AN NCS PREMIERE: APES OF GOD — “EMERGIDOS DEL ODIO Y RENCOR”

 Premieres  No Responses »
Mar 222021
 

The Salvadoran death/thrashers Apes of God made their first demo release in 2016 and followed that with an EP, a pair of splits, and then their debut full-length Misanthropy in 2018. Additional short releases followed, but the band was jarred by the murder of their vocalist César Canales in August 2019 during a festival performance. The band decided to remain active but never to play a show in El Salvador again.

With new vocalist Aldair Mejía in the line-up, Apes of God have recorded their second album, En el Recinto de la Tempestad, and it’s now set for release on April 28th by Death in Pieces Records, Deathrockersorrow Records, and Morbid Skull Records.

This is a 10-track album, and today, to help introduce it, we’re premiering the record’s closing track “Emergidos del Odio y Rencor”. It’s a savage scorcher of a song, and turns out to be a highly infectious one too. Continue reading »

AN NCS PREMIERE: GREY SKIES FALLEN — “COLD DEAD LANDS”

 Exceptions to the Rule, Premieres  2 Responses »
Mar 222021
 

 

The New York band Grey Skies Fallen first took shape in 1996 under the name Eve of Mourning before adopting their current moniker the following year. In the quarter-century since then they’ve released a pair of EPs and five albums. The last of those full-lengths, Cold Dead Lands, first saw the light of day in January of last year, with an independent digital release and a CD release by Old Souls Collective. But the album is about to be jointly reissued by GrimmDistribution with Paragon Records and More Hate Productions, and we’re helping to spread the word about that by featuring the album’s title track today.

And so this is one of those situations that isn’t a true premiere, though it will undoubtedly be the first time some of you have heard the song, and thus hopefully will provide a good introduction to newcomers about the immense sonic and emotional power of the record in advance of the April 8th reissue. Continue reading »

AN NCS PREMIERE: APOGEAN — “CHRONO”

 Premieres  5 Responses »
Mar 192021
 

 

The Toronto-based technical death metal band Apogean will be introducing themselves to metal-loving peoples world-wide through a new EP named Into Madness. It’s based on a conceptual narrative that is intensely disturbing on a planetary scale — in the band’s description, a story “of the fall from the heights of sanity, to the very depths of madness and all that can be experienced on this journey,” with the music carrying the listener on “this path of knowledge, loss, and resurgence”.

Apogean will be releasing the EP as a series of singles, and today we present a lyric video for the first of them, a track called “Chrono“. It is the second track on the EP, and the second chapter” in the story arc. Continue reading »

AN NCS PREMIERE: BECERUS — “GROTESQUE PARSIFAL SUCURANDUS”

 Premieres  1 Response »
Mar 192021
 

 

We’re going to assume for the moment that you caught our premiere of a track off the debut album by Becerus about one month ago. If you did check out that song (““Primeval Ignorantia”), then you already know that the music of Becerus is surprising in more ways than one. It’s surprising, first, because this Sicilian group sound a lot more seasoned than their newcomer status would suggest (perhaps less of a shock when you learn that the band includes members of Assumption and Balatonizer). But it’s also surprising because there’s more going on in their songs than brutish caveman bludgeoning, which is what the outward trappings of the band might lead you to guess.

And if you didn’t catch that previous premiere, then you’ll get to experience these surprises for the first time, because today we’re presenting yet another song off the new album, Homo Homini Brutus, which is set for release on April 30th by Everlasting Spew Records. Continue reading »

WRECHE: OUR PREMIERE OF “SCHERZO” AND A REVIEW OF “ALL MY DREAMS CAME TRUE”

 Premieres  4 Responses »
Mar 182021
 

 

Almost four years ago we had the pleasure of premiering the self-titled debut album of Wreche, a now-Oakland-based project with a distinctive approach to black metal, in which John Steven Morgan‘s kaleidoscopic piano performances took the place of guitars. It was an inspirational album that twisted and expanded the genre’s musical antecedents in eye-popping ways, creating music that was adrenaline-triggering, mind-bending, and utterly fascinating.

And thus it was an exciting development to learn that Wreche had completed work on a second full-length, and equally exciting to be invited to premiere its first excerpt, which we’re now about to do. The name of the album is All my dreams came true, and it will be released on May 14th by Handsmade Records. The name of the song we’re presenting today is “Scherzo“. Continue reading »

AN NCS VIDEO PREMIERE: OMINOUS SCRIPTURES — “THE CORPSES OF ARCHANGELS IN BONFIRE”

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Mar 182021
 

 

In 2015 the Belarusian brutal death metal band Ominous Scriptures independently released their debut album Incarnation of the Unheavenly, which was followed the next year by a CD release through Permeated Records. The band went on to release their sophomore album The Fall of the Celestial Throne last year through Willowtip Records, which we reviewed here.

