Jan 122015
 


The Crown – photo by Patrik Skoglöw

(Karina Noctum rejoins us with the following e-mail interview of Magnus Olsfelt of Sweden’s The Crown, whose new album Death Is Not Dead was reviewed by our Andy Synn here and will be released on January 13 (tomorrow!) in the U.S. by Century Media.)

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1. Ok, I would like to start with a little update about The Crown…

Ok we have the new album to be released next week and we will have a release party gig here in Gothenburg this saturday. Live drummer Henrik Axelsson will join us, but unfortunately he was rushed to the hospital yesterday with bad fever so let’s hope he can recover by Saturday!

 

2. What can the fans expect from the new album? Would you say that the fact that you guys were actually writing a The Crown album this time influenced the sound?

People can expect us doing a new album that we  have done our best and put a lot of effort into. We think it should be listened to as a whole experience, from beginning to end, to have the full ride, with ups and downs and everything. Continue reading »

Jan 122015
 

Odota — photo by Berit Lamp

 (Comrade Aleks brings us this interview with Jarmo Nuutre (Blood Pavilion, Hjem, Skull Trading, ex-Talbot) whose new solo project is named Odota.)

 

Odota is a new experimental black metal project of Jarmo Nuutre, who took part in the massive Estonian duet Talbot till 2013. Jarmo has decided to concentrate on his solo career, so he plays all instruments on Odota’s first release Fever Marshal. Subjectively, as a person who is not the biggest fan of black art, I got this stuff, and if you need a reason to pay attention to this record, then here’s an interview with Jarmo.

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Hail Jarmo! I’m glad that we have a chance to talk, but let me start our interview with the predictable question about leaving Talbot. Let us clarify it at once – is it time to speak about the reasons and is there any chance that you will return?

Hi there, Aleksey!

Well, the main reason for leaving Talbot was that I wanted to focus on my solo stuff once again. Odota, Blood Pavilion, Skull Trading, etc., Hjem too, although I’m not alone there — there’s a singer as well.

Over the years I’ve actually left different bands for the sake of my own projects, so I guess I’m not really good “band-material”. Continue reading »

Jan 122015
 

 

As those who dwell in the underground already know, the seminal U.S. black metal band VON has embarked on an unusual audiovisual project: They are releasing their third album Dark Gods: Birth of the Architects  (which is itself Part II of a trilogy that began with 2013’s Dark Gods: Seven Billion Slaves) in 12 CD installments, with each of the 12 tracks accompanied by part of a comic book named Dark Gods written and illustrated by VON’s founder VENIEN!!! Each CD includes not only a version of a track from the album — which will be released in its entirety in March — but also a bonus track exclusive to the comic book.

Today we bring you a special two-part feature: the premiere of a demo teaser for the album’s 7th track “Black Lotus” along with an instrumental B-side from the CD called “Extinction”, plus an exclusive interview with VON’s drummer “Dirty FvKn! Pistols” and the band’s guitarist “HangMan”. The interview, conducted by e-mail, comes first… the images you will see are preview pages from the comic.

THE INTERVIEW

“Dark Gods: Birth of the Architect” is an unusual project – 12 songs released on a weekly basis, with each song accompanied by an installment of a 12-part “Dark Gods” comic book, with a variety of variant covers. For people who are just learning about this, could you explain the concept behind the story and the music?

Dirty Fvkn! Pistols:
The idea was to take the story each song told individually and release them as though someone was giving you a novel, one chapter at a time. Conceptually we already intended to intertwine them so it just made sense to us. We wanted a record that was more than just a bunch of songs, but rather its own entity within itself. It was important that each piece be the correct fit to make one cohesive unit in the end. Continue reading »

Jan 092015
 

 

(Our Russian contributor Comrade Aleks brings us this interview with Alco Tony of the Russian stoner/sludge band Pressor.)

Let me introduce you to a sludge’n’stoner band from the far-away and ancient Russian city of Kostroma – Pressor is its name. The guys have absorbed all the necessary elements of this dirty genre, so Pressor’s way lies through murky and ugly swamps of narcotic nightmares and most horrific dreams. Anton Khmelevskij aka Alco Tony reveals the sacred ancient obscure occult knowledge of Pressor. Alright now!

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Hello! What do our readers need to know about Pressor?

The main thing is to keep yourself together and not get into postmodernism. Continue reading »

Jan 072015
 

 

(Our Russian contributor Comrade Aleks returns with another interview.  This time he talks with Sami Rautio of the band My Shameful, whose sixth album Hollow was released last fall by Moscow Funeral League Records.)

My Shameful is a pretty extreme death doom / funeral product of bitter and hateful inspirations from the daily life of its mastermind Sami Rautio. Its line-up has changed through the time, but mostly My Shameful works as a trio with Sami (vocals, guitars, keyboards) at the helm, Jürgen Frohling on drums, and Twist as the bass-guitarist.

The band’s followers got a full-length album Penance in 2013 after five years of silence; but Sami and the crew didn’t want to waste their time and they returned with the next record Hollow in 2014, and soon after that My Shameful took part in the split-album The Symmetry of Grief with Russian band Who Dies In Siberian Slush. Is it too much? That’s a good question, and I needed to ask Sami himself to know the answer. Continue reading »

Jan 072015
 

 

I first discovered the Dutch band Apophys last June through a video about a visit by the band’s vocalist Kevin Quilligan to phoniatrician Enrico Di Lorenzo (who also happens to be the frontman of Rome’s Hideous Divinity) for a vocal assessment. That very interesting video (a short version of which is here) led me to search out music, and I found the band’s blast-furnace four-song 2013 promo (and frothed at the mouth over it in this post).

