Oct 272022
 

If you search for information about the Minnesota-based project Book of Sand you’ll likely encounter genre references to “experimental black metal”,  as well as lyrical themes that have rooted the band in the so-called “Red and Anarchist Black Metal” (RABM) scene. But the label “experimental black metal” is a vague one. It”s intended to represent a deviation from black metal orthodoxy, but beyond that it may encompass a host of variations that you can’t guess at from the label alone.

In the case of Book of Sand, those variations have included an unusual approach to songwriting and an unusual amalgam of sounds and sensations, weaving ingredients like Javanese gamelan, microtonalities, and 20th-century classical compositional techniques into a framework of raw black metal. And the project’s experimental approach has revealed changes from album to album.

Book of Sand‘s newest album (the first one in five years and the ninth once since 2010) is named Seven Candles For An Empty Altar, and it’s yet another adventure, a stunning one. It will be released on November 1st by Fiadh Productions and Vita Detestabilis Records. They tell us this about the album’s inspiration: Continue reading »

Oct 262022
 

After seemingly wandering in the wilderness for eight years following the release of their debut album The Apotheosis of Death, the New Zealand band Exordium Mors have returned at last with a new full-length named As Legends Fade and Gods Die, which is now set for release on October 31st by Praetorian Sword Records.

They did break the silence with an electrifying 2019 single called “Surrounded by Serpents“, which is included on the new album, but it’s the combined impact of all seven songs that’s the most powerful reminder of the band’s dazzling (and violent) talents, and proof that they’ve scaled even greater heights on the new record. As the advance press for the album accurately portrays, “Exordium Mors’ sound is akin to a glorious sun burning everything in its sight”. Continue reading »

Oct 252022
 

What you’re about to experience is a blood-rushing death metal song that’s both powerfully groove-some and maniacally unhinged — and it’s as catchy as Chlamydia too. It comes coupled with a video that renders a horrific lyrical portrayal of abominable butchery, agony, and pain.

For this startling and addictive experience we give thanks to the North Dakota band Gorgatron and their new EP Agony Reborn, which is set for a November 4 release by Blood Blast Distribution. It’s the EP’s title track that we’re bringing you now — and you’d best take some deep breaths while you can. Continue reading »

Oct 252022
 

The first time we heard the music of Mycelium, 17 months ago, we were inspired to introduce the music this way:

Mycelium is a Scottish solo death metal band dedicated to mycology, the study of fungi. There are many death metal bands whose members seem to be breeding grounds for fungi, but very few who have made the lifeform the subject of their music, and thus Mycelium’s dedication deserves a round of applause, don’t you think?

The cleverly titled album, Scream Bloody Spore, is out at the end of June on Coyote Records and is described as ‘a raging journey through a hidden world of decay, parasites and deadly toxic organisms’ — which pretty much sums up the global death metal scene, don’t you think?

So yes, we had some fun with Mycelium‘s thematic focus and clever word-play, but the music on that debut album was damned good too. Mycelium‘s alter ego Greg Edwards must have had some fun making it too, because he’s already back with another Mycelium album, which is due for release on November 25th via Blood Harvest Records. The name of this sophomore full-length is Mycoticism (Disseminating the Propagules). What, you may ask, is a “propagule”? Continue reading »

Oct 242022
 

On their debut album Of the Sun, the Italian melodic death metal band CultØ (cult-zero) don’t ease the listener into the experience. There’s no atmosphere-setting intro track, no seductive melodic overture, but a boiling cauldron of sound. That opening track “Flare” makes very clear very fast that CultØ like to hit hard and fast, with an emphasis on savagery that comes through loud and clear in the utterly hostile and authentically unhinged vocals, which range from gruesome guttural growls to throat-ripping screams.

Everything else screams ferocity too, from the bone-smashing drumwork to the jackhammer riffs. And while there are indeed melodies in the song, they’re more dissonant than harmonious and they create disturbing feelings, feelings of dismal hopelessness, unsettling queasiness, and bewildering confusion. It’s as if the more gut-slugging and bestial elements of the song are fighting against daunting experiences that are trying to confine them.