But now an Italian label named Lethal Scissor Records (founded by members of Bloodtruth, Instigate, and Vomit the Soul) have returned to Incarnation of the Unheavenly and will be reissuing the album on March 30th in two CD editions as well as digitally. To help pave the way for that release, a lyric video has been produced for a track from the album named “The Corpses of Archangels in Bonfire“, and we’re premiering it today. Prepare to be gutted and pulverised. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): FECULENT — “THE GROTESQUE ARENA”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Mar 172021
 

 

The Brisbane-based band Feculent chose for their name an adjective that means “foul with impurities” and “saturated in waste”. That was obviously a carefully considered decision, because their brand of death metal is foul and disgusting, unhealthy and repugnant, devoid of hope and lethal in its objectives. But Feculent’s administration of audio murder is multi-faceted — they are as capable of delivering the most pulverizing of punishments as they are at radiating sensations of flesh-eating contagion.

And they are very, very good at doing all that, and more. Perhaps this shouldn’t come as a surprise, because although Feculent is a new name, the line-up includes members of Snorlax, Shackles, and Resin Tomb, who’ve already made horrifying names for themselves.

Feculent’s debut release is a six-track monstrosity named The Grotesque Arena, and it’s coming out very soon (March 19th) via Brilliant Emperor Records — but you need not wait a moment longer to experience it, because we present a full stream today. Continue reading »

AN NCS VIDEO PREMIERE: HALVEKSIA — “MIASMA I & II”

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Mar 162021
 

 

“Formed in 2016 while on the night shift”, the British band Halveksia took their initial inspirations from a mix of doom, gothic rock, and melodeath, but have evolved in a direction of death/doom — albeit with an interweaving of stylistic ingredients not often heard in the genre. Their music is undeniably heavy and head-moving, but also haunting, and capable of channeling harrowing emotions in ways that aren’t easily forgotten.

Halveksia’s debut EP is named Miasma, and it’s now set for release on March 26th by Infernum Records. The EP’s opening track, “The Rift“, emerged first, and today we’re premiering a video for the EP’s title track. That track is divided into two parts on the EP, but those are combined in the video, and the effect of them together is a changing experience that is as captivating as it is disturbing. Continue reading »

AN NCS PREMIERE: PALUS SOMNI — “SIDUS LUDOVICIANA”

 Premieres  1 Response »
Mar 162021
 

 

Different formulations of extreme metal provoke thrills (and chills) in different ways, but if we’re honest, thrill-seeking explains a lot of the genre’s attraction among fans. We want the jolt to the nerves, the punch to our pulse-rate, the feeling of wild freedom — experiences that are harder to find in other kinds of music.

It’s often difficult to explain these attractions to people who are unfamiliar with metallic extremity — especially when the excitement is provoked by sensations of unearthly, blood-freezing terror. And that is the kind of experience that the trans-Atlantic band Palus Somni excel at creating. Their music is electrifying, and it creates a sense of wonder, but it seems to draw its power from hideous dimensions that exist elsewhere from our earthly domain. Continue reading »

AN NCS PREMIERE: EREMIT — “ENSHRINED IN INDISSOLUBLE CHAINS AND ENLIGHTENED DARKNESS”

 Premieres  No Responses »
Mar 152021
 

 

Sometimes as you gaze through your musical playlist all you want is the quick hit, a burst of adrenaline, an episode of violence, a jolt to the muscle reflexes, a spinning centrifuge for your brain. And maybe at other times you just want to sink yourself into another world, to lose yourself in a different realm — even if it’s one where it seems all life is being methodically snuffed out. Sometimes becoming spellbound is the goal, even if the spell is darker than midnight.

Which brings us to “Enshrined in Indissoluble Chains and Enlightened Darkness“, one of the three massive tracks that make up the new album by Germany’s Eremit, which is set for release by Transcending Obscurity Records on June 11th, and which continues the mythological story arc that the band started on their debut album, Carrier of Weight. It is not a quick hit. It is an experience of the other kind, a complete immersion in a different realm, the makings of a pitch-black (yet often poignant) spell — a meticulously plotted pageant of pain created through a union of bleak, earth-shaking heaviness, wraith-like eeriness, and the voice of a man being destroyed. Continue reading »

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