At the time I wrote that post in June, the band were working on a debut album — and then last month brought the surprising news that Metal Blade Records had signed Apophys and would be releasing that debut full-length to the masses. Continue reading »

Jan 062015
 

 

In the summer of 2013 I came across an album named Evolve by a Chicago band named Of Wolves, and it spun my head clean around. I had more “what the fuck?” moments than I had experienced with any other album during the year up to that point. There was something unexpected lying in wait around every corner, and the album had more corners than a roller-coaster ride. As I wrote in my review:

These three working men in Chicago are fed up, frustrated, and pissed off. They vent their fury at everything from churches to governments to pervasive greed to the treatment of Native Americans to the mass of their fellow citizens (aka “sheep”) who allow themselves to be brainwashed, duped, and distracted from protecting their own self-interests — and they don’t mince words about it. As they say, “Life has been rough, the music is therapy.”

Apparently, the therapy consisted of taking a whole kitchen sink’s worth of musical influences and interests — from punk to crust to metal to garage rock to backwoods mandolin melodies —  and letting them spill out in a flood of exuberant creativity.

After I wrote the review, I talked with the band’s vocalist/guitarist Steve Sherwood about doing an interview. Almost eighteen months later, it happened, via e-mail. There’s a reason why the slow loris is the mascot of this site. All live photos accompanying this interview were taken by John Mourlas.

Continue reading »

Jan 012015
 

 

(NCS interviewer KevinP delivers the first in a planned interview series, and this inaugural edition features guitarist Steve Jansson of Crypt Sermon — whose forthcoming debut album Out of the Garden is absolutely killer!)

Welcome to what I plan on being a monthly feature, GET TO THE POINT.  Besides wanting a fancy title for my interview segment, the idea is to be a bit more succinct, if and when possible.  Who knows, maybe I’ll be a chatty Kathy more than usual and totally not stick to it, let’s see how things turns out.  In the coming months, we will be talking to (among others):  Calvin Robertshaw (My Dying Bride), Matt Calvert (Dark Descent Records),  Öxxö Xööx (a French avant garde doom band), and Nikos Panagiotopoulos (Universe217).  So, without further ado……

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K:  So Enrique (Crypt Sermon’s drummer) was scared to do the interview and pawned me off onto you.  What’s up with that guy?

S:  Oh, we don’t let him do interviews. I sent his ass to get more beer, though.

Hah, nah, Brooks (vocalist) and I are generally the ones who do the interviews. It just sort of worked out that way, I guess. Continue reading »

Dec 192014
 


(Comrade Aleks brings us this interview of Michał Śliwa of the Polish atmospheric doom band Echoes of Yul.)

Echoes of Yul (Opole, Poland) was started as an instrumental doom project with some experimental influences that give their first self-titled album some unique and strange atmosphere. Time has passed, and with each new release Echoes of Yul became stranger and more eclectic. Their second LP brought even more researches with dark electric sound and haunting samples, so I was not surprised that their EP Tether came with a bunch of remixes amidst a few new tracks. Even the name of the new drone-like track “Asemic”, which was included in a 2014 split-CD by Echoes Of Yul and Thaw, means “a wordless writing”, as the project remains an instrumental one. But Michał, the man behind Echoes, has some words to share, so we did this interview a couple of days ago.

 

Salute Michal! What’s going on in a life of Echoes of Yul? Did the sales of your last album “Tether” go well enough?

Hello Aleksey. Echoes of Yul is very busy – as always. I am recording and arranging a new album, doing remix work etc. In September I released a split album with Thaw on the Instant Classic label.

Regarding the sales of “Tether” I’m not sure whether Zoharum Records are satisfied with the results. I am aware that it is niche music with a small number of listeners, and it’s a good thing that Zoharum is rather a  child of love to music than a business venue, so I haven’t heard any complaints. But you know in a wider view streaming music, downloads, etc. is slowly killing small labels. I totally respect their passion to increase their catalogue with new bands. They put a lot of effort and cash into promoting, packaging, and discovering hidden treasures. Continue reading »

Dec 162014
 

 

(In this post Comrade Aleks presents an interview with Lukáš Kudrna of the Czech doom band Quercus, whose latest album was released this past summer.)

The Czech doom scene is an unexplored and dark segment of the underground. The honorable Dissolving of Prodigy have gone, and such stubborn newcomers as Et Moriemur are a very rare example, so I was very surprised by the fact of a new Quercus release. This project has a thirteen-year-long history, and its last work Postvorta was released in 2007. One way or another Quercus has returned with another piece of avant-garde and enigmatic funeral doom. Lukáš Kudrna, a constant author of Quercus, is ready to tell the story of his new record Sfumato.

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Hail Lukas! Quercus was silent for about 7 years. What is the reason for such a long hiatus and returned the band to activity?

Hallo Aleks. I and my brother in doom — we recorded lot of albums with our main band UMBRTKA, almost 10 CDs in 7 years. And then we had a break for a short time with Umbrtka, so we made slower drums and a new album started to rise… Someone said that Quercus is a slowed down Umbrtka. Continue reading »