Apr 062012
 

Money don’t grow on trees. If you’re not born with it, you have to work for it . . . or wait for an African widow to drop it in your lap before she dies of cancer or her dead husband’s greedy relatives steal it. And when you’ve got a bit of money, you need to save it for life’s essentials, like buying CDs, vinyl, and band merch. So when a band asks for financial help, we know that’s a tough thing for most metalheads to honor. But when the donation is really just a down-payment on killer music, the decision becomes a little easier.

Lots of bands without label backing are now using Kickstarter to help finance their activities. Here are two who deserve your support: Dreaming Dead and Gizmachi.

DREAMING DEAD

This story just blows my feeble mind. In February I decided to catch up with LA’s Dreaming Dead in a post called “Lapse”, whining about the loooong wait for their Midnightmares album, which the band had been keeping to themselves for almost a year and a half while searching for a label.  Three days later, they announced that the album would be released on April 20, apparently without label support. And then about 10 days ago, thanks to an e-mail from NCS reader Talvalin, I found out that the band had started begging for money on Kickstarter.

I really do not get it. This band’s 2009 debut album (on Ibex Moon records), Within One, was excellent. The songs from Midnightmares that they premiered over the course of that long label hunt were even better. And they have a photogenic frontwoman (Elizabeth Schall) who can both kick out nasty harsh vocals and shred the guitar like nobody’s business. This is NOT a band who should find themselves in this position.

But here they are . . . trying to raise $5,000 so they can put Midnightmares on CDs and vinyl and sell it themselves. I don’t understand how this could be, but then again, I don’t understand how penguins can fly either. Continue reading »

Apr 052012
 

I apologize to the people of England. Your country is not the darkest pit of hell. It just seems that way sometimes. After all, it is home to Anaal Nathrakh and Dragged Into Sunlight.

These bands are not for the weak of spirit, nor do they appeal to people with mushy-brained, whitebread, mainstream-metal tastes. Instead, they appeal to people like me who enjoy metal that makes them feel as if they’ve been gutted with icepicks, sucked dry by leeches, and infested with burrowing maggots. Anaal Nathrakh give you a nightmarish rocket-ride into the abyss, and Dragged Into Sunlight trap you there in a vat of acid sludge that slowly liquifies your flesh.

Okay, maybe I’m getting carried away, but there’s no denying that these bands make seriously fucked up music for seriously fucked up people. Naturally, I love both of them! And I have some news about both of them.

ANAAL NATHRAKH

AN were putting the finishing touches on their new album in January, and not long ago they added a note on their FB page promising an album teaser in the near future. Today, they unveiled a new shirt design created by Ryan Kasparian (whose web site is here). You can see it up top. It is so fucking cool that I had to post about it. I also had to pre-order it. You can pre-order it, too, via this link. I would like to make a polite suggestion to AN: GET RYAN FUCKING KASPARIAN TO DESIGN THE NEW ALBUM COVER!

You can be sure that we will post the album teaser as soon as it’s ready. And now, on to DIS . . . Continue reading »

Apr 042012
 

Well, fuck me blind. It’s just going to be one of those days when every time I glance at my internet feeds I’m going to see something I must post about. It’s not even 10 a.m. here in the grey Pacific Northwest and we’re up to five posts. You can imagine the extent of not-working at my day job that’s going on. But priorities must be observed, and the priorities at the moment are Ihsahn and Nervecell.

IHSAHN

Candlelight Records have announced June 19 as the North American release date for Eremita (Latin for hermit), the fourth album from Norway’s Ihsahn, who should need no introduction.

Ihsahn alone would be worth attention, but on the new album there will be many notable guest appearances. The album will include performances by drummer Tobias Ornes Andersen (Leprous), saxophonist Jorgen Munkeby (Shining – Norway), guitarist Jeff Loomis (ex-Nevermore), and vocalists Devin Townsend, Einar Solberg (Leprous), and Heidi S. Tveitan (Star of Ash). The album artwork was created by Spanish designer Ritxi Ostariz, and you can see the cover after the jump.

Eremita will be available on standard CD and a limited edition deluxe digibook (featuring an exclusive bonus track).

