Apr 112016
 

Shadow Woods Metal Festival 2016

 

As we begin the new week, I have some unfortunate news (at least it’s unfortunate for me). Beginning today and continuing through Thursday morning, I have to bury myself in my fucking day job for one of those day-and-night projects that periodically descends upon me. I’ll make time to post what other writers have sent me, as well as a few premieres I’ve agreed to do, but aside from this round-up and one “Short But Sweet” review I wrote over the weekend, I will be missing in action until sometime Thursday.

Before saying good-bye, I’ve collected a few items that I wanted to share — including, at the end of this post, streams of ten recent videos without commentary (because I’ve run out of time for commentary).

SHADOW WOODS METAL FESTIVAL

I’m late sharing this news, but the news is so exciting that I’m following the “better late than never” mantra. Last year’s Shadow Woods Metal Festival was a marvelous event by all accounts — including this account by our guest Captain Karbon. As I reported in February, organizer Mary Spiro and her team (who are joined by Baltimore’s Grimoire Records as co-producers this year) have been planning the second installment of this open-air camping metal party, which will run for three days in central Maryland: from Thursday, September 15th through Sunday, September 18th at Camp Hidden Valley, in White Hall, Maryland. They’ve been announcing performers since January, and now the complete line-up has been revealed — and it’s an eye-popper: Continue reading »

Apr 082016
 

Rotting-Christ-band

 

I spent a few hours yesterday afternoon sifting through that massive spew known as the NCS e-mail in-box and then wading through the hip-deep effluent of the interhole, searching for things worth hearing and seeing, so that you don’t have to dirty yourselves doing it. It was filthy work, as it always is, but as always happens I found some chunks of gold gleaming amidst the vast rivers of mediocrity. I actually have a pretty long list of discoveries that I think are worth sharing, but here are a few of them. Perhaps I will have time to include more later today, or this weekend.

ROTTING CHRIST

Rotting Christ delivered a new lyric video yesterday for the song “Les Litanies de Satan“, which includes guest vocals from Vorph’s frontman Samael dramatically reciting (in French) excerpts from Charles Baudelaire’s poem of the same name (from the volume of poetry entitled Les Fleurs du Mal), which inspired the song. The track, which appears on the band’s latest album Rituals (reviewed here), is a majestic, surging hymn to the fallen angel, and the video is interesting to watch as well. Continue reading »

Apr 072016
 

Behemoth-Nergal

 

We had such a big line-up of premieres and reviews yesterday that I didn’t have time to pull together a round-up of new things, so I’ll do some of that today. As a consequence of waiting, the first couple of items in this round-up of new videos (and one new song excerpt) will no doubt have been seen by most of you already. I still want to leave them here because they’re so good — though I don’t think I need to say much about them. The second two are somewhat more recent, and are by bands who don’t have quite the name recognition among metal heads as the first two, so I’ll spill a few words about those.

BEHEMOTH

Nergal has a reliably interesting artistic vision for Behemoth’s videos, and a knack for enlisting help from talented people in making them a reality — including Sharon Ehman of Toxic Visions for the costume and prop design in this video, among a long list of others (who are identified in the notes to the video here). Of course, the dramatic natural setting for this video is the real star. Continue reading »

Apr 052016
 

Grimness-A Decade of Disgust

 

In 2004 an Italian band named Grimness released their debut album, bearing the title Increase Humanity Disgust. Another full-length, Trust In Decay, followed the debut in 2008, but the band have been dormant since then. Of the musicians who recorded the debut, guitarist/vocalist Valerio Di Lella spent time with Novembre, and is Eyeconoclast’s current vocalist; drummer Jonah Padella and guitarist Andrea Chiodetti became members of The Foreshadowing; and bassist Willer Donandoni joined Black Land. But Grimness is rumbling to life again, with Giulio Moschini from Hour of Penance joining the band on bass in preparation for live re-appearances — and with a special reissue of the debut album coming in May.

The reissue will be entitled A Decade of Disgust, reflecting not only the band’s longevity but also the fact that the new release will include more than simply the tracks that appeared on the original debut.  It also includes six bonus tracks:  four songs recorded for a 2002 EP named Dogma, a live version of “Proud To Be Damned”, and an unreleased song from the Trust In Decay recording sessions. And as you can see above, the reissue includes striking new cover art created by Roberto Toderico. Continue reading »

Apr 042016
 

Godless Angel-The Conjuring of Four

 

If you look at what I posted at the site this past weekend, you’ll see that I was caught up in the throes of a blogging frenzy and threw a large amount of new music at your head. Having done that, I took some deep breaths — and then almost immediately discovered a bunch of other new songs that had appeared while I was scribbling thoughts about all the others. From that batch of new discoveries I’ve sifted these four — in part because I really enjoyed all of them and in part because they make for a diverse playlist of new metal with which to start the week.

