Jul 292015
 

Horna-Hengen Tulet

 

Once again, I decided to compile a group of new songs I discovered over the last 24 hours and liked a lot. As it happens, the ones I liked the best turned out to be in the poisoned vein of black metal — and so, we have another edition of Shades of Black.

HORNA

It is true, as stated in the press release I received today, that Horna are a “Finnish black metal institution”. Their ninth album is named Hengen Tulet, and it’s now scheduled for release by W.T.C. Productions on September 22. I’m amazed by the cover art, which was prepared by Pahapasi.

The press release also states that the new album “carries forward a similar songwriting aesthetic” to the band’s last album Askel lähempänä Saatanaa, “but reinvigorates a foul, fetid primitivism”. Of course, I immediately searched to see if any music from the album was available for me to share with you, and discovered that, yes, there is — and that I somehow missed the song when it debuted in June.

The name of this new piece is “Amadriada“, and it’s the album’s opening track. Continue reading »

Jul 292015
 

Gorod-A Maze of Recycled Creeds

 

What a welcome piece of news! Not long ago, Listenable Records announced that Gorod’s new album is named A Maze of Recycled Creeds, and they revealed the cover art (which, as you can see, is awesome) — and for people who live in countries where something called “Deezer” is available, they premiered a Gorod song named “Celestial Nature”.

Now, I have a bone to pick with the choice of this “Deezer” place as the location for an exclusive Gorod premiere. The bone I have to pick is that YOU CAN’T FUCKING LISTEN TO IT IN THE UNITED STATES. I’m so annoyed I’m almost tempted not to provide the link. And what kind of focus groups decided that “Deezer” was a good name for… anything? Made me cringe even before I realized that only some other people can use it.

However, I realize that the song will surely surface someplace where the miserable residents of my great land will be able to hear this new Gorod offering and become overjoyed by its undoubted awesomenessness. I also concede that a guitar play-through video of the song was released in January, so it’s not such an enormous loss that some of us can’t now hear the song as it was mixed for the album.

Anyway, I’ll be mature and give you the damned link for the stream: Continue reading »

Jul 282015
 

Black Breath-Slaves Beyond Death

 

I’m kind of rushed, so I’ll skip the usual preamble and save the words for these things I saw and heard over the last 24 hours that maybe you’ll get as excited about as I have.

BLACK BREATH

I’m beginning to think the day will come when Paolo Girardi will have created at least one painted album cover for every metal band in the world — though that assumes all metal bands have good taste, and of course they don’t. But Seattle’s Black Breath and Southern Lord do, because as I discovered today, they engaged Mr. Girardi to create the cover for Black Breath’s new third album Slaves Beyond Death.

Interestingly, although I did receive a press release with details about the album and a related Black Breath tour, it didn’t include the artwork. I saw that instead for the first time at the Metal-Archives listing for the album, which a friend linked on Facebook today. Very exciting, because in addition to being an obvious fan of Girardi’s artwork, I’m a big fan of this band, too, and am anxious to hear this new album. Continue reading »

Jul 282015
 

AEvangelist logo

 

Ten months have passed since the otherworldly entity known as Ævangelist released their third album, Writhes In the Murk, but they have not been resting quietly in the aftermath of that visionary emanation. Some of their activities since then have been made public, others have been the subject of hints and rumors, and still others we are pleased to announce today for the first time — including the release of a nightmarish new work entitled Dream An Evil Dream. Read on, as we collect what we have learned — and prepare yourselves for a stream of these new sounds from the Abysscape, following this news:

As for what has been made public, Ævangelist is preparing for live incursions at two eye-popping U.S. metal festivals later this year. We’ve mentioned these festivals before, and this gives us a reason to remind you about them. The first is Hells Headbash-Part 2, a festival organized by the Hells Headbangers label to celebrate their 15th anniversary. The event will take place in Cleveland on Labor Day weekend, September 4-6, 2015. For fans of extreme metal, the line-up is a stunner. Here’s the flyer: Continue reading »

Jul 272015
 

Skepticism-Ordeal

 

I had thought I was finished posting things on our site today and would turn to what we have planned for tomorrow. But then my friend MaxR (Metal Bandcamp) linked me to what you’re about to see and hear — the debut of a video for a new song by Finland’s magnificent Skepticism from their new album Ordeal.

The song’s name is “The Departure”. You listen, and it’s not difficult to imagine being transported beneath the vault of a dim gothic cathedral, with the light of candles flickering on your face in the chill breeze cast by the passing of lost souls. Matti Tilaeus’s graveled voice is as staggering as the huge, dismal riffs and the ponderous drum blasts, and Eero Pöyry’s keyboards are soul-shaking. It’s as grief-stricken and sorrowful as a cancer ward, but tremendously moving, and yes… beautiful. Continue reading »

Jul 272015
 

Moro Moro Land-Through

 

(DGR has been pawing through great piles of new and forthcoming releases and has sifted out five of them especially deserving of praise.)

