Jul 142015
 

Alda - Passage

 

More than four years have passed since Alda’s release of their last album Tahoma. For those (like me) who greatly admired that album, it has been difficult to be patient while waiting for something new. At last, Alda have completed a new album. The name is Passage, it will be released by the end of this month via Bindrune/Eihwaz Recordings, and it’s wonderful.

For those of you are as impatient as I’ve been, you can skip straight to the bottom of this post and listen to our premiere of the album’s first track, “The Clearcut“. For those whose patience hasn’t been completely exhausted, you can first read the following thoughts about the album as a whole — or perhaps listen and then read.

I suppose it has become prosaic to say that an album is a journey, but Passage really is one. The long songs flow into each other almost seamlessly, and although the individual tracks can be heard and appreciated on their own, moving through the entire album in a single sitting is to be caught up and carried away (and sometimes to be carried deep into your own mind, as the music fires your imagination). You get the sense that there are stories in these songs, though the vocals are sparse and often wordless, and the narrative is one that’s dramatic and powerful. Continue reading »

Jul 142015
 

godhunter-destroyer of light art

 

Endsville is the apt name for a forthcoming split by the Tuscon/Vancouver collective who call themselves Godhunter and Austin-based Destroyer of Light, with each band contributing a long EP’s worth of material. It will be released on July 24. We now have for you the premiere of two songs from the split, one by each band.

Your average highly paid therapist would devote years attempting to figure out what’s “wrong” with people who like this kind of music. It’s not food for the soul, it’s poison. It’s not shelter from the storm, it’s a hard shove into the deluge. Forget “life-affirming” — this is a rendition of all that’s wrong with life, except for the life-saving power of a titanic riff, and therein lies part of the answer. I don’t know what the rest of the answer is.

I do know this — a lot of life for a lot of people is no damned good, and to find music that both powerfully captures its ugliness and despair and yet somehow takes you away from all that at the same time, that’s a gift, and both these bands have it. You can move to these songs (you probably won’t have any choice), and you can lose yourself in them, too. Continue reading »

Jul 132015
 

760137765325_TOX050_ANTROPOFAGO_ART_600x600

 

On August 14 Kaotoxin Records will release Æra Dementiæ, the second album by Antropofago from France. Last week we brought you the premiere of a new song named “Helter Skelter“, but today we’ve got for you a stream of the album in its entirety.

Antropofago score a rare hat trick on this new album. They’ve created a big shot of aural adrenaline, delivering the kind of vicious, jolting power that most death metal fans crave, but with the kind of intricate, inventive instrumental flair that will stimulate your higher faculties as well as the reptile part of your brain. And in addition to those achievements, they’ve made songs that are also heavy-grooved and very infectious. Continue reading »

Jul 122015
 

Naked-Mother Moon split

 

Two young Baltimore bands, Naked and Mother Moon, have joined together on a new split recording — Naked // Moon — that will be released by Feeble Mind Records on July 30, and today we bring you a full stream of the split.

NAKED

Naked is the solo project of 20 year old Carl Smith, and Naked // Moon marks his third split release. The two songs from Naked, “Die // Slow” and “Weep”, were performed with only guitar and voice.

“Die // Slow” is a dreamlike mirage of reverberating guitar and deep looping chords that pulsate and warble as Smith’s voice rises and falls like a moonlit tide. The shimmering, atmospheric song succeeds in casting a spell that’s both sorrowful and sublime. Continue reading »

Jul 102015
 

perversor - anticosmocrator cover

 

On July 27, Hells Headbangers will release Anticosmocrator — the second album by the Chilean band Perversor. It follows their 2008 debut album, Cult of Destruction, and their 2011 EP, The Shadow of Abomination. Today we bring you the premiere of a savage new song named “Bestial Path”.

