Jul 252013
 

Just a few new things in between reviews to help kick-start this Thursday.

HOWLING

Let’s see, where shall we start? How about some death metal? Yes, death metal is always a good place to start, especially death metal inspired by John Carpenter’s 1981 classic, The Thing. And that’s what Howling gave us last night when they released “Shape-Shifting Enemy” on Bandcamp.

Howling, for those who need to catch up, is the horror-themed project of vocalist Vanessa Nocera (Skeletal Spectre, Scaremaker, Wooden Stake), guitarist/bassist Tony Proffer (Beyond Hell), and drummer Elektrokutioner (Encoffination, Father Befouled, many others). This new single comes from the band’s next album, Tear the Screams from Your Throat, which is due out in October 2013. I have high hopes for that album, because the band’s debut, A Beast Conceived, was so fuckin’ good (I explained why I think so at this location).

“Shape-Shifting Enemy” provides even more reason to anticipate the new album with relish. If you’re expecting old-school gore/death, you’ll be surprised. The mainly slow-paced song contrasts Proffer’s melodic guitar leads (and a writhing solo) with Nocera’s carnivorous growls, book-ended by unexpected guitar instrumentals. And for variety’s sake, you’ll encounter a couple of thrashing romps along the way. Continue reading »

Jul 242013
 

The mighty Fleshgod Apocalypse have uploaded a not very mighty but pleasantly amusing new trailer for their forthcoming album Labyrinth, which we can tell you (in more detail soon) is a killer.

You will see quotes from unexpected sources, 100% not made up of course, plus some acoustic strumming, plus studio karaoke (or could it be a cover?), plus a few words from the band, plus a bit of ass-ripping Labyrinth music.

That’s really all I have to say about this. Watch and listen after the jump. Continue reading »

Jul 242013
 

I’m still in catch-up mode on new things I haven’t been able to write about over the last few days. So, despite the fact that I already posted one round-up today, here’s another one, collecting three recommended new videos and one new song. As usual, the music is quite diverse.

THE DEVIN TOWNSEND PROJECT

On October 27 of last year Devin Townsend put on a tour-de-force live musical retrospective at The Roundhouse in London, which he called “The Retinal Circus”. Our own Andy Synn was there and wrote an evocative review, which we illustrated with photos and video clips. The performance was recorded for later release on both DVD and Blu-ray (via InsideOut Music).

Almost one week ago, DT released a clip from the DVD, the performance of “Grace” that closed the show (but for the encore), but I missed it until this morning. If you’ve seen any of the video clips of the show that previously surfaced, then you know this was a visual extravaganza. But the DVD excerpt of “Grace” is a taste of the pro-shot, multi-cam rendition that the DVD will deliver, and it’s awesome.

I’ve loved this song from the first time I heard it, and I got chills all over again when it transitioned from Anneke Van Giersbergen’s opening vocals into the hevy. I got more chills later. Is it too emo for me to say that? Well fuck it, I’m just being honest. The video is next.

Continue reading »

Jul 242013
 

Here are a few things I’ve seen and heard recently that I think are worth recommending. I’m in catch-up mode on these round-ups, so there will be a second one a bit later today.

CHIMAIRA

Chimaira have a new album, Crown of Phantoms, coming on July 30 via eOne Music. Yesterday my comrade Andy Synn alerted me to the fact that Chimaira had released a re-make of “The Dehumanizing Process” from their second album, The Impossibility of Reason (2003). It’s sub-titled the “Slow and Low Mix”, and man, it caught me off guard. It’s like Chimaira-meets-Gojira.

I approve. If you’re going to re-do one of your own songs, you might as well really re-do it, especially if you’ve now got guitarists Emil Werstler and Matt Szlachta to put their spin on the original. This is a heavy-bottomed, heavy-grooved, vicious little monster. I’d like to keep it as a pet.

