Islander

Mar 292018
 

 

Vahrzaw’s first demo turned 23 years old earlier this year, relatively young in human years but relatively ancient in the annals of extreme metal. After a couple of other releases of a similar vintage, the band’s recording endeavors went quiet for about a decade, but they re-emerged in 2006 and discharged a trio of EPs, several splits, and two albums over the next decade. However, after roughly 25 rough years of inflicting black/death violence, it appears they’ve “really had enough of the bullshit associated with producing albums, and even EPs” — so says Blood Harvest Records, who will be releasing what will likely be this Australian group’s final recording on April 23rd.

This probable swan-song is an eight-track album named Husk. Despite what the title might suggest, and despite the band having bitterly reached the end of their long rope, it’s not a hollowed-out or desiccated affair. To the contrary, it leaves us thinking that it would be a damned shame if this in fact proves to be Vahrzaw’s last hurrah. If it is, they’ve definitely not made their exit meekly or half-heartedly. As Exhibit A, we offer “King In Yellow“. Continue reading »

Mar 292018
 

 

(The multinational band Sojourner released their second album earlier this month through Avantgarde Music, and in this post our Norway-based contributor Karina Noctum provides thoughts about the music and also elicitsthoughts from vocalist Emilio Crespo about his approach to the crafting of Sojourner’s lyrics. You’ll have a chance to listen to the music as well.)

 

I don’t remember precisely how I found Sojourner, but what I do remember is that the cover of the first album dragged me to them first. When I saw it, I thought it had to be some sort of atmospheric band and I had to check it out. Yes it was, and a very impressive one. The best atmospheric music (for me) is created by a combination of all the musical instruments and the vocals, layered in such a way as to create the effect, rather than elevating one layer “above” it all — such as something ambient thrown in for good measure — which feels disconnected from everything else.

That discovery of Sojourner was in 2016 when they released Empires of Ash, but now they have released a new album, The Shadowed Road, which again reveals a good production that has rendered a layering to my liking. This album has been carefully made, and particular care has been taken in preserving a contemplative mood throughout the album, while including a variety of rhythms and dynamic song structures. Continue reading »

Mar 292018
 

 

This makes the third time I’ve written about the Finnish band Hukutus at our putrid site. The first occasion (here) was at Thanksgiving 2016 when I discovered their unusual video (in which the band take off their clothes and run through forests, pausing for t’ai chi routines with glow sticks before pushing on toward the shores of frigid lakes) for a single called “Nadiirit“. The second time was almost exactly one year ago when we premiered a track named “Metsä ja yö“. And now we have another premiere.

Koitus” is the band’s third single, and also the final harbinger of the band’s debut album, which we can announce is entitled Oksitosiini (“Oxytocin” in Finnish) and will be released by My Fate Music on April 27, 2018. Like the first two singles, this one is a riveting experience. Once again, Hukutus have proven themselves to be wicked mutagenic agents, altering the DNA of metal in arresting ways. Continue reading »

Mar 292018
 

 

Here we are just past hump day for this week, and I have a big mountainous hump of music to choose from for this round-up. Much has been left on the cutting room floor, but this particular collection of recent songs and videos by seven bands felt like a good musical trip, one with changing moods and varied forms of intensity, and of course I quite enjoyed all of it. If you find just one thing that gets you excited, then my time here will have been well spent.

THE KONSORTIUM

Who Is The Konsortium?” That was the title of a post I wrote back in May of 2011 after coming across a striking track named “Lik Ulven” by a mysterious Norwegian group whose line-up included guitarist Teloch (from Mayhem and Nigingr) but was otherwise masked and shrouded in secrecy. I still didn’t know who was in the band when I reviewed their self-titled debut album the following month, but the music spoke for itself in quite charismatic tones.

Roughly a year later, still masked, The Konsortium played Inferno Fest in Oslo, and yesterday I enjoyed re-reading Andy Synn’s comments about their performance: Continue reading »

Mar 282018
 

 

(On March 30th Metal Blade will release Primordial’s new album, and Andy Synn reviews it below.)