But in addition to all that juicy news, Candlelight has also released today a teaser video with snippets from a few of the songs on Eremita. Among other things, it includes blast beats and harsh vocals, which makes me happy. But frankly, everything I hear on this teaser reel makes me happy. It’s right after the jump. Continue reading »

Apr 042012
 

From a press release (I don’t really need to articulate the extent of my excitement over this, because I’m sure you can imagine it, and please do feel free to imagine me in a state of throbbing excitement):

“New York, NY: French metal act Gojira, easily one of the most buzzed about and beloved extreme bands of the past five years, have revealed L’Enfant Sauvage as the title of their Roadrunner Records debut. The title translates to “The Wild Child.” The album, which features 11 tracks of mind-bending metal, is scheduled to land at retail on June 26 (USA).

“When you become a musician, you don’t have a boss telling you what to do so you have to be very responsible,” singer/guitarist/songwriter Joe Duplantier said, shedding a little light on the title and its meaning. “With freedom comes responsibility so I’m asking myself, ‘What is freedom? What does it mean to me?’ L’Enfant Sauvage reflects on that. There’s no answer though. There’s just life and questions.”

A special collector’s package of L’Enfant Sauvage will feature two bonus tracks and a double-colored vinyl version of the record, along with an exclusive t-shirt. Pre-orders will launch here shortly.”

The track listing for L’Enfant Sauvage is as follows: Continue reading »

Apr 042012
 

One exciting news item + three brand new videos = this post.

NE OBLIVISCARIS

I know that less than three weeks have passed since our last update about Australia’s Ne Obliviscaris, but I think I already made clear that just about any news concerning this band and their forthcoming album is going to get space at NCS.

The new album is called Portal of I, and I expect to drown blissfully in the one hour and 11 minutes of unique music it will undoubtedly serve up. Now, finally, after years of work and more difficulties than many bands encounter, we have a release date for NeO’s debut album: May 7, 2012. We don’t yet have pre-order information, but we understand that’s coming soon.

In addition to the release date, NeO have also announced that they will be touring Australia in support of the album. Although I have no hope of seeing any of these shows except in my mind’s eye, I’m swallowing my frustration and including the tour dates anyway:

Friday, May 18@ The Corner Hotel, Melbourne 18+
Saturday, May 19@ The Castle, Dandenong, Melbourne *ALL AGES*
Saturday, June 9@ The Enigma Bar, Adelaide
Saturday, June 16@ The Bald Faced Stag (The Wall), Sydney
Brisbane show: TBA

Now, onward to those three new music videos . . . Continue reading »

Apr 032012
 

Thanks to MaxR of Metal Bandcamp, I just discovered that the wonderful Season of Mist label has recently set up camp on Bandcamp. As Max reports, “The bands have individual pages, each featuring their Season of Mist discography. Among the 44 bands available now, we find symphonic death metal giants Septicflesh from Greece, and their three albums from the Season of Mist catalog: Sumerian Daemons, Communion, and The Great Mass from 2011.”

In addition to Septic Flesh, you will find pages for the most recent releases by such NCS favorites as Solstafir, Thy Catafalque, Drudkh, Rotting Christ, Ghost Brigade, Nader Sadek, Benighted, Elitist, Esoteric, Minushuman, Nothnegal, The Dillinger Escape Plan, Terrorizer, and a whole lot more.

As those who are familiar with Bandcamp will immediately realize, this means not only that the albums can be digitally downloaded, but also that they can be streamed in their entirety. It also means that bloggers like me can embed full-album streams in our posts, which is what I’m about to do.

For the hell of it, I’m going to include an album stream after the post for a record called Legion Helvete by the Norwegian band Tsjuder, who trace their roots back to 1993.  Legion Helvete was released in October 2011. I meant to listen to it then, but failed. I’ve been listening to it this morning, and the music is absolutely killer. Continue reading »

Mar 302012
 

This post includes much less news than most news stories at NCS. Usually, if there’s not new music or at least the debut of album art or an album release date, I just wait until there is. Hell, I don’t even have a recent band photo for this thing. But, since the news concerns Darkthrone, I’m posting about it anyway.

For more than 20 years, Darkthrone have been doing things their own way, trends be damned. In fact, if you pay attention to the writings and interviews of Fenriz, you get the impression that very little in the evolution of metal since about 1993 seems to impress him. As the metal genre, writ large, has branched and changed, Darkthrone has seemed bent on diving ever more deeply into metal’s punk/thrash roots.