I don’t see this song on the new album’s track list. According to Chimaira’s mainman Mark Hunter, “No, we’re not remaking the record. This was just for fun to celebrate 10 years of Impossibility.” Well, mission accomplished: this is fun. Listen next. Continue reading »

Jul 232013
 

The last few days I’ve fallen down on the job of watching for, and writing about, new music and news, because the old fucking day job has had me in one of those armlocks the cops use (used to use?) to choke out unruly citizens. But I’m at least going to make time to report on exciting new developments from two “old friends”.

BLODSGARD

Thanks to sharp-eyed NCS supporter Austin S-K, I found out that Blodsgard have posted to YouTube a “teaser reel” of song excerpts from their forthcoming album, Monument.

Back in mid-June I provided some updates about that forthcoming full-length debut (including the killer album cover by Mark Cooper of Mindrape Art), and that post is a good place to go if you want to find out more about the band and their previous demo releases. At that time, the band had posted on their website separate excerpts from each of the tracks on Monument, but as of today they’ve now packed them into a single “medley” clip that you can hear straight through. Continue reading »

Jul 232013
 

(Guest contributor Old Man Windbreaker finds a perhaps not-so-obvious connection among the latest albums by Gojira and a group of other bands, and includes some bonus items at the end.)

A little more than a year ago, we read a piece by Andy Synn titled Gojiralternatives, describing music by half a dozen bands as an alternative of sorts for those who are not that into Gojira’s music. Old Man Windbreaker decided to catch up to the bands featured in that list, since most of them have released a new album since the date of that article. But, Old Man Windbreaker is lazy. Hence, you have a review of the albums a full 2 months after the release of the latest album on this playlist. By the way, here are the albums on this playlist, in chronological order:

  •  L’Enfant Sauvage by Gojira
  •  Meliora by Eryn Non Dae.
  •  Vertikal by Cult of Luna
  •  Possession by Benea Reach
  •  Back to Where You’ve Never Been by Hacride

You might notice that Burst and Oceans of Sadness are not in this playlist. That is because they both split up; before the publishing of the original ‘Gojiralternatives‘ article, I might add. So, they will not be revisited, despite having produced amazing music. You might also notice that Eryn Non Dae. is here on this list. That is because of Double Panda. One happened to be playing Double Panda while listening to the album the first time, and One thought they sounded somewhat like Gojira at the time. This eventually led to One revisiting the other Gojiralternatives as well. Continue reading »

Jul 202013
 

Your humble editor’s ass is dragging this morning, because this is a Saturday morning and Saturday mornings always seem to bring ass impairment here on my metallic island. Saturday mornings, they follow Friday nights, and on Friday nights I seem drawn to the demon alcohol like a fly to shit. It’s all fun until the new day dawns. The sun rises above the clouds, and the sun in my head goes supernova and then collapses into a black hole from which no light or sentient thought can escape.

Ah, what to do on mornings such as this? Lying curled in the fetal position and moaning can only be indulged for so long. Crawling into a chair, slumped over a computer screen, looking for something new to hear — that seemed like a viable alternative to suicide, so that’s what I did. On some Saturday mornings I just want to be surrounded by the silence of the void, but today it seemed like a better idea to find something that would overwhelm the destruction in my head with superior destructive force. I succeeded.

You might think that given my current state of mental impairment I made a redundancy-related typo in the title of this post, but you would be wrong. I will explain.

NECROSADIST

One of the things I found this morning was a debut album released on 11-11-11 under the name Abstract Satan. I can tell you from immediate personal experience that there is nothing abstract about Satan, and that I must have done something terrible to offend Him last night, given the magnitude of the punishment I am currently suffering. But listening to Abstract Satan does not produce suffering, although it is indeed punishing. Abstract Satan makes me glad to be alive, despite all the self-inflicted pain. Continue reading »

Jul 192013
 

The last few days brought many new discoveries that I thought were worth sharing. However, I haven’t had the chance until now because I’ve been dealing with the fallout caused by some asshole who smashed in a window on my car on a downtown Seattle street and stole a bag that contained my laptop and other valuables. Fuck that guy, and fuck me for being dumb enough to leave the bag in the car. Enough with the whining, onward with the metal . . .

