Jun 032015
 

 

(KevinP brings us this “Get To the Point” interview with “M”, vocalist of Germany’s Sulphur Aeon, whose new album Gateway To the Antisphere has been widely praised as one of the year’s best.)

K:  You kraut eaters have been at this for 5 years now and released 2 monstrous albums.  Do you feel people are finally starting to take notice?

M:  Ah well, I guess people already started to notice when Swallowed… came out. Now, with the release of Gateway…, it kind of got a little over the top… at least if we consider our understanding of “success”. We don’t need much and we don’t aim high, so what we have experienced in the last months may take a while to comprehend entirely. Continue reading »

Jun 022015
 

 

(KevinP brings us this “Get To the Point” interview with Marcin Radecki, bass player for Outre from Kraków, Poland, whose new album Ghost Chants has made quite a splash.)

K:  How does it feel to have one of the, if not ‘THE’, best albums of the year (so far)?

M:  Nice to hear that someone uses such huge words to describe our album.  It definitely feels good but it also brings up a bigger challenge to keep such a level or even exceed it on future releases. Continue reading »

Jun 012015
 

 

(Our Kansas-based friend Derek Neibarger — the man behind the Godless Angel death metal project and the inventor of the Cat Hand Rest©, brings us his interview of Johnathan Matos of Abiotic.)

April 21st was a great day for technical death metal fans as it brought us the release of Casuistry, the second full-length album from Florida’s Abiotic. Built around furious yet intricate riffs riding atop a pounding and swirling rhythm section and featuring the recording debut of vocalist Travis Bartosek, Casuistry is as complex as it is crushing while still managing to be melodic and catchy.

I recently caught up with guitarist and founding member, Johnathan Matos, to talk about the new album, new band members, and breakfast. Continue reading »

May 262015
 

 

(In this post Comrade Aleks interviews Lorenzo Partida Bravo, guitarist of Mexico’s Ultratumba.)

Ultratumba isn’t a new band; they’ve worked in the metal underground since 1995, but it’s rare to find one who knows about this bunch of brutal dudes from Mexico City. It’s strange, because this band under the guidance of talented guitarist Lorenzo Partida Bravo have already released six pretty diverse albums (and one live album).

Their full-length La Casa del Escarabajo (“House of Beetle”) was written in 2010, and it demonstrates very harsh and aggressive death-doom metal with some unusual approaches, while the band’s last work Sopa Envenenada (“Poisoned Soup”) is closer to more traditional doom, yet with pretty wild vocal lines.

Besides that I need to mention that Lorenzo has played in the thrash/death band Transmetal since 1987 and he also has a solo progressive project named simply Lorenzo Partida! Am I talking too much today? Maybe, let’s give a word to Lorenzo. Continue reading »

May 262015
 

 

(Brutality shall reign: Our old and loyal friend Vonlughlio from the Dominican Republic interviews Henri Sison, the drummer of Disentomb from Australia.) 

I’ve been given the opportunity to conduct an interview with Henri (Drummer) of Disentomb, one of my favorite Brutal Death Metal bands from Australia.  Just last year they released via New Standard Elite their second full-length entitled Misery that was my Top 3 album in my year-end list (you can see the full list here).

This is one band that I can honestly say exactly how I found them: It was in 2011 after the release of their debut album Sunken Chambers of Nephilim. I was drawn first by its artwork, and the music turned out to be just top-notch BDM from start to finish. Continue reading »

May 192015
 

 

(Comrade Aleks returns to NCS with this interview of Luther Veldmark of the multinational group King Heavy.)

It started for me with Hooded Priest’s album Devils Worship Reckoning — I like good old-school doom metal, and this record had enough catchy riffs to make me wait for new release. This record also is remarkable for me because of the really possessed and expressive vocal lines performed by the band’s frontman Luther Veldmark. The new album isn’t ready yet, but at least I got King Heavy, as Hooded Priest has been keeping silent up to now.

King Heavy is the product of a collaboration between Luther (based in The Netherlands) and three members of the Chilean bands Procession and Mourners Lament. King Heavy recorded the EP Horror Absoluto in 2014, so it’s time to ask that will come next. Luther Weldmark himself is here today!

 

Hail Luther! How are you? How much longer did your beard grow since we talked last time? It was in 2011!

Hello Alex, great hearing from you again. The slower my music the faster time flies!

Since you asked, I suppose my beard is a bit longer than last time, actually I don’t think it’s that extremely long, but yeah right, I don’t go that often to a barber. I do cut my beard on the sides from time to time, that’s about it. Continue reading »

May 152015
 

 

(Our Kansas-based friend Derek Neibarger — the man behind the Godless Angel death metal project and the inventor of the Cat Hand Rest©, brings us his interview of Dave Matrise, vocalist of Jungle Rot.)

