Nov 302021
 

We’ wrote frequently and favorably about the music of the solo project Haustið (the work of one A. Enrique), which consisted of five demos released in 2018 and 2019. Haustið‘s creator has now prepared a new EP, Gods of the Gaps, although under a new name — Gateways — and today we’re presenting a premiere stream of its captivating title track in advance of the EP’s December 3 release date.

I learned about Haustið just before Thanksgiving Day in 2018, thanks to a recommendation from Rennie of starkweather, who vividly compared Haustið’s then-latest demo to “a cross of Emanation and Wolok on a suicide mission”. When I wrote about that demo, Howling, the Sol Above, Nothing Below, I described “a surreal quality to the music as it flows along its twisting course, with outbursts of dark, dissonant, thorny permutations interwoven with soulful, gliding, and sinuous instrumental passages, both moody and mystical, that sometimes partake of traditions other than extreme metal”.

The next Haustið recording, released in the spring of 2019, and also discussed here, was a two-track EP named Long Lost Ruins Cried their Black Soot. It was also a marvelously multifaceted experience, with both a “physically” powerful impact and a bitter and chilly atmosphere, delivering one changing experience after another. Continue reading »

Nov 302021
 

In September of this waning year the Italian label Lethal Scissor Records released a debut EP named The Origin by the Ukrainian extremists Lieweaver. The band first began to coalesce in October 2018 through the union of vocalist Vasiliy Kutsenko, guitarist Alex Choopov, and drummer Bogdan Fesenko. Soon, guitarist Alex Reshetnuk joined the group, and together they released a a debut single, “Paradox Of Creation“. A few months later bassist Bogdan Khoroshilov joined the band, and in February 2021 Ruslan Kovtun (keys/synth) completed the line-up for the recording of The Origin.

What we have for you today is a playthrough video for the EP’s closing track, “Obsessed With Purity“, and it features the talents of guitarists Choopov and Reshetnuk and bassist Khoroshilov. Watching them execute their missions within “Obsessed With Purity” is a fascinating thing to see, and the music has its own fascinations — in addition to delivering a bludgeoning beating. Continue reading »

Nov 292021
 

 

I was unfamiliar with the previous recordings of the Italian band REJEKTS, but experienced a reflexive thrill when I read that their new album Adamo embraces “grindcore, black metal and more”. Blackened grindcore, when done well, usually gets my motor running, but it turns out that perhaps the most meaningful part of that quoted PR passage is the part that says “and more”.

The lyrical themes of REJEKTS are politically charged, in keeping with their punk and grindcore ethos, and on Adamo they do indeed strike with black-metal bursts of blasting drums, grim and cutting tremolo’d riffs, and shrieking vocal intensity. But yes, there’s more going on here — a lot more.

Unlike standard grindcore, the songs are elaborate and constantly surprising, fueled with gripping mood-changing melodies, and as devoted to the creation of harrowing “atmosphere” (for want of a better word) as they are to pushing a listener’s adrenaline into overdrive. The album experience is disturbing, but absolutely riveting from start to finish. And thus we take great pleasure in presenting a full stream in advance of its rapidly approaching December 3rd release by Slaughterhouse Records. Continue reading »

Nov 262021
 

 

The lineup of Redemptor includes current and former members of Decapitated, Vader, Hate, Sceptic, Sothoth, Banisher, Deivos, and more, which should be enough to attract your attention to their new album Agonia even if you hadn’t heard any of their previous works — which were the subject of NCS scribe Andy Synn‘s 93rd SYNN REPORT.

When Andy wrote in detail about the collective discography of Redemptor as it existed almost four years ago, he summed it up this way:

“Over the course of three albums and one EP the Polish quintet have steadily evolved their sound from the Schuldiner-esque strains of their debut album None Pointless Balance to the angular hooks and merciless precision of 4th Density and The Jugglernaut, with the process finally culminating in the gargantuan grooves and captivating atmospherics of last year’s utterly crushing Arthaneum.”

And now we have the band’s newest work,  Agonia. Continue reading »

Nov 262021
 

 

Winter is upon us, and we have a soundtrack for its descent.

We know very little about the Finnish black metal band Hollow Woods, neither the precise location nor the identity of its member (or members). We know something about what inspired their debut album, Cold Winds Cleave the Earth, which will be released on the Winter Solstice, December 21st of this waning year.

We’re told that the artwork and the album’s themes were inspired by the Finnish linguist and ethnographer Kai Donner (1888-1935), taken during his expeditions to Siberia for the purpose of studying the Ugric and Samodeic peoples, including their languages.