SEPULTURA

This morning brought further news about the next album by Brazilian heavyweights Sepultura. Its title was inspired by Fritz Lang’s classic 1927 film MetropolisThe Mediator Between the Head and Hands Must Be the Heart. It was recorded by Ross Robinson, who also produced the band’s equally classic Roots album, and in an effort to cement the connection to past glories guitarist Andreas Kisser had this to say:

“The album is brutal, fast and straight to the point, I feel this is the best SEPULTURA ever, no bullshit. To work with Ross Robinson again was a privilege, one of the best producers out there. He has a strong connection with nature, the human heart, with life in general. We did an album that is alive, no fake studio tricks, we were jamming together in the room exploding in an energy so strong you could grab it.”

Of course, we wouldn’t expect him to say, “the new album is going to be a mediocre rehash and one of the lamest things ever to be released under the Sepultura name”, even if it were true. Yet the fact that he’s stuck his neck out there with this kind of a statement provides some reason to be hopeful. The album is due in October. Continue reading »

Jul 182013
 

Okay, it’s time to confuse people again (at this site we call things like this “Exceptions to the Rule”, but could just as easily classify them as “Seeds of Confusion”).

Vulture Industries are not strangers to these pages, though 18 months have passed since we last featured their music. They dwell in Bergen, Norway, population 270,000, and home to an astonishingly large number of talented metal bands given the city’s modest size. But it’s safe to say that Vulture Industries are unlike any other band from Bergen. In fact, I’m having some trouble thinking of anyone quite like them anywhere else in the world. Today they debuted (via the Pyro site on Norwegian national radio (NRK P3)) a lyric video for the title track to their forthcoming album The Tower, and it proves my point.

The music is a bombastic, theatrical, head-spinning thing. The excellent instrumental part of the music is sort of like a blend of melodic death metal, post-rock, and Broadway show-stopper, spun in an avant-garde centrifuge, and Bjørnar Erevik Nilsen’s mainly clean vocals will take you into the clouds. He sings, “It Soars!”, and his voice soars like you won’t believe. He also assumes a variety of other vocal personae in this allegorical song about the materialism of modern life in the Western world.

As eccentric and borderline-surreal as the song is, I found myself immediately riveted by it — and I do mean immediately, as in, from the first seconds. And the first thing I wanted to do after hearing it was hear it again. Continue reading »

Jul 172013
 

I’ve heard a lot of thoroughly pulverizing metal performed live, but I’ve yet to hear any band who are more gut-liquifying than Jucifer. In the one and only time I’ve managed to catch them live (despite the fact that they’ve been touring non-stop for almost two decades), my jaw hung open the entire set, even while mercilessly headbanging. I was too stunned to close it, not only because the decibels were threatening to un-do the structural integrity of my body but also because the husband-and-wife duo of Gazelle Amber Valentine and Edgar Livengood were so riveting to watch.

On July 17, Jucifer will be officially releasing their new album, with the Cyrillic title of за волгой для нас земли нет. It means “There is no land beyond the Volga”, though people are already just calling it “The Russian Album”. Inspired by the time Jucifer have spent in Russia as well as their longstanding interest in Russian history, it’s described as “a concept album dedicated to the people, events and geography of Volgograd – more famously known as Stalingrad”.

As noted, the new album will be released on July 17 in a limited edition 6-panel digipak, and digitally via Nomadic Fortress (Jucifer’s own imprint) and Mutants of the Monster – the label run by C.T. Farris of Rwake, and David Hall of Handshake Inc.  A vinyl version of the record, and North American retail CDs, will become available in October.

And now to the three main draws of this post. First, NPR has created a killing video of Jucifer laying waste to a D.C. venue in January with a medley consisting of “Throned In Blood” (from the album of the same name) bookended by two songs from the new album — “Pavlov’s House” and “Shame”. It’s really superb, and provides as good a sense as you’ll get of what it’s like to be confronted by Thee White Wall without experiencing it in the flesh. Continue reading »