Feb 152020
 

 

Six songs and videos yesterday, tracks from six more bands today. If I can manage six more tomorrow, we’ll have a sequence that marks that bestial number so near and dear to the hearts of metal fans. It’s good to have goals.

BENEATH THE MASSACRE

My, my, has it really been eight years since the last Beneath the Massacre album? Such a lot has happened in the world at large and in the narrower world of extreme metal in all those years. What has this Montréal band been up to in the meantime, and more importantly, what has happened to their musical proclivities? We are learning the answers now, as the clock ticks down to the release of their new album Fearmonger on February 28th, almost exactly eight years after Incongruous. Continue reading »

Feb 142020
 

 

On Valentine’s Day 2011 (here) I provided a 600-word history of the holiday going back to the Roman celebration of Lupercalia, interspersed with efforts to explain why Valentine’s Day is metal. Re-reading it this morning, I nearly passed out from the tedium.

On Valentine’s Day 2012 (here) I posted an NCS “lonely hearts” column in which I answered a variety of e-mails from women offering to video-chat with me (soapy and fresh out of the shower), people trying to sell me products that would give me “robust bone-ons”, others who wanted to have my children (I proposed to send ampules of love juice and suggested names for the kiddos), and a few broken-hearted people looking for help (I told them to just go ahead and kill themselves). The Comments were funnier than what I wrote. I’m more grown-up than that now (yeah, right).

As far as I can tell, I haven’t made an effort since then to organize any kind of holiday-related theme for the music I’ve posted on Valentine’s Day, though I’ve usually make some kind of (usually snarky) comment about the day, typically related to how commercialized the holiday is. In case you were wondering, this year the National Retail Federation reports that those celebrating Valentine’s Day in the U.S. plan to spend a record average of $196.31, up 21 percent over last year’s previous record of $161.96, and that total spending is expected to total $27.4 billion, up 32 percent from last year’s record of $20.7 billion.

Isn’t that heart-warming? Continue reading »

Feb 122020
 

 

One week has passed since I posted the last of these round-ups, and dozens of new songs have emerged since then that I’d happily throw your way, in addition to the many dozens I haven’t foisted upon you from preceding weeks. However, it turns out that I had overlooked new tracks from some of my favorite bands, discovering those only two days ago. I can’t resist including them here, along with a few newer discoveries.

HEAVEN SHALL BURN

We seem to have fallen off the radar screen of Century Media, because we haven’t received a single press release about the new album by Heaven Shall Burn, whose many previous releases we’ve covered with religious fervor. Even worse, none of my NCS compatriots breathed a word to me about the fact that three songs from the new album have debuted for public consumption. I had to find out about them yesterday via a YouTube side-bar. What is the world coming to? Well, I know it’s going to shit, I just didn’t know it was this shitty. Continue reading »

Feb 042020
 

 

I see that the last time I posted one of these new-music round-ups was on January 18th. After that the series became a casualty of my work on our Most Infectious Song list and our daily schedule of premieres, plus some other distractions. Now that I’ve finished the rollout of that song list I’m hoping to get back to a more regular featuring of newly revealed songs and videos, beginning with this post.

While SEEN AND HEARD was on hiatus, of course, a ton of new stuff surfaced, and catching up isn’t realistic. I haven’t even been very good about watching what has come out, though I did notice new songs from Vader (here), My Dying Bride (here), and The Black Dahlia Murder (here), among the bigger names out there. Please feel free to share your thoughts about those in the Comments, or about anything else I’ve overlooked, but I’m going to re-start this column with a few bands less-heralded than those.

SOLOTHUS

Last December we published an interview by Comrade Aleks with Kari Kankaanpää, vocalist of the Finnish doom-death band Solothus, that occurred just a few weeks after the band had finished their third album, which follows by four years their tremendous 2016 full-length No King Reigns Eternal. In that interview Kari summed up the essence of the band’s sound as “Candlemass meets Bolt Thrower“, and offered some hints about what the new album would present: “What you loved in No King Reigns Eternal is there, but with an even more refined and heavy sound! There is a lot more variation, but yet we keep the same recipe as always. I am very proud of how our upcoming third album sounds — it will be a blast when you hear it!” Continue reading »

Jan 172020
 

 

As you can see, I have ambitions to recommend quite a lot of new songs, enough to justify splitting up the collection into two parts. I can’t promise that Part 2 will arrive today, because I haven’t written it yet. Might be tomorrow before you see it, but trust me, it’s worth seeing (and mainly worth hearing) even if you have to wait until Saturday.

I confess that I chose to put these particular five songs together not only because I liked them quite a lot but also because I enjoyed the idea of giving you genre-whiplash as you move through them.

EARTH ROT

The first four songs in this collection all come from bands whose previous releases we’ve acclaimed here at the NCS hovel, and all of them now have new full-lengths headed our way in 2020. The first of those is the Australian blackened death metal band Earth Rot, whose new album Black Tides of Obscurity will be released on March 6th by Season of Mist. The first advance track, “Dread Rebirth“, is the album opener, and it arrived along with a video that’s full of interesting visual effects. Continue reading »

Jan 012020
 

 

HNY!

 

I didn’t make it to the point when the clock ticked over into 2020 last night, not even close.  On the other hand, despite going to bed well before midnight I slept like a dead man for 10 hours, which is an extreme rarity. After all that time in the Land of Nod, I also felt extremely fuzzy-headed this morning, though a bout of drinking last night might have had something to do with that, even though it seemed pretty moderate to me at the time.