I have to extend a very heartfelt thank you to Kenosha, Wisconsin. The fourth largest city in the state has given us Mark Ruffalo, the best Bruce Banner aka The Hulk. And more importantly it is the home of the death metal monstrosity, Jungle Rot.

Formed in 1994, Jungle Rot has delivered seven crushing full-length albums. With their eighth album on the way and a coveted slot on this year’s Rockstar Mayhem Festival, it was the perfect time to catch up with vocalist, Dave Matrise, to talk about what looks to be a very exciting year for these death metal legends!

******

Derek: Hi Dave! Thank you for taking time to do this interview for me! Jungle Rot entered the studio last month to begin working on your eighth album. How are the recording sessions going, so far? Do you have any idea when the album will be released, or when we’ll get to hear some new music?

Dave: Hi, yes we went into Bell City Recordings on April 17th. I could not be happier with how everything is coming out. Again, we went into the studio ready for war. We all had a job to do and everyone did it well. Knowing just what we had and what needed to be done to make this another J-Rot release. The album will be available on June 30th and I’m sure a video will be released at the same time to let everyone get a taste of it. Continue reading »

May 142015
 

 

(KevinP brings us this “Get To the Point” interview with Calvin Robertshaw, guitarist of My Dying Bride, who have a new album coming later this year.)

K:   I’m not going to rehash ancient history too much.  I’d rather focus on the here and now, plus the future.  Buuuut, you’ve been away since 1998 and as soon as they announce Hamish’s departure, they announce your return.  I gotta assume you’ve kept in touch over the years or had previous talks of rejoining the fold?

C:  Yes, after leaving, I stepped away from music completely for a couple of years before they approached me and asked me to tour manage. That lasted for 3-4 years before the birth of my son. We’ve always kept in touch since then.  I’ve been with Andy’s sister for 17 years.

Andy initially approached me in 2013 about the possibility of filling in for Hamish at a couple of shows.  But nothing ever came of that, until mid 2014, when I was asked about rejoining full time. Continue reading »

May 132015
 

 

(New Zealand-based metal writer and broadcaster Craig Hayes brings us this interview with Rigel Walshe of New Zealand’s  Dawn of Azazel, whose phenomenal comeback album was released on April 28.)

A couple of weeks ago, long-running New Zealand death metal titan Dawn of Azazel released The Tides of Damocles, the band’s first album in six long years. Formed in 1999, Dawn of Azazel are a crucial band in the history of New Zealand extreme metal. Their 2003 full-length debut, The Law of the Strong, is a 100% blistering and battering classic. And, over the years, Dawn of Azazelhave toured the globe, reaped acclaim from all corners of the metal underground, and received high praise in the press at home and abroad.In 2009, after the release and touring for Dawn of Azazel’s third album, Relentless, the band went into hiatus. Frontman Rigel Walshe wanted to further explore career options outside of the music sphere at the time. And it’d be fair to say the return of Dawn of Azazelin 2015 has been greeted with rapturous applause both at home and offshore.The band headed back to Mana Recording Studios last year to record, mix and master The Tides of Damocles, and there’s no question that Dawn of Azazel have returned with a ferociously aggressive, dynamic, and wholly skull-cleaving album. No Clean Singing caught up with frontman Rigel recently to talk about the band resurfacing, his reflections on his time away from the metal underground, and what the future holds for one of death metal’s premier cult bands. Continue reading »
May 122015
 

 

(Our Kansas-based friend Derek Neibarger — the man behind the Godless Angel death metal project and the inventor of the Cat Hand Rest©, returns to NCS with this interview of the man behind IHATE.)

When I think of places around the world which have been the birthplace of great death metal, I typically think of well-known metal spawning grounds such as Florida, Brazil, New York, and Sweden. The last city that comes to mind is Waterbury, Connecticut. Thanks to IHATE, I’ve been shown the error of my ways.

IHATE is the twisted brainchild of multi-instrumentalist Bob Taggett. His musical prowess is easily on par with the death metal greats, delivering crushing slabs of riffage over steamroller percussion. My introduction to IHATE came in the form of the super-creepy music video for “Stretcher”, a first-person view of a psychopath stalking his victim. The track comes from IHATE’s full length demo, which features the familiar gurgling roar of none other than Chris Barnes, from Six Feet Under.

I was incredibly fortunate to be granted an interview with Mr. Taggett, who was more than happy to talk to me about the origin of IHATE and what we can expect next from this remarkably talented musician. Continue reading »