Mar 202018
 

 

On March 11, 2018, a Portuguese duo who have taken the name Oak entered Stone Sound Studio in Portugal and made a live recording of a composition called “Sculptures“. The performance was filmed, and now we present both the song and the video to the public for the first time.

Our interest in Oak began when we learned that the two men in the project are also members of the Portuguese black metal band Gaerea, whose debut EP was one of the best shorter releases of 2016 (and one we wrote about repeatedly, both before and after its release, including a post in which we named “Void of Numbness” to our list of the year’s “Most Infectious Extreme Metal Songs“).

But in Oak, the two participants have turned their talents in the direction of funeral doom/death — and what they’ve accomplished just with this one song is strikingly impressive. Continue reading »

Mar 202018
 

 

The Spring Equinox is upon us, at the moment this post appears on our site. At 12:15 pm Eastern time, the sun comes directly in line with the equator; on this day the Northern and Southern hemispheres will experience an equal amount of daylight and night; from this moment the days in the North will grow longer until the Summer Solstice in June. The beginning of spring has been marked in the tilt of the Earth’s axis, and Teloch Vovin have marked it through the release of a tenth Psalm Ov Khaos.

Two years ago, on the Winter Solstice of 2015, this occult New York black metal band embarked on an extended musical project, devoted to the electronic and ambient textures and ritualistic elements of their creativity. Beginning then, and continuing on each quarterly change of the seasons since then, they’ve released a new Psalm Ov Khaos. The one we’re presenting today — “Casus Belli” — is the tenth of those. One more remains, and it will be included in a physical edition collecting all 11 Psalms, which is projected for release sometime next year. Continue reading »

Mar 192018
 

 

Welcome to our exclusive debut of one of this writer’s favorite death metal albums of 2018, one that includes some of my favorite extreme metal songs of 2017. Yes, Sol De Sangre began spreading the word of this album last year through the release of four singles, two of which we wrote about in our periodic collections of recommended new music and one of which we premiered. Those were tremendously tempting teasers for this first full-length offering, and fortunately the album as a whole proves to be just as fantastic as all those early glimpses.

There’s a lot to take in on this self-titled album — 12 tracks in total, and not one of them a throw-away. Over the course of the album this veteran group of Colombian musicians pay homage to a variety of classic death metal sounds, and yet once you’ve heard all of them I think you’ll conclude that the only name which really represents the music faithfully is the name of Sol De Sangre. They’ve put their own distinctive stamp on these compositions, while at the same time re-living a host of past glories. Continue reading »

Mar 192018
 

 

Get ready to take plenty of deep breaths. Hyperventilating wouldn’t be a bad idea. You’re going to need the oxygen… because the song you’re about to hear is genuinely breathtaking and mind-bending. (Body armor is recommended, too, because the track is also a vicious bone-mangler.)

The song in question is the title track to Awakening Inception, the new album by the death metal band Æpoch from Ontario, Canada, which is set for release on Friday the 13th of April, 2018. Among a large panoply of remarkable features, the track includes guest vocals by Hideous Divinity frontman Enrico Di Lorenzo. Continue reading »

Mar 162018
 

 

There is no shortage of death metal bands whose aim is to inflict brutal punishment while showing off their speed and technical dexterity, but some are obviously better at it than others. Widow’s Peak from Calgary, Alberta, Canada are one of those groups who stand out from the pack, and the song we’re premiering today provides abundant evidence of that.

The name of the track is “Mother Misery“, and it comes from the band’s new EP, Graceless, which will be released on April 27th. It provides an inventive display of breathtaking destructiveness married to kaleidoscopic, head-spinning instrumental performances, and further reveals an unconventional taste in melody that makes the song even more fascinating. Continue reading »

Mar 162018
 

 

To borrow a phrase from Monty Python, “And now for something completely different.”

Consider this: a Spanish band named Inhumankind whose musical instruments solely consist of the flute and the acoustic double bass, and who draw freely in their compositions from a broad range of musical inspirations, including (but not limited to) classical and black metal; with minimalist lyrics that draw upon the left-hand path, voiced in ritualistic fashion by two accomplished women and a vicious death growler; and an album named Self-Extinction that was produced by Colin Marston (who also contributed percussion to one of the tracks). Consider further what the esteemed Mr. Marston has said about the album:

“Existing at the nexus of modern classical music and extreme metal, Inhumankind have a completely unique sound. Aggressively played flute, acoustic bass, and occasional vocals are excellently employed to create compositions that are simultaneously sparse and complicated, awkward and confident. This is one of the most original albums to come across my desk in quite some time!”