Anyway, for whatever reason, I got a very late and slow start today… and then had to focus on finishing up some work on today’s first post. All of that explains why this round-up arrives much later than I had planned. Fortunately, I picked all the music yesterday, or the post would be arriving even later. As usual, it’s a fairly random and stylistically quite divergent selection, united only by the fact that I like the hell out of everything here. (All of it is also very new.)

GRIMAH

The first song I’ve picked, “Thus Spake the Stone“, is off a debut album named Intricacies of Bowed Wisdom by the Spanish black metal band Grimah. The album is set for release on January 3rd, on CD via VERTEBRAE and digitally. Continue reading »

Dec 272019
 

 

Christmas Day and the day after are usually quiet ones in the spheres of activity of which NCS is a part. The typical flood of press releases dwindles to a trickle, most other metal blogs are hibernating, and few bands or labels release new music. Eyes are elsewhere, many of them probably closed altogether.

However, I can’t resist taking advantage of the relative peace to check out odds and ends I’ve been waiting to explore, or have recently noticed for the first time. I guess it’s obvious that I can’t resist, given how much new music I’ve already thrown at you during this holiday week — but here’s more (don’t duck!):

WORSEN

I could have sworn I had written something about Worsen’s 2019 debut album Cursed To Witness Life, but can find no evidence of it. Add that to the list of excellent 2019 releases I’ve shamefully neglected. If you haven’t already sampled what that album has to offer, and you enjoy black metal, you should go here and give it a shot. As a couple of commenters wrote on that Bandcamp page I just linked you to: “Cold as hell, awesome melodies and in your face riffs”; “Haunting, beautiful, dark and utterly mesmerizing.”

What reminded me of Cursed To Witness Life was a new single that Worsen released on December 24th to commemorate the birthday, not of Jesus, but of Lemmy Kilmister, at whose altar many of us pray more often than the other guy’s. It’s a cover of Motörhead’s “Killed By Death”, and it’s fucking great. Continue reading »

Dec 212019
 

 

With the new year rushing to an end and the holiday season rushing toward us even faster, it will become even more difficult for me to compile these collections. Among other things, our annual LISTMANIA orgy consumes a lot of my NCS time. Even though I don’t prepare my own list, I do track down album art and embed codes for album streams for the lists made by others, and conform the formats to our usual style, and do lesser or greater amounts of text editing. And speaking of year-end lists, I’m sitting on a slate of eight of them by both musician guests and NCS writers that I’m planning to begin rolling out next week, with a few more yet to come.

New music, of course, doesn’t stop appearing just because the holidays and the end of the year are almost upon us. In fact we’ve been getting recent reminders that maybe a lot of year-end lists were made too soon, as well as indications that 2020 is going to start off with a BANG!, at least in terms of forthcoming metal albums, if not in terms of North Korean missile launches, or maybe that too.

Anyway, to underscore that last observation I’ve chosen a couple of very impressive late-year releases, a few tracks from 2020 records, and one new stand-alone single — and as usual I’ve mixed things up a bit just so you don’t get too comfortable.

BLACK AEVUM

This new Black Aevum EP is one of two releases in today’s collection that Rennie (starkweather) messaged me about just yesterday. He wrote about a third one, too (by Reasoning Reflections), but I haven’t made it to that one yet — because I got completely drawn into the two you’ll find here. In fact, in the case of Black Aevum I only intended to quickly check out one song just to see what was going on, and the next thing I knew 23 minutes had passed and I was tempted to start again from the beginning right away. Continue reading »

Dec 202019
 

 

Unsurprisingly, I have accumulated quite a lot of new music I want to share since the last of these round-ups almost one week ago. I’ve picked four new songs for the following collection and have plans to highlight a few more on Saturday.

FRIGORIS

In 2016 we had the privilege of premiering the third album, Nur Ein Moment…, by the atmospheric black metal group Frigoris. As I wrote then, “Through the course of the album’s six long tracks Frigoris move from passages of soft, ethereal beauty to storms of surging blackened power, interweaving elements of black metal, post-metal and doom to create a journey through a changing emotional landscape of peaks and valleys.”

That album was the beginning of a concept that reaches its conclusion on the band’s fourth album, …In Stille, which will be released by Hypnotic Dirge Records on January 24th. The first song I’ve selected for today’s collection is one from the new Frigoris album that was revealed just yesterday, and it makes a powerful first impression of the new record. Continue reading »

Dec 142019
 

 

Friday nights are usually perilous for yours truly, and tend to portend ugly Saturday mornings. Last night, however, I was a good lad. After only a moderate amount of drinking to celebrate the end of the work week I made it home at a reasonable hour, only to discover that my spouse had already conked out. With her solidly in the Land of Nod after what had been an exhausting week for herself, I spent a couple of hours listening to new music before conking out myself.

From that experience I picked the following new stuff — a smattering of bigger and lesser-known names, and kind of a weird scattering of sounds and styles that nevertheless made sense to me as a playlist. Whether it will make sense to you is of course a different question.

CARCASS

What do you think of the new Carcass single? Surely you’ve already heard it. As the first new song in six years from one of metal’s most revered names, it escaped the attention of only those who live under rocks. If you’re only now peering from beneath your own rocks, I’d suggest you give it a whirl. Continue reading »