 

Success, or so they say, can be a double-edged sword. And, if the reviews I’ve seen thus far are any indication, this is something that Primordial are finally discovering with the release of their ninth album, Exile Amongst the Ruins.

On the one hand are those people who have seen fit to declare this album a “masterpiece”, a “superlative triumph”, a “stunning success”, before they’ve even properly heard it, content as they are to blindly believe that the Irish quintet can do no wrong, while on the other are those whose reaction to Exile… can perhaps best be summed up as “slightly unhinged”, castigating the album as a titanic disappointment because it fails, in their estimation, to live up to the extremely high standards of their very best work.

And, of course, since so much of today’s music press is dedicated to the pursuit of exaggeration and excess over clarity and nuance, these voices have been amplified to the point where you’d be forgiven for being convinced that this album is either the best thing ever written, or the absolute worst… and nothing in between.

But the truth, unsurprisingly, is more complicated than that. Continue reading »

Mar 282018
 

 

There’s such a potent rhythmic drive to this song, like a big powerful engine with pistons hammering, and all that robust torque propelling a heavy machine forward in a way that elevates the pulse rate. We’re the passengers, carried along but also wanting to move our heads like pistons too, locked in to the movements of this gear-shifting juggernaut as it eats up the pavement.

As you’ll discover, that’s only one aspect of the song we’re helping to premiere today, but it’s an aspect with a primal, charismatic attraction. It’s a testament to the imagination of the Polish band Hegemone that what they’ve built around such a muscular musical drivetrain is equally seductive.

The song is “Π“, and it comes from the band’s new album We Disaappear, which will be released on May 11th by Debemur Morti Productions. Continue reading »

Mar 272018
 

 

Chaos Doctrine fuel their high-octane music with ingredients that range from death metal to thrash, from groove to industrial, but they supercharge their hybrid metal machine with undiluted rage.

This quintet from Johannesburg, South Africa, have been releasing singles from their forthcoming debut album since last year So far, videos for three of them have been launched — “Cult”, “The Genocide Number”, and “FTG” — and today we’ve got a fourth one (and an accompanying video) primed and ready to rampage through your skull. It’s the second part of a two-part composition called “My Demise“, which Chaos Doctrine’s vocalist Dr. D explains in these words: Continue reading »

Mar 272018
 

 

The Norwegian musician and vocalist Ole Alexander Myrholt has had a long and prolific career, one that began more than two decades ago and ranged across a multitude of groups and personal projects, but seemed to enter a hiatus around 2011 when his band Tremor was put on hold indefinitely. However, something changed when Myrholt stepped in to play drums for the Norwegian black metal band Mork in December 2016.

Since then, adopting the name Myrholt, he has been recording again, performing all instruments and vocals. Myrholt released a multitude of singles and two albums last year, as well as a two-track EP named Vinter earlier this month. And now a new EP entitled Mørketid has been readied for release, which we are happy to present it to you through a full stream of its five tracks. Continue reading »

Mar 272018
 

 

Despite the seemingly adamant rule pronounced in our site’s title, it should be apparent by now that we do make exceptions, and we’re about to make one now — or at least a partial exception. And in the case of the Greek band Horrorgraphy, the clean vocals are a vital, indeed an essential, ingredient in the music, for reasons you will soon discover.

Horrorgraphy are a new band, and their substantial debut album Season of Grief is set for release on April 14th, jointly by the Russian label Satanath Records and the Finnish label United By Chaos. The track we present today is “In A Dark Time“. Continue reading »

Mar 272018
 

 

The last time the Polish death/grind band Feto In Fetus appeared in our pages was back in 2012 in the lead-up to their second album, Condemned To the Torture. They did participate in a five-way split in 2015 (Human Abattoir), but otherwise have been quiet since that last album. However, the silence is about to end — in spectacular fashion.

On March 30, Selfmadegod Records will discharge a new Feto In Fetus album named From Blessing To Violence, an 18-track neck-wrecking barrage that’s the source of the track we’re about to detonate today — “The Vanished Land“. Continue reading »