The band’s last album, Circle the Wagons (2010), for example, was full of references to bands such as Motorhead, English Dogs, Agent Steel, Metallica, Deathside, Puke, Slayer, Omen, and Savage Grace. You could almost say it was a nostalgia trip, except the stripped-down and often quirky songs were so much more original than any mere homage to a by-gone era. The band’s dedication to following their own path, even if the path may be taking you backwards, and their demonstrated skill as songwriters have made the release of new Darkthrone material a never-ending source of fascination.

And that brings me to the news: On March 18, Darkthrone posted this status on their Facebook page: “Right! This weekend was a blast, and we recorded two songs, that now only needs some bass and some mixing. Should be complete next week. Fenriz did a fantastic job on vocal on his song. Some photos should be posted soon.” And then yesterday, they posted this message:

“Ok, the photos did not turn out well. Damn. But I’ll post a couple of them soon anyway. We recorded the two songs “Lesser Men” and “Valkyrie”. They are now fully mixed and it’s a done deal. In July the album will be ready.

Continue reading »

Mar 292012
 

Josh Eldridge used to be head of publicity at Century Media Records, and then later in business development and A&R. I remember him fondly because he was the first major label rep who gave NCS a shot at a song premiere for a big-name band (Deicide’s “How Can You Call Yourself A God”). Later still, he became the head of marketing for The MuseBox marketing company and founded his own business called ConspiracyPR.

Now, in partnership with MuseBox, he has formed a new metal label called Gravedancer Records and has made a deal for worldwide distribution of the label’s first three signings by EMI. And these aren’t just any three signings. The first bands signed to Gravedancer are Byzantine, Chrome Waves, and Conan. This shows extremely good taste (not that we hold ourselves out as arbiters of taste, of course), and a reason to pay attention to what Eldridge and Gravedancer do next. Allow me to elaborate:

BYZANTINE

The revival of this West Virginia band, with the reuniting of Chris Ojeda and Tony Rohrbaugh, was one of the real bright spots of news in 2011. TheMadIsraeli interviewed both of them for this post in February, and we’ve been following their progress closely. Small pieces of awesome music have surfaced now and then, enough to make us confident that Byzantine’s next album will be something special. The most recent taste of what’s to come is a Chris Ojeda playthrough that has now appeared on YouTube. That’s the first thing that will greet you after the jump. Continue reading »

Mar 282012
 

Kartikeya are a Russian melodic death metal band we’ve written about frequently at this site (use the search box on this page and you’ll see what I mean). The leader of Kartikeya is a very talented dude named Roman “Arsafes” Iskorostenskiy. We’ve previously explored a few of his other musical projects besides Kartikeya — a Russian pagan-metal band called Nevid (Невидь) and Arsafes’ own solo effort, with a 2010 EP called A New Way of Creation. But there’s still more:

Arsafes and a Serbian singer named Aleksandra Radosavljevic have collaborated to create a project called Above the Earth. Together they’ve recorded a demo of music described as “Atmospheric/Ambient/Progressive Metal”. The first piece of music I heard was an excerpt from a song called “All Our Dreams”, which they posted on YouTube as a preview of the demo. The first thought that popped into my head as the music began was, “this sounds like Devin Townsend!”

And then today, they posted the first full song, and guess what? It’s a cover of “Supercrush” from DT’s Addicted album. Now, you know we don’t include much clean singing on this site, because it’s mainly my site and I don’t have much patience for clean singing in metal. But there are exceptions, to be sure, and Devin Townsend is one of them — and “Supercrush” happens to be one of my favorite DT songs.

So, I approached this cover with both excitement and fear — excitement, because I know Arsafes is one immensely talented guy, and fear, because how can a cover of a song like “Supercrush” do anything but pale in comparison to the original? Well, it turns out that my fears were groundless, because Above the Earth nail that fucking song. Continue reading »

Mar 282012
 

Work, work, work.  That’s me right now, though I would rather be blog, blog, blog. So this will be short.

MARDUK

You know Marduk. They’re from Sweden. They play tumultuous black war metal. They have a new album coming on May 28 called Serpent Sermon. The album cover is after the jump. So is the first song from the album, which premiered yesterday on Metal Hammer. It’s called “M.A.M.M.O.N.”

It’s not exactly what I was expecting from Marduk, which is not a bad thing at all. Yes, there are bile-vomiting vocals. Yes, there are weapon-like blast beats and double-bass. Yes, the guitars come in menacing waves. But there are changes of pace in which the guitars also ring out slow, chiming melodies while the bass audibly bounds along beneath them in a jazzy progression. Interesting. Continue reading »