Beyond that, the music must speak for itself as Hollow Woods works within a framework of devotion to the primal world and nature mysticism. The song we present today, “A Frozen Glance“, speaks in terms that are deeply haunting and harrowing. Continue reading »

Nov 252021
 

 

The cover art created by Par Olofsson for Moksha, the new album by the technical death metal band The Last of Lucy, is an immediately arresting and disturbing vision, grotesquely alien and yet fascinating and formative of intrigue.

In those respects it turns out to be a fitting adornment to the new album, whose music the band have refined into an extremely vicious, often unearthly, yet undeniably captivating sonic creature. And much like the cover art, the music is also elaborate in its creation of menace and mayhem, and far from commonplace — as you’ll discover in our premiere of an album track named “Temple of Rati“. Continue reading »

Nov 252021
 

The Norwegian trio Abhorration (guitarist/vocalist Magnus, bassist Andreas, and drummer Øyvind) are a relatively new formation, having started life just last year, but their resumes portended quality, even before any of the music became public — because those members hail from such bands as Condor, Nekromantheon, Hecatomb, Resonaut, Purple Hill Witch, and Obliteration.

We hope that the foregoing list of bands has already peaked your interest in discovering what Abhorration‘s music is all about (it certainly peaked ours). The publicity distributed by Invictus Productions, which will release the band’s debut EP After Winter Comes War, makes further reference to death metal in the vein of such legends as classic Sadistic Intent, Morbid Angel, Possessed, and early Vader, which kindles even more interest.

All of this created high expectations in these quarters, and it’s such a pleasure to proclaim that those expectations were not merely met but exceeded. And thus it’s with genuine delight that we present a full stream of this heart-pounding EP for you today. Continue reading »

Nov 242021
 

 

The three veteran Swedish musicians whose music is the subject of the following premiere proclaim their love for blood spatter and horror in the very name they chose for their collective enterprise: Gore Brigade. And of course it’s death metal they chose for the audio expression of their deviant adorations, a natural expression given the other bands on the resumes of this trio, who are: Guitarist Ludvig Johansson (Defiatory), drummer Jon Skäre (Defiatory, Wachenfeldt), and vocalist/lyricist Jonny Pettersson (Wombbath, Massacre) (who coincidentally was the subject of an interview we published earlier today).

Well, but death metal is a big tent that houses manifold mutations of sound, so what stylistic ingredients go into the musical blood cravings of Gore Brigade? Those will be fully revealed on December 10th, when Redefining Darkness Records will cremate the desiccated corpse of this year by releasing Gore Brigade‘s self-titled six-track EP, but today we give you a twisted taste of what’s coming through our premiere of an EP track named “The Rot Becomes You“. Continue reading »

Nov 242021
 

 

In tale June of this year we premiered and reviewed an EP by the Swedish band Godhead Machinery named Masquerade Among Gods, which added to a discography that then included two full-lengths, Ouroboros (2017) and Aligned to the Grid (2019). We offered these thoughts about it (among many others):

“Through the four songs on this EP, when absorbed straight through, Godhead Machinery have created a truly harrowing and haunting experience. The music is multi-faceted and intricate, revealing (in the simplest of genre terms) an amalgamation of black, death, doom, and progressive metal that’s capable of generating visions of frightening calamity, earth-shaking upheaval, and terrible grandeur, but also casting mesmerizing spells and plunging the listener into moods of soul-shaking sorrow”.

Conceptually, the EP was connected to a then-upcoming album, both of them spawned from what the band stands for in general, which is to serve as “a tool to analyze how religious beliefs infiltrate laws, policy, behaviors, and moral codes of today’s society”. Now that album is fast approaching its November 26 release by Black Lion Records. The album’s name is Monotheistic Enslavement, and today you’ll have the opportunity to experience all of its tremendous power. Continue reading »

Nov 242021
 

 

The title of Vorga‘s 2019 debut EP, Radiant Gloom, was itself a signpost to this German black metal band’s sound, and serves as a signpost to what their first album holds in store as well. The title of the new album, Striving Toward Oblivion, also forecasts the affecting darkness in the music, and yet it is indeed also radiant.

The album’s song titles and cover art point the way toward an excursion into the stunning expanse of the cosmos, but one whose ultimate destination is death manifesting — which happens to be the title of the album’s closing track that we’re presenting today.

This new song is a multi-faceted and thoroughly captivating one, which is emblematic of Vorga‘s many strengths and of the progression their songwriting has taken since that debut EP. It’s rhythmically arresting at a primal level, so much so that it’s capable of shaking listeners like rag dolls, but it’s also atmospheric, emotionally evocative, and memorable, blending moods of desperation and wonder with compelling intensity. Continue reading »