Jan 122022
 

(We welcome first-time NCS writer Alex Atkinson, who makes his debut with a review of the recently released first EP by the Calgary-based heavy metal band Kontact.)

As our planet continues on its path toward ultimate doom, we must look to the cosmos for relief, enlightenment, and breakneck, extraterrestrial riffing.  Kontact fills the vacuum of space with songs soaked in all the ancient technologies of heavy metal’s heroes while creating a sense of new possibilities that help the surging traditional metal scene remain exciting.  Through the combined forces of Canadian powerhouse Traveler and the downright dirty Blackrat, Kontact has managed to harness their talents to finely (space)craft their debut EP, First Contact.

The album opener, “Ancient Malice”, uses some familiar tropes to build up to an unexpected vocal performance by singer, The Alien.  The vocals sound a bit like Alice Cooper and King Gizzard and the Lizard Wizard stopped listening to music once they heard King Diamond’s lamentation, “Melissa”, while creating something stark and original inside that space.  This is what really sets First Contact apart from an overwhelming couple years of excellent heavy metal releases.  Surprising vocal melodies are around every corner on this track, not to mention the remaining four powerhouse songs. Continue reading »

Jan 062022
 

 

There was a modest but noticeable slowdown in the release of new songs and videos over the holidays, but things have kicked back up into high gear again, as evidenced by the enormous number of tabs I’ve opened up for new music and video streams just since last weekend. I’ve made my way through many (but not all) of those and made the following selections across many metal sub-genres in the hope of brightening (and darkening) your day.

HUMAN HARVEST (Sweden)

A dozen years after the release of their second demo this death metal band (now the formidable duo of Jonny Pettersson and Jon Rudin) has crawled from its crypt again and fashioned a debut album named Flesh Sermons that’s been set for release on January 31st by Iron, Blood and Death Corporation. Last Monday saw the discharge of the album’s first advance track, a macabre monstrosity called “Blasphemy“. Continue reading »

Dec 292021
 

 

A baker’s dozen of new songs and videos is a lot to take in, but that’s what I’ve compiled here, and since we’re in the middle of Dead Week it seems entirely fitting for me to throw it your way now.

This 13-band round-up is the result of me going deep down a music-listening rabbit hole last night, a topsy-turvy underground descent in which I didn’t encounter any metal bands other than relatively obscure ones. My head was spinning by the end, and I hope yours will be too.

I did attempt to arrange the following items into “blocks”, but I make no promise that the arrangements will always make sense to you. Sometimes they barely made sense to me. I do promise you a real musical roller-coaster ride, and hope you’ll not jump out before you get to the end. And of course I had to pitch a curveball at the end.

P.S. I picked up the name “Dead Week” from this recent essay in The Atlantic, which perfectly sums up the oddities and attractions of this blank space that stretches between Christmas and New Year’s Eve.

NIHIL KAOS (International)

While I think the entire journey through today’s round-up will prove to be head-spinning, I’ve chosen to lead with a trio of songs that are within themselves head-spinning. And I’ve begun with the track that for me had the most jaw-dropping, eye-popping impact of them all. Continue reading »

Nov 192021
 

 

In many ways, the album we’re about to present is strikingly different from our usual musical fare at this site. Most obviously, the songs include only singing. Blast-beats are a rarity, and distortion is either completely eschewed or applied to a mild degree. The music often has more in common with prog-rock and hard-rock than heavy metal, and pulls from wells of classic heavy metal when it does venture into metal realms rather than dabbling in the sub-genres of extremity that occupy most of our attention.

And so you might scratch your head about what the album is doing here. Maybe you will wonder less after you’ve heard it. What it lacks in throat-cutting viciousness or mind-scarring abrasiveness it makes up for in so many other ways — in ways that make it utterly captivating. It has visceral “physical” power as well as the power to both channel and alter emotional states in gripping fashion, and it reaches heights of splendor that are breathtaking.

The name of the album is Ideals & Morality, and it’s the debut full-length of Sgàile, the solo project of Scottish multi-instrumentalist and vocalist extraordinaire Tony Dunn, whose resume includes work with such other bands such as Falloch, Cnoc An Tursa, and Saor. It will be released by Avantgarde Music on December 10th. Continue reading »

Oct 162021
 

 

I experienced NCS anxiety again this morning. That’s what comes from having 84 open tabs on my computer for new songs and videos, all of which I opened just since last Saturday. Not lying — 84 of them! To increase the anxiety level, I hadn’t listened to any of them until this morning.

Of course, I didn’t listen to 84 music streams, some of which are complete albums and EPs that were released over the last week, nor to all the other songs on the long list of candidates that I’d made over previous weeks. I did add all 84 to that pre-existing list, so I could stare at the band names and try to figure out what to spend time on. I stared… made choices… and from those choices here’s what I decided to share:

PHRENELITH (Denmark)

Nice to have these Danish death metal heavyweights back, with a jaw-dropping song named “Awakening Titans“. That’s what the music sounds like too, mystical and ringing at first, and then furiously slaughtering, packed with electrifying drumwork, unhinged, venomous riffing, jolting grooves, gargantuan growls, and maddened howls. Continue reading »

Oct 142021
 

(Andy Synn would like to introduce you to the debut album from Hippotraktor, out tomorrow on Pelagic Records, and invites you to leave your prejudices and preconceptions at the door)

I know that the post-Meshuggah breed of Metal bands can provoke some pretty divisive reactions around these parts. And I understand why.

