Jun 102014
 

A metal friend of mine from Denmark e-mailed me recently that “Reading your MDF travelogues were a joy because they were so non jaded, they kinda read like the experience of a child in a candy store :).”  I think that pretty accurately nailed the way I felt about attending Maryland Deathfest XII. It was not only my first MDF experience, it was my first-ever metal festival of any kind, and it could hardly have been more perfect.

How do you improve on perfection? I guess, by definition, you can’t. But you can achieve something equally wonderful, but also different. And so I’m already excited about the 13th edition of this festival, the dates of which have now been announced: May 21-24, 2015. And the first round of bands, plus info about early-bird ticket sales, will be announced by August 1.

I’m well aware that for a great many people this festival is out of reach — too far away, too expensive to attend, falling on dates that don’t work. I’m not even sure I can go again. But I’m already fantasizing about it.

Part of the fantasizing involves wishful thinking about the bands who might attend next year. There’s an event page for the festival on Facebook that’s filled with people’s wish lists. Reading them (at least the serious ones) makes me salivate — in part because it really does seem possible that anything you wish for could actually come to pass.  Given MDF’s track record, you don’t even have to limit yourself to bands who are still active; even bands who’ve been dead for decades could come back to life for one last hurrah in Baltimore. Continue reading »

Jun 092014
 

Here are four startling new events that happened over the weekend.

DEATH GRIPS

Death Grips released the first half of a new album last night. As is their want, there was no advance notice, or at least none that I saw. The name is niggas on the moon. It’s 8 tracks long, it’s streaming in full on Soundcloud and YouTube, and it’s free to download. And all 8 songs feature Björk. Seriously.

The band’s announcement says this 8-song release is the first half of a double album, the name of which is the powers that b. They say it will be released later this year on Harvest/Third Worlds Records.

I haven’t started listening to the music as I write this on a Sunday night, so I’ll save any thoughts about it for a later update. Or maybe someone else around here will provide some thoughts. I’m expecting weirdness.

To download the music, click this link:

http://thirdworlds.net/files/niggas-on-the-moon.zip

Stream it below. Continue reading »

Jun 062014
 

NCS reader Joseph D just e-mailed me some breaking news, for which I’m most thankful. You can see the news above: Sweden’s Dark Tranquillity and Finland’s Insomnium will be touring North America in January 2015.

January 2015 is a long way off, but man, I’m already very excited about this announcement, especially because the tour will be stopping in Seattle. I’m sure you get sick of me focusing on myself first and everyone else secondarily, but you wouldn’t want me to be dishonest would you?

All the dates are after the jump. Continue reading »

Jun 042014
 

You may have noticed that over the last three or four days I haven’t written as much for the site as I usually do. The explanation, as usual, is my fucking day job. It’s going to continue to impinge on blog time for another day or two. But I find myself with a sliver of free time at the moment, so I thought I’d collect some new things that I discovered over the last 24 hours.

I’ve found so much that I’m dividing the discoveries into two collections, this being the first. With luck, more will come later today. I’m going to start with a couple of album announcements.

PALLBEARER

I really loved Sorrow and Extinction, the 2012 debt album by Pallbearer from Little Rock, Arkansas. I was hardly alone. It was deluged in critical praise and made heaps of year-end lists. Today Profound Lore announced that Pallbearer have completed work on a new album entitled Foundations of Burden and that it will be released in NorthAm on August 19. Continue reading »

Jun 042014
 

The last time King Crimson mounted a tour was in 2008, and I’m sure many people thought that would be the last reunion (and the last hurrah). But founder Robert Fripp has decided to do it at least once again. He has assembled a new King Crimson roster for a group of select U.S. dates this coming September and October, starting in Albany, NY, and finishing in Seattle (be still my beating heart!).

This time, Fripp has assembled three (!) drummers — Gavin Harrison, Bill Rieflin, and Pat Mastelotto — and a bassist-singer (Tony Levin) in what Fripp has called the “front line”. And in the “back line” will be two guitarists (Fripp and Jakko Jakszyk) and a flutist-saxophonist (Mel Collins). This should be… interesting, to say the least. Continue reading »

May 302014
 

I’m slowly moving back into what I normally do at this site after more than a week of living in the world of Maryland Deathfest, first by attending it and then by re-living the experience in NCS posts. And part of what I do is attempt to highlight news items of interest. I’m a bit late featuring the three collected here, but I think they’re worth mentioning, even if tardily.

