Jul 012019
 

 

There are so many things to fucking love about this video we’re presenting today on behalf of the Swedish death metal band Feral. One of those things, which is memorable though not at the top of the list, is the chance to see a lyric video that begins with the word BLEH.

Another thing, higher up the list, is the evocative nature of the words that follow (actual words rather than phonetics — though a few more phonetic approximations of the vocal ghastliness would have been welcome). They make for a horrifying manifestation of death and disease on an apocalyptic scale.

The fact that you get to see Feral on stage delivering this riotous attack while the words flicker across the screen is another big plus.

But best of all is the sound of the song as a whole, in all its changing permutations. Even if you know the song like the back of your hand by now, it’s one that’s unlikely to ever lose its appeal. Continue reading »

Jul 012019
 

 

I assume that everyone who regularly writes about music struggles with the continuing challenge of finding words to describe sound, and at least occasionally pauses in their efforts to actually think about the strangeness of that endeavor. Those with greater insecurities about their writing talents (e.g., me) probably pause more often than those who are more confident, but surely it confounds all scribblers from time to time. Some recordings force that confounding confrontation more so than others, and in my case Impavida’s Antipode is one of those.

A refuge from the writer’s struggle can be found when the music of an album (or at least some of it) is available for streaming. At least then, despite how inadequate the words might feel, interested listeners can experience the sensations directly, without the necessarily imperfect mediation of someone’s words, which necessarily reflect a very subjective response — and perhaps a very inarticulate one at that. We have that welcome refuge today, because today marks the release of Antipode by Ván Records, and the label has now launched a full stream of the album, which we’re sharing below.

So, that ought to be the beginning and the end of this post, right? Well, not so fast. Sometimes it might be enough to just toss a music stream in front of people with a perfunctory urging to listen, but for people like me that’s unsatisfying. If we like an album enough to recommend it, it’s usually the case that it provokes feelings we need to get off our chest, in part as an expression of gratitude to the artist and in part because that challenge is out there — that challenge of trying to find words to describe sound — and surrender is the coward’s way out. Continue reading »

Jun 302019
 

 

En Olam, the Hebrew title of the forthcoming seventh album by the Jerusalem-based band Arallu, means “There Is No World”. As the band explain, “it describes the fear we all live and feel”, and in particular a fear born from the discovery “that we all live inside an illusion, and everything we know does not exist” but is instead “just an imagined picture”. “All that you thought protected you is just a dream and you’re actually hanging between the earth and sky… You realize that nothing ever existed and that there is nothing…”

The terrors of such a nihilistic revelation can be found within En Olam, but they seem to stand side by side with unearthly wonders. The music often seems to channel occult conjurations and the re-emergence of ancient mystical forces. Parting of the veil that passes for reality reveals not the void, but another world far different from what seems to surround us, in which unseen primeval powers still reign. The songs capture archetypes of violence and bloodshed, defiance of orthodoxy and devilish supremacy, but they also become spells. Continue reading »

Jun 292019
 

 

Hailing from Mumbai, India, Primitiv is a death metal band originally conceived by Riju Dasgupta and Rajarshi Bhattacharyya, who were formerly bandmates in Albatross and Workshop. The idea was to create death metal that would be extremely old school — so old school, in fact, that it would be… primitive… like an evil blend of doom and death metal from the Stone Age.

The band’s current line-up now includes three other members besides the two founders, and they too are participants in other groups: Nitin Rajan (Sledge, Morticide), Kiron Kumar (Hellwind, Colossus) and Pushkar Joshi (Blood Meridian). In 2016 Primitiv released their debut album, Immortal and Vile, and today we present the debut of a live video for one of the singles from that album — “Taurus“. Continue reading »

Jun 282019
 

 

Holocausto’s new album Diário de Guerra is the closing of a circle, an enormous circle of time that began moving 35 years ago. It brings this Brazilian band back to where they began, and may be the completion of a changing career as well.