And so when you might read that CultØ draw heavy influence from the Gothenburg sound of the ’90s (the likes of In Flames and Dark Tranquillity), it becomes quickly clear that the band prize untrammeled aggression as much as they do a melodic hook or a groove-some rhythm, and dire moods more than emotional elevation. To be sure, they accent their songs with moments of delirious ecstasy (particularly in the brilliantly swirling and soaring solos) and warlike triumph. But there’s a lot of unmistakable darkness in the songs. Continue reading »

Oct 212022
 

We’ll allow Griefbringer to introduce themselves before we introduce you to their stupefying music:

“We’re all from the gloomy and dark side of the Italian scene, with 30 years of international experience in bands such as MONUMENTUM, HAUNTED, SCHIZO, HELL OBELISCO, just to name a few.

“Collaboration with the previous projects convinced us to get together and explore the depth of the soul in this new creature. Darkness and godliness of places and images are our most important source of inspiration.”

To render their visions in sound, Griefbringer draw upon the traditions of doom, sludge, and death metal, of a particularly pulverizing, mind-ruining, yet head-hooking variety. The results of their pitch-black craft will be revealed through a debut album aptly named The Horrible Wilting, which will be released on November 18th by Church of Crow Records. Continue reading »

Oct 192022
 

One month ago we were floored to discover a new single by the Danish death metal band Maceration, their first new music since the band’s first and only album (until now), 1992’s A Serenade of Agony. We hope you’ll forgive us repeating some of what we wrote last month, little knowing that we would have the opportunity today to help present another new single in advance of a new Maceration album’s release on November 25th via Emanzipation Productions.

In a time when metal re-births seem increasingly common, the resurrection of Maceration still seems worth an extra measure of attention, in part because for their new album It Never Ends… Dan Swanö has again stepped in to fill the session vocal role, as he did under the name Day Disyraa for Maceration‘s first album 30 years ago. Original guitarists Jakob Schultz and Lars Bangsholt are also back, together with bassist Robert Tengs and drummer Rasmus Schmidt (Illdisposed, ex-Myrkur). Continue reading »

Oct 182022
 

Through their forthcoming second album the Dutch band Ggu:ll prove themselves absolute masters of lightlessness. They named the album Ex Est as a reference to the state after being, and “the realization that all that is, will someday not be”, and that “all is doomed to end up as a ruin of itself”. It poses the question whether there is a meaning in existence despite the realization that life itself is meaningless.

With such a daunting and borderline-nihilist conception at the core of Ex Est, it is no wonder that the music is so pitch-black and so harrowing. From the funereal bell-like clanging that begins the opening track “Raupe”, straight through to the final shattering wails of pain in “Voertuig der verlorenen”, Ggu:ll render a nightmare that feels all too real. Continue reading »

Oct 172022
 

Although a new band, Leper Colony predictably will get a lot of attention, and not just because of the macabre cover art that Alex Tartsus rendered for their self-titled debut album in such hellish tones, or the top-shelf logo that Dipayan Das made for them.

There’s also the fact that the band’s lineup consists of some exalted names in the annals of death metal — vocalist Marc Grewe (Morgoth) and guitarist/bassist Rogga Johansson (Paganizer). And although those two names may get the most attention, drummer Jon Skäre is a formidable presence as well, as one look at his M-A resume demonstrates.

They’ve also got a clever way with words — witness the name of the song we’re premiering today in advance of the album’s release by Transcending Obscurity Records: “The Surgical Undeadvors“. Continue reading »

Oct 142022
 

For those who might be encountering Ashen Horde for the first time or just need a reminder, it began as the solo project of Los Angeles-based musician Trevor Portz. Working alone, he released a handful of EPs and two albums starting in 2013. Beginning with The Alchemist, a 2017 EP, he joined forces with vocalist Stevie Boiser, known for his work with such tech-death heavyweights as Vale of Pnath, Inferi, and Equipoise, and both were in harness again for their third album, 2019’s Fallen Cathedrals.

There is now a fourth album headed our way via Transcending Obscurity Records. Entitled Antimony, it features an expanded Ashen Horde line-up that now includes drummer extraordinaire Robin Stone (Norse) and fleet-fingered bassist Igor (from Abhoria and NightWraith).

Over the course of all the releases mentioned above, Ashen Horde have demonstrated an adventurous spirit, with an ever-evolving amalgam of genre influences and no real interest in boxing themselves in. Take, for example, the absolutely exhilarating (and riotously deranged) song from Antimony that we’re premiering today along with a nightmarish video. Moving at a near-relentless pace, “The Physician” blends together (at puree speeds) technical death metal, black metal, and flares of prog, with breathtaking results. Continue reading »