There is a sound at the beginning of this song, something like the roar of a great beast rising up on dragon wings in the midst of a tornado. It sets the tone and it sounds a warning, though it’s a very brief warning, not long enough for you to duck and take cover before the song explodes. Continue reading »

Jul 082015
 

Rivers of Nihil - Monarchy

 

(Andy Synn introduces our premiere of the title track to the new album by Rivers of Nihil.)

I absolutely loved Rivers of Nihil’s debut album, The Conscious Seed of Light. Though it’s not a perfect release, it is very, very good (particularly for a debut full-length), and absolutely packed to the gills with nascent potential.

Potential which they’ve fully realised on their new album, Monarchy.

From start to finish it’s an intensely heavy, stunningly technical (though always in service to the greater themes of the song), and viscerally passionate album, that sees the Reading, Pennsylvania quintet capitalising on the momentum gathered by their debut in order to really expand the scope and breadth of their sound. Continue reading »

Jul 062015
 

760137765325_TOX050_ANTROPOFAGO_ART_600x600

 

On August 14 Kaotoxin Records will release Æra Dementiæ, the second album by the French beasts who masquerade as humans in Antropofago, and today we’re helping spread the carnage through our premiere of a track from the album named “Helter Skelter“.

This new song vividly manifests three of Antropofago’s signal qualities: It’s brutal as hell; it’s technically impressive; and it will get its meat hooks in your fleshy parts (or to use more boring language, it’s catchy as well as scathing). Continue reading »

Jul 062015
 

Veilburner-Noumenon

 

(Austin Weber introduces our premiere of a song and accompanying lyric video from the new album by Veilburner.) 

There’s a tired-but-true maxim that applies well in the music realm: “Strike while the iron is hot”. While you’ve got people’s attention, jam more music down their throats and keep things moving.  Veilburner have adhered strictly to this line of thought.

Last year, I and writers from several other sites hailed The Three Lightbearers, the debut full-length by this nightmare-inducing Pennsylvania-based death/black duo, as a highlight of 2014. Now, the band are already roaring back with their sophomore ode to chaos and annihilation, Noumenon, dropping soon on July 31st. And today we offer up the dual song-and-lyric-video premiere of “Ever Relapsing Fever”, the first track to air from the new album. Continue reading »

Jul 032015
 

 

On July 20, Hells Headbangers will release Crucible of the Infernum, a new EP by Florida’s Blasphemic Cruelty. It’s the first new music from the band since their debut album Devil’s Mayhem, released by the Osmose label seven years ago — and we’ve got a taste of the carnage it delivers through our official premiere of the track “Icons of Revolt“.

Blasphemic Cruelty is led by former Angelcorpse hitman Gene Palubicki (Perdition Temple) on guitars, and he’s joined by vocalist/bassist Alex Blume (Ares Kingdom) and drummer Gina Ambrosio, who also had Angelcorpse ties. Together, this trio have concocted three original songs plus a cover of Sodom’s “The Crippler”. Continue reading »

Jul 022015
 

x

 

We’re about to premiere a song by a Philadelphia band named Alustrium from their new album A Tunnel To Eden. I have a sneaking suspicion they knew what they’d accomplished when they picked “Slackjaw” as the name for the song. I think they also knew what they were doing when they released an instrumental play-through video for the song about one week ago — you know, as proof that they didn’t record the song at the speed of normal humans and then run it through CERN’s large hadron particle accelerator outside of Geneva.

If you haven’t picked up on the clues yet, this thing is faster than an SR-71 and it did indeed leave me slack-jawed. I think I popped a few blood vessels in my right eye while listening to it, and there was a lot of drool left on my shirt, too.

Now, I realize that there are people out there who are unimpressed by pyrotechnical displays of physical dexterity in metal. They demand something more from a song. I confess that I’m one of those people who get off on the pyrotechnics, even when the song is just a chaotic mass of notes and beats. Maybe it’s because, as a child, I was in a car that was picked up by a tornado (true story). On the other hand, when that’s all there is, even I don’t tend to listen to a song more than once. But “Slackjaw” isn’t in that category. Continue reading »