Apr 132016
 

Coffin Lust-Manifestation of Inner Darkness

 

Death metal composed and performed in the ancient way never seems to lose its appeal, either to fans or to musicians. Of course, when I say “ancient”, I mean that long-ago era in the late ’80s and early ’90s when the fires of death creation first began to burn like an inferno. When newer bands draw inspiration from those classic sounds, the first and most important question that always comes up is whether the composers and performers have the skills and the spirit to make those fires come alive again.

It’s usually too much to expect that new music in the vein of bands like Grave, Autopsy, Nihilist, or Dismember will actually claim its own identity. After all, if you (as an artist) stray too far off the old path, then you really aren’t satisfying a desire to pay homage to a deathless style of extremity. Yet a band capable of laying an honorable sacrifice at the altar of old-school death metal while still making it sound fresh (like the fresh stench of a just-exhumed corpse) can still make a name for itself — and that’s what Coffin Lust have done on their debut album Manifestation of Inner Darkness. Continue reading »

Apr 112016
 

Heathen Beast art

 

Time flies. Almost four years have passed since I last wrote (here) about the politically outspoken Indian black metal band Heathen Beast, in a post titled “Heathen Beast’s Videos Do Not Fuck Around — And Neither Does Their Music“. The same could still be said today, despite the passage of years — as you will see and hear in our premiere of the band’s new song and lyric video: “The Systematic Annihilation of Islam“.

The song is one of three that appear on the band’s new EP, Rise of the Saffron Empire, which will be released on April 25 by Transcending Obscurity India (CD and digitally).

You can appreciate the music even if you’re uneducated about the subject matter of the video (as I originally was). But I think some background information might be useful — and to begin, I’m going to repeat some of what I wrote in that post from nearly four years ago: Continue reading »

Apr 112016
 

Foscor video frame

 

The Spanish band Foscor trace their roots back to 1997. Since then they’ve released four full-length albums, the last of which was 2014’s Those Horrors Wither. Almost 18 months ago we featured an excellent video for an excellent song from that album named “Graceful Pandora”, and today we’re happy to help premiere a video for the album’s title track.

The new video is the product of RFH Photography and IRA Photography, with editing by Foscor guitarist Falke. As the band explain, “‘Those Horrors Wither’ would be meant to show the relevance which primal fears hold to get to know ourselves, to know our flaws, and ultimately how we deal with the difficulties life itself makes us face. These Horrors are silenced by society, culture and history, relegating the individual too often to its least significance.” Continue reading »

Apr 092016
 

Negative Voice-Cold redrafted

 

About two weeks ago, in one of our Shades of Black posts, I wrote about two songs (“Limitation” and “Karmic Pattern” by Moscow’s Negative Voice that made an immediate and strong impression when I heard them. Those two tracks appear on the band’s second album, Cold Redrafted. I’ve now heard the rest of the songs, and you can, too — because we’re premiering a full stream just a couple of days in advance of its release.

Negative Voice deftly blend progressive-minded instrumental inventiveness, entrancing melodic hooks, and earth-shaking heaviness, while wrapping the music here and there in a wreath of charred black thorns. Continue reading »

Apr 082016
 

Psychotron-Lethal Paralysis

 

Psychotron are a six-piece thrash metal band from Sylhet in Bangladesh. They formed in 2011, and their debut EP Lethal Paralysis will be released on April 28 by Mortuary Productions, which we’re told is the first-ever metal label founded in Sylhet. What we have for you today is a premiere of the new EP’s title track.

