Rite is World Below, and that is where it takes us — to a blood-freezing subterranean domain of merciless terrors, endless torment, and utter downfall. It’s a cold nightmare world where bones are smashed and minds are ruined, and also a summoning of the Lord of Darkness to ascend, and retaliate against life.

This new entity is the solo work of Entweider, who is also a member of Crypt Witch, Dark Fields, Necrochaos, Sinister Downfall, Urschmerz. The music is branded black metal, but draws from death and doom metal as well, in order to make its rendering of ferocity and fear even more apocalyptic. And Annihilation Rite has written its rites in long form, in ways that become hideously spellbinding.

As a tangible sign of all these qualities, we have for you today the premiere of an album track named “Damnation Crowns“, in advance of World Below‘s April 28 release by Satanath Records. Continue reading »

CHOKE ME: “DEATH LIKE A SUNSET”

 Album Reviews, SHORT BUT SWEET  1 Response »
Apr 182022
 

(The California fastcore band Choke Me have quickly become a favorite of DGR, and thus he has enthusiastically dived into their music again with this review of their latest release.)

Choke Me‘s releases seem to appear with the suddenness of a high-speed car collision. It wasn’t that long ago we were talking about the three-piece group’s Hauntology EP,  and prior to that it didn’t seem that long ago that we were discussing the group’s full-length debut The Cousin of Death.

Then again, given the shared ideologies between the group’s punk, grind, and ‘fastcore’ collision of sound, it doesn’t shock that the crew manning the good ship Choke Me have also embraced the rapid-fire release schedule and record length of the grind contingent as well.

We’re probably a few months out from suffocating under an avalanche of splits and single releases if the patterns hold true. April 1st saw the release of the latest music from Choke Me, seemingly forming out of a static-charged aether into one quick explosion under the name of Death Like A Sunset, and like its immediate predecessor in late 2021’s Hauntology it discharges another six songs and sub-twenty minutes worth of music. Continue reading »

AN NCS PREMIERE: APARTHIVA RAKTADHARA — “NADA OF CREATION COLLAPSES ONTO PRIMAL BINDU”

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Apr 182022
 

Aparthiva Raktadhara‘s 2018 debut demo Agyat Ishvar popped a lot of eyes wide open, including ours. Even at only 12 1/2 minutes in length, it struck like a nuclear-tipped missile, often breathtakingly fast, cyclonic in the intensity of its riffing, and berserk in the ferocity of the vocals. Yet the frontal assault of the music didn’t completely obscure its intricacy or its insidiously seductive effects. It left us as intrigued as it did obliterated.

Now we’re about to have an even more formidable demonstration of this trio’s powers, because on May 20th Iron Bonehead Productions will release their debut album Adyapeeth Maranasamhita (আদ্যাপীঠ মরণসংহিতা). It was received, as the band explain, “as a burning revelation of riktata, realized within our hearts as we meditated under a Bodhi tree by the Ganges in Chanak, Uttar Kalikshetra, in fall 2019.”

Now that revelation has taken its complete form through sound, and we bring you part of that experience in today’s premiere of the album’s closing track, “Nada of Creation Collapses Onto Primal Bindu“. We think you’ll be quickly convinced that this isn’t like any other death metal you’re likely to hear this year. Continue reading »

AN NCS PREMIERE: DISHARMONY — “THE CYNIC AND THE BEGGAR”

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Apr 182022
 

During 2017 and 2018 we devoted quite a lot of attention to The Abyss Noir, the second album by the Athenian metal band Disharmony, whose multifaceted musical textures have drawn comparisons to the sounds of Nevermore, Sanctuary, Judas Priest, Iced Earth, and Anthrax. Five years later, Disharmony are returning with their third full-length, Gods Made of Flesh, and it deserves a lot of attention to.

In its conceptual focus the music revolves around “the different kinds of Enslavery we all have to confront since the time we are born,” with each song reminding us of “the Divinity of our Spirit and the Chains it entails”. In the sounds themselves, Disharmony‘s influences and inspirations lead them into a captivating fusion of styles and sensations — which you’ll discover for yourselves through our premiere today of “The Cynic and the Beggar“. Continue reading »

SHADES OF BLACK: УБИЙ, MISANTHROPIC RAGE, LIBUR NULL, AARA

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  2 Responses »
Apr 172022
 

Untitled 2022 artwork by Toshiro Egawa

 
Some days it’s harder to get going than others. For me it’s usually the weekends. I wanted to sleep for 10 or 11 hours last night, but only got 8, and maybe it’s true that a lot of sleep can make a person groggier than a small slice. Even after 8 hours I had to mentally whip myself to move, as groggy as a bear coming out of sedation.