The new music stands defiantly on its own, but should be considered in the context of history, too. That history began in Belo Horizonte, Brazil, in 1984 when Holocausto first began to take shape. As recounted by J. Campbell in his narrative for Nuclear War Now! Productions, which will be releasing the new album on July 31st: “Along with Sepultura, Sarcófago, Mutilator, and a handful of other bands, Holocausto played a particularly sinister-sounding strain of deathrash (or deathcore, as they used to call it in 1987), which, owing to the evil edge it exhibited, is now regarded as an early expression of the then-emerging black metal movement.” Continue reading »

Jun 282019
 

 

The Spanish melodic death metal band Eternal Storm made their advent in 2013 with an EP named From the Ashes, and followed that the next year with one of the wonderful splits released in the Elemental Nightmares series (which is how we first learned about the band). Now, five years later and with a new drummer in the line-up, Eternal Storm are poised to release their debut album, Come the Tide, which Transcending Obscurity Records will reveal in its fullness on August 23rd.

The talents of Eternal Storm were quite evident even in the nascency of those previous releases, but those talents have flourished in striking fashion on this new album, which demonstrates the kind of assured compositional complexity that finds a sublime balance between emotionally involving melody and physically compulsive heaviness. The song we’re presenting today, “The Scarlet Lake“, is a great example of those qualities, a multi-faceted and completely captivating piece in which the minutes fly by. Continue reading »

Jun 272019
 

 

“…the atmospheric heft of Fallujah… the punishing hardcore of Wolf King… the brutal technicality of Behold the Desecration and Anisoptera… influences that range from alternative rock to slamming brutal death metal… an intersection between all things dark, melodic and heavy…”

Well, that seemed like an intriguing come-on for this new California band Black Passage, whose line-up actually does include members of the bands referenced above. And as it turns out, their music actually does harness those divergent musical ingredients, and does so in ways that prove enticing rather than forcing them together like manacled prisoners on a chain-gang.

We have an example of Black Passage‘s successful hybrid of contrasts for you today, a video for a track called “Tables Turn” off their new album The Veil, which will be released on July 26th. Continue reading »

Jun 272019
 

 

With their second album, released in 2005, the Greek band Order of the Ebon Hand began drawing Tarot cards from an unholy deck, embarking on a plan to explore the signs of each card drawn through the perspectives of black metal. The plan has been slow to evolve. That second album, XV: The Devil, followed the band’s 1997 full-length debut by eight years, and their new album, VII: The Chariot, is now arriving a long 14 years following the second one. It is so sweepingly powerful that we can only hope the next card in the deck will be revealed much sooner.

Today marks the official release of VII: The Chariot by the Russian labels Satanath Records and More Hate Productions, and coinciding with the release we have the good fortune to debut a full stream of this tremendous album — preceded by a flood of thoughts about the experience. Continue reading »

Jun 262019
 

 

The devotion of Burial Remains to old school Swedish death metal is extravagant, and masterfully expressed. But it’s almost misleading to call the death metal of Burial Remains “old school”, because that assumes they’ve left the beloved institution still standing, when it sounds instead like they’ve taken sledgehammers to teh structure and then burned the remnants to the ground.

Burn With Me” is in fact the name of the song from their debut album Trinity of Deception that we’re premiering today, in advance of its July 12 release by Transcending Obscurity Records. Actual flames do come to mind in listening to it, but perhaps more often the heated imagery is of the racing fever of a fatal disease. But those aren’t the only images spawned by the track. It proves to be a changing mix of rampaging violence, gruesome putrefaction, and funereal grief. Continue reading »

Jun 262019
 

 

With a name like Mourner, a musical genre described as doom/death, and a debut album entitled Apogee of Nihility, one might expect the music created by this Russian trio to be a relentless descent into dragging oppressiveness and the extinguishment of hope. To be sure, they have a sure-handed talent for creating sensations of gloom and anguish, but what really sets their music apart is how multi-faceted and utterly captivating it turns out to be.

The song we’re presenting today, “Cobweb of Captivity“, is a stellar example of Mourner’s dynamic talents, a constantly changing and ultimately enthralling sequence of movements that merits that perhaps over-used phrase “a musical journey”. Continue reading »