It has been a little bit since we’ve gotten a chance to do one of these — the chance to send me ping-ponging across the internet in a mad quest for new music, doing the equivelant of drunkenly stumbling into a band’s house after-hours, pulling up a chair, kicking my feet up on their table, and going, “So, tell me about yourself,” like I’m the leading authority on all things metal.

Sometimes, these Sifting articles tend to be built organically. At other times they’re built out of sheer desperation — a sense of “Oh god, I need to talk about this to some people now,” as we come across music. This one is a tad bit different, as it was brought on like most fun things in life, out of me opening my idiot mouth and promptly learning another lesson as to why, if I’m ever tempted to say anything, just to let it slide.

I’ve been part of the working world for ten years now, no longer a young’un by any means, but still stupid enough to occasionally slip up. You’d think by now I’d remember the #1 lesson of any workforce, which is to never, ever, EVER inform your boss of how much work you have left, especially when you’re getting to the downslope of your work pile. I made this mistake recently, gleefully informing my superiors that after I had done a certain number of reviews, I’d be in a holding pattern since most of the stuff that was coming out was spoken for — so really, that at the end of a certain week I’d be done for a bit. Continue reading »

Jul 272015
 

Mgła artwork

 

I spent most of this weekend catching up on new music (and making a few discoveries of older music, too). I compiled one round-up on Saturday, another one devoted to black metal yesterday, and that still wasn’t enough. So I’ve collected more new music or videos from five other bands in this post. Contrary to appearances, I do have a life — but it wasn’t devoted to much else besides metal since Friday.

MGŁA

Yesterday brought a most welcome announcement that I wasn’t expecting: The fantastic Polish black metal band Mgła has completed the recording of a new third full-length album named Exercises In Futility, and it will be released in the late Summer of this year on the Northern Heritage and No Solace labels. It includes six tracks and 42 minutes of music — and yesterday one of those tracks became available for listening. Continue reading »

Jul 262015
 

VI-album art

 

I’m still surrounded by excellent new metal, like a cork bobbing in the ocean. In a post yesterday I collected four recently released songs and videos, and I have more to recommend today. In this post I’ve included three more new songs and one new album stream, followed by music from two releases that are not quite as new but are new to me. The music here falls within the realms of black metal, although as you’ll find out, the tracks are still quite diverse.

This is a long post with a lot of music in it, and perhaps I should have broken it up into pieces. But though it may appear daunting in its length, I hope you’ll stick with it, because there’s a lot of good metal in here from some tremendously talented bands.

VI

This first new song caught my eye because the band — whose name is VI — has a line-up that includes current or former members of Aosoth and Antaeus. The cover art by the talented Alexander L. Brown is a real eye-catcher, too.

The band’s debut album De Praestgiis Angelorum is scheduled for release on September 25 by Agonia Records, in a 6-panel digipack CD and on vinyl. There’s also a shirt that features that cool cover art. Look at all this tasty stuff: Continue reading »

Jul 252015
 

Ahab-The Boats of the Glen Carrig

 

I didn’t do a very good job this past week posting about new songs that I liked as they were coming out, and as a result I have a big collection of them gazing up at me with sorrowful eyes.  I’ve picked four of them to recommend in this post, with the goal of keeping you off-balance. I’ve collected a few others for a “Shades of Black” post that I’m planning for tomorrow.

AHAB

A couple of days ago Germany’s Ahab premiered a music video for the first complete track off their new album The Boats of Glen Carrig, coming from Napalm Records on August 28. The name of the song is “Like Red Foam (The Great Storm)”, and I’m thoroughly hooked on it. The riffs are enormous, and they drive the song’s bleak, somewhat dissonant melodic refrain into your head like railroad spikes. I’m more a fan of the enraged roars than the clean vocals in the song (what a shock!), but it’s a minor quibble. Continue reading »

Jul 242015
 

Fallen

 

(Grant Skelton contributed the following prose, and I thank him for it.)

In a year that has already produced some astounding funeral doom (Shape Of Despair, Bell Witch, Foehammer) and a whole lot more around the corner (Ahab, Skepticism, My Dying Bride), I thought it fitting to bring attention to another entry in the sepulchral annals of funeral doom.

Fallen were a Norwegian side project of Christian Loos and Anders Eek (both members of Funeral) and Kjetil Ottersen (also of atmospheric doom trio Omit). Their first and only album A Tragedy’s Bitter End was released in 2004. The album title was perhaps an ominous foreshadowing of the band’s future, as Christian Loos committed suicide in 2006. That fact drives a weighted hook through the soul of the music, adding a downcast despondence to the listening experience.

The vocals, while clean, are sullen and low. They are dour and dreary, structurally resembling Gregorian chant at times. The journey is comparable to scaling a hill during a thunderstorm while dragging a tombstone shackled to each ankle. Continue reading »