I forced that awakening because I felt compelled to write this column, to maintain the Sunday tradition.  But I still slept late enough that there’s not much time before I have to leave the house to rendezvous with some friends. My spouse made the appointment, and set it for mid-morning. She knows about this column, but doesn’t consider it more important than social engagement. Well, she thinks all metal is awful, so that factors in too.

So here I am, stuck in a narrow space between sleep and closing the door behind me on the way out.  This is what I managed to pull together before the door closed. Continue reading »

SEEN AND HEARD ON A SATURDAY: EXOCRINE, ORIGIN, UNTO OTHERS, WORMROT, PRIMITIVE MAN, GIN LANE

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Apr 162022
 

I hope your weekend is off to a good start. I got my good start at a baseball home opener last night, arrived home late, and spent a chunk of the morning texting with fellow Mariners fans, still reveling in the ass-whipping they administered to the much-loathed Astros. Which is to say that this roundup will be a relatively short one.

A regrettably short one, because this past week was huge for new metal. I did a fairly good job making lists of new stuff I spotted, and it sure seemed like the torrent was greater than average. I basically just took random shots at some bands who have already proven themselves, and a few that seemed intriguing. To make the quick search a bit easier, I left all the black metal options to explore for tomorrow’s usual column. Be forewarned that this includes a couple exceptions to our rule about singing.

EXOCRINE (France)

To lead off we’ll go with a new Exocrine song, which two of my NCS comrades enthusiastically pushed my way. It’s the title track from the band’s fifth album, The Hybrid Suns, which Unique Leader plans to release on June 17th. Continue reading »

AN NCS VIDEO PREMIERE: MORGUE SUPPLIER — “MY PATH TO HELL”

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Apr 152022
 

Chicago-based Morgue Supplier don’t rush things. The band’s roots go back to a group named Jugular Appetizer with one 1999 demo to its name, but after changing that name to the current one Morgue Supplier have put out only two albums and a pair of EPs over the last 20 years, with significant amounts of time in between them. Now they’ve got a third full-length on the way, six years after the last one. Its name is Inevitability.

Respect should be owed to a band whose music over the course of two decades has remained as vicious, as hate-fueled, and as abrasive as Morgue Suppier‘s — if anything, it’s grown even more unabashedly confrontational, even more unreservedly hostile, even more mentally discombobulating, like an increasingly difficult test of their listeners’ fortitude in body and mind.

On the other hand, as you’ll discover from the song we’re premiering today — the aptly named “My Path To Hell” — the band’s music also presents numerous unsettling fascinations, like drugs you know are potentially ruinous to your health but are still powerfully addictive. Continue reading »

AN NCS PREMIERE: ANTHEMS OF ISOLATION — “AS PAZUZU RISES”

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Apr 152022
 

On their forthcoming debut album Apocalyptic Portrayals, the Iraqi duo Anthems of Isolation demonstrate a formidable power to create music that’s simultaneously spellbinding and unnerving. It’s steeped in moods of despair and downfall, and harrows at any sense of well-being like the swing of a scythe against fragile shoots of wheat, but its measured beats and celestial melodies are also undeniably hypnotic.

The music is sinister and perilous, tension-filled and tormented, and yet it’s easy to fall into the cold and shining void-space of these sounds and then find it difficult to escape. You’ll discover this for yourselves by listening to the three tracks we’re streaming below, one of which we’re premiering today in advance of the album’s co-release by Satanath Records and More Hate Productions on April 23rd. Continue reading »

SEEN AND HEARD: THE HALO EFFECT, GRAND CADAVER, ARTIFICIAL BRAIN, PATRISTIC, HELLSHOCK, PREDATORY LIGHT, LAMENT CITYSCAPE

 Metal News, RANDOM FUCKING MUSIC  2 Responses »
Apr 142022
 

 

I intended to complete and post this round-up yesterday, but my fucking day job rudely interfered. In the meantime I’ve been alerted to a bunch of other new songs and videos that surfaced yesterday. Trying to include them now would result in further delay, so I’ll just have to save them for later. Almost half of what you’ll find below came my way via DGR, and one more from a friend and former NCS writer, and the rest I somehow found on my own.

THE HALO EFFECT (Sweden)

“IT’S GLORIOUS. I mean this is like it fell right out of a time machine from the Colony sessions.” That’s what DGR wrote when he alerted some of his fellow NCS slaves to the existence of this first song, which is the title track to The Halo Effect‘s new album, Days of the Lost. And if you don’t know, one reason for the Colony reference is that this band includes a bunch of former In Flames members (Jesper Strömblad, Niclas Engelin, Peter Iwers, and Daniel Svensson) plus Dark Tranquillity‘s Mikael Stanne behind the mic. Continue reading »

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