After all, what initially seemed to be fresh and fertile soil for creativity and experimentation quickly became over-saturated with copycats and soundalikes whose music only seemed to grow increasingly sanitised, simplified, and mass-produced for mass-appeal with each successive generation.

But, let’s be honest, that’s the case for most, if not all, styles of music, to one extent or another, and just because the veritable deluge of Djent, Post-Djent, Proto-Djent, and Pseudo-Djent bands reached its saturation point in practically record time doesn’t mean you should dismiss any and all groups who elect to take inspiration from the works of Thordendal, Haake, et al.

I mean, it’s entirely up to you if you want to do that, sure, but you’re potentially robbing yourself of the chance to discover and enjoy a whole plethora of bands whose love of polyrhythmic groove and atmospheric melody transcends the trite tricks and tropes of their more djeneric peers.

Which brings us nicely to Meridian, the debut album from Belgium’s Hippotraktor.

Continue reading »

Oct 032021
 

 

And now to conclude the big round-up of new songs and videos I started here earlier today. I’m continuing to arrange everything in alphabetical order by band name, picking up where Part 1 ended, and continuing to add only scattered comments instead of more effusive verbiage.

LOCK UP (Sweden)

Last weekend I started a round-up with the same cover art you see above, though at that time there was no music. Now there is, along with a video made by Chariot of Black Moth. The song is from Lock Up‘s new album The Dregs of Hades (November 26, Listenable Records), and includes vocals from Kevin Sharp (Venomous Concept, ex-Brutal Truth) was well as Tomas Lindberg (At the Gates). Prepare for screaming, scathing, hammering death/grind madness. Continue reading »

Oct 032021
 

 

I’m playing catch-up, as usual. I had hoped to get this humongous round-up of new songs and videos (and one news item) posted yesterday, but the day didn’t work out as planned. Should you choose to go through everything (and you damned well should), it will take a while, because there are 15 items here, divided into two parts. And on top of that I still hope to pull together a SHADES OF BLACK post.

I’ve again alphabetized the selections by band name. There is singing to be found, especially in Part 2, as well as many candidates for my year-end list of Most Infectious Extreme Metal Songs. To get this done I’ve again limited my own verbiage to just brief scattered comments, without artwork and missing some of the usual pre-order links.

AQUILUS (Australia)

I don’t have any music to share for this first band, merely the long-awaited news (and yes, a 10-year gap between albums qualifies as “long-awaited”) that Horace Rosenqvist has a new Aquilus album named Bellum I set for release in early December by Blood Music. That’s so exciting that I thought it was worth including the news, which I usually never do when there’s no music yet. Also, the cover art by Julius von Klever is great. Continue reading »

Oct 012021
 


Unto Others

(NCS contributor Gonzo returns with another end-of-month roundup of music that caught his ears.)

There are a few bittersweet observations I’ve come to realize in the past month, related both to music and to the endless hellscape that is the human condition:

As of this writing, 2022 is just three months away and I’m still processing whether 2020 was even real. This means that while I survived the endlessly overwhelming shitstorm of that year, it does beg the question of how much worse this planet could get for humans over the next decade.

While live music is back and I’ve been reveling in the joy of sweaty venues and the sleep deprivation that comes with festivals again, I was just notified that Judas Priest is postponing the rest of their tour due to Richie Faulkner’s heart condition.

The next date would’ve been where I would see them (for the first time, no less) here in Denver.

Fuck.

The good news? Sabaton, who opened for Priest on this tour, is still playing a show in Denver, and by the time this piece goes to print, I’ll have seen the show and will post a full review in the coming days.

In the meantime, I’m at least somewhat distracted by the troves of amazing heavy music that keep blasting out of the darkest corners of the netherverse as of late.

Join me as I take you through some unfettered heaviness and savagery that’s emerged in the past month and kept me sane as we descend into 2021’s final few months. This month, I’ve got two albums and three singles for you to delve into. Continue reading »

Sep 122021
 

 

Due to me frittering away my time with lazy and inconsequential pursuits, Part 2 of this weekend roundup of new songs and videos is like Part 1 — generally bereft of artwork, the usual links, and my own descriptive commentary. Nonetheless, it does reflect the exercise of my own (possibly addled) judgment about what is worth your time, plus a desire to provide variety.

As explained in Part 1, I alphabetized 16 choices by band name before dividing them into two segments. Here we pick up with “M” and make it to “W”.

MASTODON (U.S.)

I’m getting memories of Crack the Skye from this new Mastodon song, which is a very good thing (at least it is to me). The well-made video is mysterious, and ultimately disturbing. The new album is Hushed and Grim, due for release on October 29th by Reprise Records. Continue reading »