And now take a deeper look at the cover painting by Italian master Ettore Aldo Del Vigo.

If you have not become intrigued by now, then your time might be better spent elsewhere. If your interest has been piqued, however (mine sure as hell was), then you will want to experience the two songs from Self-Extinction that we’re presenting today in advance of its March 30 release by I, Voidhanger Records. They might take you far out of your listening comfort zone, but you’ll be hard-pressed to find anything more original and distinctive this year. Continue reading »

Mar 152018
 

 

I was tremendously impressed by Endless, the 2014 debut demo by this band from my old hometown of Austin, Texas, so much so that I attempted to be more poetic than usual in my enthusiastic review. It was thus exciting to discover that Hinayana would be releasing a debut album named Order Divine on March 19th. Having now become immersed in the album for days, it has proven to be even more impressive than Endless. And so it is our great pleasure to share a full stream of the album with you today.

In the simplest terms, the music here is doom-influenced melodic death metal, but of a kind that consistently reaches heights of epic grandeur. Embracing moods of defiance, loss, and grim but glorious triumph, the dramatic, blood-pumping songs are capable of transporting listeners far, far away from the mundane, drab events of daily life, sending emotions soaring and thoughts flying into mythic realms. Continue reading »

Mar 152018
 

 

Last August I discovered Convocation, a relatively new Finnish band with an auspicious line-up consisting of L.L., who writes the music and performs all the instruments, and M. Neuman, who handles the lyrics and vocals. L.L. is also the main man behind Desolate Shrine, whose 2017 album Deliverance From the Godless Void (reviewed here) was one of last year’s stand-out records, and Neuman is also the vocalist for the wonderful Dark Buddha Rising.

At the time of that August discovery, the Convocation Bandcamp page was populated with unmastered versions of four tracks, all of which had appeared just days before, but weren’t there for long. I was particularly taken with “Ruins of Ourselves“, a staggeringly heavy union of funeral doom and death metal. It was punishingly crushing, with titanic, gloomy chords and gut-punching percussion that together made the earth seem to quiver. Spectral guitar melodies, eerie ambient layers, and Neuman’s own haunting clean tones gave the music a ghostly atmosphere — though most of the time his vocals were terrifyingly craggy. And in addition to being stunningly heavy, the music was mesmerizing.

Just based on that one song, I was quick to write that Convocation would be “a brilliant new entry into the annals of doom/death”.

Later last year we happily announced for the first time that Convocation’s debut album, Scars Across, had been mixed and was ready for mastering — and that the Italian label Everlasting Spew Records would be releasing it by the spring of this year. And so, that is now coming to pass. The album will be released on March 30th, and today we’re privileged to bring you the premiere of the album’s stunning title track. Continue reading »

Mar 152018
 

 

For want of a better term, some of us refer to certain kinds of songs as a “journey”, because the music changes as it proceeds. Abrupt and unconnected changes wouldn’t normally bring that term to mind. There must instead be some sense of purposeful movement from a starting place to another, different place — a feeling of evolution and progression, even if the movement might ultimately become a circle that ends where it begins.

That notion of a musical journey comes to mind in listening to the new song by the Australian band Cancer that we’re bringing you today through the medium of a music video. The song, “Modus Operandi“, is the first single from the band’s forthcoming debut album, Into the Heartless Silence, which is expected for release in June via Throats Productions. The album builds upon the musical explorations revealed through the band’s 2016 debut EP, Terminal. Continue reading »

Mar 142018
 

 

The music of “It Has Become” is deeply unnerving, coiled with a tightening tension that springs open into eruptions of unhinged violence. It provokes the kind of adrenaline surge of a flight-or-fight response, but maybe more likely to send you running as fast as you can. And now the song has been matched with a video that’s equally unsettling and electrifying.

The song is one of many excellent tracks on The Path Towards…, the second album by the Bay Area death metal band Oblivion, which was released last November by Unique Leader Records. And for those of you who might not have discovered it so far, this new video that we’re bringing you today provides a vivid reminder that this is an album you should get into without further delay. Continue reading »