AMON AMARTH

Beginning in September and running into November, Sweden’s Amon Amarth will be touring the US and Canada. Sadly, they will only have the Viking ship on stage at the October 18 New York City (Manhattan)  date, which is a show that’s part of Decibel magazine’s 10th anniversary celebrations. At that show, the UK’s Vallenfyre will also be appearing.  I would give your left arm to see that show.

Except for that New York City event, Skeletonwitch will also be a part of this tour, which makes it doubly enticing. Sabaton will be on the tour as well. However, although Vallenfyre will be playing the Manhattan date in place of Skeletonwitch, Skeletonwitch and Evoken will be playing later that same night at St Vitus Bar in Brooklyn; that show is also part of the Decibel anniversary festivities. I would give your right arm to see that one. Continue reading »

May 282014
 

Just last week, Iceland’s Sólstafir absolutely floored me (and hundreds of other fans) with their performance at the 12th  edition of Maryland Deathfest. Hot on the heels of that trump, Season of Mist has just announced that the band will be releasing a new album named Ótta on August 29 in Europe and September 2 in North America.

According to the press release, “As the name suggests, Ótta will include eight songs, which titles will be unveiled later in June.” Pre-orders will start at the SoM e-shop (here) on June 10.

And that’s about all I have to say about that.  I have to go now and change my shorts.

May 262014
 

I’m already experiencing post-coital tristesse (yeah, look it up) after 4+ days of M D Effing.  I’m now sitting in the lobby of my hotel with my two Seattle friends killing time before we drive from Baltimore to D.C. for our flight back home. I thought I might as well take advantage of the lull and bang out some more thoughts about my Maryland Deathfest XII experience.

Although this was my first MDF, I gather from talking to people who had attended many of the previous festivals that the logistics of this one were the best yet. I know I was really impressed with everything. The biggest venue (and the one making its first MDF appearance this year) was the Edison Lot — just a gigantic parking lot in the shadow of an overhead freeway that MDF took over for the last 3 days.

It was more or less a huge rectangular space with two big stages set up at opposite ends. A smaller rectangular space was carved out by a chain link fence that ran the length of the lot, and that area was lined on both sides with small, open-air, tented booths, every one of them offering merch of different kinds — tons of shirts, vinyl records, tapes, CDs, patches, pins, posters, and more. At one end of that space was an even larger tent (which was almost fully enclosed) filled with many more merch tables: Continue reading »

May 252014
 

“Having a great time.  Wish you were here.”

As I warned you I might do, I’ve decided to put together a small diary of my excursion to Maryland Deathfest this year. I intended to write something day by day, but somehow the waking hours have flown by, so I’m a few days late. I thought about writing nothing at all because of the possibility that it could be seen as obnoxious, kind of like the first sentence in this post, except with more words. Obviously, that risk hasn’t stopped me.

As I write this, it’s mid-day on Sunday, with one full day of the festival still to come. So far, it has been an incredible experience in every way. The music has been fantastic. The venues have been great. The organization and logistics for an undertaking of this size and complexity have been very impressive. We’ve had beautiful weather, and all the people I’ve met, without exception, have been beautiful, too.

And that last point is really the first one on which I ought to elaborate. Continue reading »

May 242014
 


(photo by Natalia Kempin/Natalia Die Hexe, used with permission)

(Andy Synn provides the following introduction to a new documentary now streaming over the web.)

Dark Fortress are, without a doubt, one of my favourite bands, and their last albums, Ylem, is similarly one of my favourite albums.

Why am I telling you this? Well it just so happens that Dutch public-service broadcasting network NTR has just released a 50-minute documentary on the band’s frontman Florian Magnus Maier (aka Morean) and his composition of a double-guitar concerto entitled “Schattenspiel” (“Shadowplay”) for the Zaterdagmatinee, whose premiere performance took place at the Royal Concertgebouw, Amsterdam.

Now I actually already knew that Florian/Morean was a gifted composer (go me), with some impressive credentials to his name, but actually watching him piece the whole thing together, keeping all the changes and instruments in his head at the same time, really gives you a whole different insight into the process and the man behind it. Continue reading »