Thematically, the song explores the miseries of drug addiction — but there’s nothing miserable about the music. It bolts from the starting gate at full speed with a catchy-as-hell riff, and more highly infectious riffs follow in short order — along with a couple of scorching solos and a spray of highly acidic vocal shrieking. It’s a hell of a thrill ride that we’re happy to bring your way from a part of the world that tends to fly under the radar for lots of metal heads in the West. Hope you enjoy the song as much as I have. Continue reading »

Apr 082016
 

Earth Rot-Chthonian Virtues

Australia has a vibrant and diverse metal scene, with great bands across a broad range of genres. I know this with the rational part of my brain, the part that tries to observe and remember. But when I think of Australian metal, I admit that I tend to reflexively think first of death metal, and in particular the kind of death metal that resembles what you hear about all the flora and fauna in the Outback, i.e., that everything is trying to kill you.

Earth Rot come from Perth, Australia. They are a death metal band, but not a straight-forward, undiluted death metal band, as you will discover when you listen to the title track we’re premiering from their new EP, Chthonian Virtues. Continue reading »

Apr 072016
 

Zealotry-The Last WItness

 

Especially as a non-musician, I’m constantly amazed at the enormous array of technical skill that’s on display in the temples of extreme metal worldwide. But as most serious listeners understand, even eye-popping technical skill will only take a band so far… and actually, not very far at all when the performer’s sole objective seems to be displaying dexterity at high speed. Similarly, throwing in such things as a few bursts of discordant noodling or contrasting ambient sections does not make a death metal band “progressive”. Which brings me to the song we’re about to premiere by the Boston-based band Zealotry — a band that includes members of such other notable groups as Chthe’ilist, Serocs, Inhumatus, and Myth of I.

The name of the song is “Cybernetic Eucharist”, and it appears on their second album The Last Witness, set for release by Lavadome Productions on April 22. The technical performances do indeed display top-shelf skill, often at speed levels near the red zone, but there’s an ingenious method to this madness — this is the kind of death metal that in my book genuinely does merit the label “progressive”. Continue reading »

Apr 062016
 

Nazghor-Deaths Withered Chant

 

Perhaps the first thing to observe about Nazghor’s new album Death’s Withered Chant is that it’s this Swedish band’s fifth full-length in four years, and like the band’s last three albums it’s roughly an hour long. With so much music being released in such a comparatively brief time, one might wonder how good it could be. We’re bringing you today a full stream of the album, so you’ll have a chance to decide that for yourselves — but I think it’s fantastic.

The songwriting is highly accomplished, with every song carrying evocative, frequently majestic melodies that beckon the listener back, and stylistically, the music should appeal to a wide range of fans. It includes the kind of aggressive melodic riffing that should appeal to fans of Scandinavian death metal and the kind of epic, sweeping melodies that should attract adherents of Northern European pagan metal, while preserving the truly venomous vocals, the infernal atmospherics, and the blood-freezing bursts of savagery that are rooted in black metal. Continue reading »

Apr 062016
 

GDOB2-30CH-001.cdr

 

The image on the cover of Prisoner of War’s new EP could be taken as an accurate representation of how your head will be transformed when it’s exposed to the music. Bearing the title Rot, the EP will be discharged by Iron Bonehead Productions early next month, and we’re about to detonate the premiere of the title track.

With only a four-song demo from 2014 to precede this new EP, you may be surprised at how accomplished this New Zealand band have become in a relatively short time — but there’s no doubt that Rot is going to open a lot of eyes. Continue reading »

Apr 062016
 

Alkerdeel-Lede

 

When I first gazed upon the cover of Alkerdeel’s new album, Lede, I could’t help but think of the insults hurled by the French guard from his parapet in Monty Python’s best movie: “I fart in your general direction. Your mother was a hamster and your father smelt of elderberries”. Yet the album art depicts a demonic expulsion of foulness rather than a French one. What might this portend, I wondered, especially as the cover for an album by a Belgian black metal band? We have a premiere of a video for the title track that will give you at least a few clues to the answer today, though I think it’s safe to say that those clues will be surprising in themselves.

This new album is the band’s third and comes roughly four years after their last one, Morinde, with some spit releases filling the gaps in the interim. For those of you familiar with Morinde, those passing years have produced some changes in Alkerdeel’s sound, as you will discover through this new video. Continue reading »