GODLESS ANGEL

A very good friend of our site, Derek Neibarger from Lawrence, Kansas, has just released The Conjuring of Four, the third album of his solo project Godless Angel. It follows last year’s Harvester of Shadows (released by Inverse Records). For a pretty complete narrative of the interesting musical journey that led to the creation of Godless Angel, peruse my interview of Derek from last October (here). And for a taste of this new album, check out our stream of the album’s first single — “The Worms Are Eating Him Now”. Continue reading »

Apr 032016
 

Lathspell-Thorn Cold Void

 

In my musical explorations over the last week I came across a lot of new black metal that I wanted to recommend. To make the rollout of the music a little more easily digestible, I divided the collection into two parts, with the music listed in alphabetical order by band name, continuing from Part 1 (here) into this second part. As usual for these posts, there are some significant stylistic differences in the sounds, despite the connections (either spiritual or otherwise) that all the music has to the ever-expanding genre of black metal.

LATHSPELL

Part 1 of this collection included new music by Havukruunu, and we return to Finland for this next song, which will appear on the forthcoming fifth album by Lathspell. Entitled Thorn Cold Void, it’s due for release later this month by Wolfspell Records and Patologian Laboratorio Productions. Though Lathspell have been in existence for almost two decades, this song is the first piece of their music that I’ve heard, so I can’t give you a comparison to their previous works. But just considering it as a stand-alone song, it’s powerful stuff. Continue reading »

Apr 032016
 

Gjendød-Demo 2016

 

This is Part 1 of a collection of very good new music in the orbit of black metal that I encountered over the last week. Once again, I found a lot to like — so much that I decided to divide the collection into two parts — but I hope you’ll find time to at least sample the music from each band; only two of them have previously been covered at this site. I’ve arranged the music in alphabetical order by band name, continuing into Part 2 later today.

GJENDØD

Apart from the music in the two songs embedded below, the only thing I know about Gjendød is that the band is from Norway and that sometime “soon” the Polish label Hellthrasher Productions intends to release what appears to be the band’s first demo on CD.

The songs you can now stream are two of the four listed on the Bandcamp player for the demo — “Evig svart røyk” and “Menneskeavl”. If we could plug the energy of these songs into electrical grids, we could decommission vast numbers of power plants — though we wouldn’t do much to reduce global warming, because these tracks are hot as hell. Continue reading »

Apr 022016
 

Duplicate Records-An Alignment of Shrines

 

On this Saturday morning I’ve been struck by a combination of early slothfulness and (annoyingly) a subsequent need to deal with some internet service problems. I had plans to review two EPs for today, but since it’s already noon out here on the Left Coast and I haven’t written a word, I wondered what the hell I would do to foist music upon you. And then I received a Bandcamp alert in my e-mail and… Voilà!!!

That Bandcamp alert concerned a just-released compilation of sounds from Oslo, Norway’s Duplicate Records entitled An Alignment of Shrines. It includes tracks by 14 bands — four of them from forthcoming releases and the rest from Duplicate releases over the last year or so. I recognized the names of 10 of the bands, and it happens that I’ve enjoyed and we’ve previously written about the music of all 10 of those. Here’s the list of the bands and the names of the releases from which the songs were drawn: Continue reading »

Apr 012016
 

Dark Funeral-Where Shadows Forever Reign

 

I’ve gotten in the habit of preparing these Shades of Black posts for Sundays, but the first two items in this collection are so new that I thought I’d get them out there without delay. The last two are less new, but have been on my mind recently. I have some other music appropriate for this series that I will still try to collect for Sunday. As usual, this is music in a black vein, though not all of it is black metal, strictly speaking.

DARK FUNERAL

Sweden’s Dark Funeral are back with their first album in six years. The new one is named Where Shadows Forever Reign and it’s scheduled for release on June 3 by Century Media, with cover art by Necrolord. Continue reading »

Mar 312016
 

Gojira 2016-photo by Travis Shinn
photo credit: Travis Shinn

When names as big as Gojira and Katatonia both release new music on the same day, if you wait more than a few hours to write about it, the odds are that almost everyone who cares about those bands has already been clued in by someone else. But I’m writing about these developments anyway because “Half-Assed” is my middle name and I feel compelled to live up to it. And I’ll throw in a few other new developments that have been somewhat less pervasively recognized across the web.

GOJIRA

As I read Rolling Stone’s interview/listening-session (here) with the Duplantier brothers that appeared yesterday, I became increasingly uneasy. Reading Kory Grow’s descriptions of some of the songs from Gojira’s forthcoming new album that he heard while talking with the brothers in their New York City studio made me fear that Gojira have become a French variant of Mastodon, making a big sweeping turn into radio-friendly rock. Will their first video for the album include twerking? Continue reading »