Aug 152013
 

Things haven’t been normal around NCS the past couple of days, and I thought I’d explain why. As I mentioned earlier this week, I’ve been in south central Idaho (near Ketchum) since Monday on a day-job thing. That alone has cut into the time I usually spend on NCS. But I’m also having some trouble getting home.

I’m supposed to fly out of here and back to Seattle early evening today. But flights all day long have been delayed and canceled because there’s a fire nearby (the “Beaver Creek Fire”) that has burned 38,000 acres so far, and for the last 2 days this valley where I am has been blanketed in heavy smoke blowing in from the fire area, with an intermittent dusting of ash. It’s gotten so bad that I can’t see the surrounding mountains and I can smell the smoke even when I’m indoors.

The local airport is currently closed down due to the smoke, though my own flight hasn’t been canceled yet — they seem to anticipate that the smoke will clear in time to resume operations by the time my flight is supposed to take off.  So maybe the wind direction will change and things will clear up. And maybe it won’t. I’m now debating whether to drive 3 hours to Boise and fly out of there later tonight. The Boise airport seems to be working okay, but there’s an enormous fire blazing about 70 miles east of Boise called the Elk Fire that has already burned about 100,000 acres of land, and it’s nowhere close to being contained.

And there’s another fire called the Pony Fire Complex near Mountain Home, Idaho that has consumed about 144,000 acres. Basically, big chunks of of Idaho have become an inferno. The Governor has declared the entire state a disaster area. Continue reading »

Aug 152013
 

In mid-July we reported details about the new EP (Morbid Ascent) from Sweden’s Grave that had just then surfaced today. We had the release date (August 26 in Europe, September 17 in North America), we had the tasty cover art by Costin Chioreanu (above), we knew that Autopsy’s Eric Cutler was going to be contributing as a guest to two of the new songs, we knew that the EP would also include a cover of Satyricon’s “Possessed” as well as a remixed version of “Epos” from Risen From the Tomb and a track from Grave’s 1989 Sexual Mutilation demo (“Reality of Life”). What we didn’t have was actual music to hear. But now we do!

Yesterday Stereogum premiered a song from the EP named “Venial Sin”. This is one of those two tracks that includes Eric Cutler’s contributions as a guitar soloist. I find myself in complete agreement with what Aaron Lariviere wrote in his introduction to the song for Stereogum (and I would like to thank him for linking to a piece I wrote about The Ola Lindgren Diet, the comments to which made me laugh all over again when I read them yesterday, after I also laughed at what I wrote):

“Grave may as well be eternal at this point. 29 years into a career playing Swedish fucking death metal, they’re either undead or just unkillable, showing no signs of diminishing in terms of power or perseverance. One of the originals of the Swedish metal scene alongside Entombed, Dismember, and Unleashed, what makes Grave remarkable in 2013 is that they still release vital, vitriolic shit with unnatural frequency. Last year’s full-length Endless Procession Of Souls was more than a return to form — it’s actually one of my favorite death metal albums ever, right alongside the band’s debut, Into The Grave, released some 20 years earlier. Bands this old should not be this good — it’s a wondrous thing when they are. Continue reading »

Aug 142013
 

I’m still catching up on what has happened in the world of metal since yesterday. Here are a few more items worth talking about.

INTO THE EVERBLACK 2013

A bit earlier today I wrote about the latest artwork, news, and music concerning the new Skeletonwitch album. If I’d just waited an hour, I could have included the fact that Skeletonwitch are embarking on a North American tour this fall with The Black Dahlia Murder (as the headliner) and Fallujah. And on selected dates, that group of miscreants will be joined by Wolvhammer (who are vicious killers in their own right) or Noisem (also murderous).

This is going to be one very fine evening in the pit of musical hell. Unfortunately, it appears I will have to get in the car to visit hell, because the tour isn’t going to hit Seattle. To see if it will threaten your town, check the schedule after the jump. Continue reading »

Aug 142013
 

After a night of debauchery and a half day of painfully early work, I’m finally able to start catching up on what I missed in the world of metal since yesterday afternoon. This post is devoted to two things that caught my eye right off the bat.

SKELETONWITCH

Is that album cover up there awesome or what? It’s recognizably the work of John Baizley, and I think this may be my favorite cover he’s ever done. The fact that it graces the new album by Skeletonwitch just makes it all the more killer. The complete artwork was unveiled yesterday, along with more info about the new album — Serpents Unleashed.

It’s now scheduled for release on October 29 in NorthAm (a day earlier in the UK and most of the EU, and October 25 in Germany). It was recorded earlier this year at GodCity Studio with Kurt Ballou (Converge, Trap Them, High on Fire), AND there’s a song from the album that’s being given away for free: “Burned From Bone”. Continue reading »

Aug 132013
 

Here are a few things I saw and heard last night that I thought might be of interest.

RIVERS OF NIHIL

We’ve been following Pennsylvania’s Rivers of Nihil since all the way back in January 2012. Last December we reported that they had signed to Metal Blade Records and would be recording their full-length debut for the label with Erik Rutan (Hate Eternal) at Mana Recording Studios in March. We also streamed a demo version of a new song that will appear on the album named “Rain Eater”.

Yesterday we got a good look at the album’s cover by veteran metal artist Dan Seagrave, and it’s quite the eye-catcher, don’t you think? We also got the album’s name (The Conscious Seed of Light) and the release date: October 15.

On July22 , the band played one of the new tracks — “A Fertile Altar” — live at Saint Vitus in Brooklyn, and it was caught on video. The sound quality is good and the song rocks hard. Check it out next. Continue reading »

Aug 122013
 

A few quick hits for you from my own quick spin through my e-mail and the interhole this afternoon.

ELIRAN KANTOR AND KATAKLYSM

Last week we brought you some news about the next album by Canada’s Kataklysm, Waiting For the End To Come, including the artwork for the CD. I thought the artwork was okay, but it didn’t elevate my pulse rate. HOWEVER, the artwork previously revealed is only for the standard jewel case version of the CD and a limited edition cassette tape of the album. There is an alternate cover for “the deluxe digipak” and the LP versions of the album, and you’re looking at it.

No disrespect intended to Peter Sallai, but I find this creation by the stellar Eliran Kantor much more appealing. It reminds me of what a collaboration between John Martin and Gustave Doré might have produced. Love it! Continue reading »

Aug 112013
 

Last week we received the disappointing news that the release of the upcoming tenth studio album by Poland’s almighty Behemoth (entitled The Satanist) would be delayed to early 2014. However, the band played one of the new songs — “Blow Your Trumpets Gabriel” — at the BRUTAL ASSAULT festival in The Czech Republic last night (August 10), and a fan-filmed video of the performance has now surfaced.

The song is an absolute monster. It begins as a slow, black crusher and then it fuckin’ explodes at the mid-point. The fan video has the usual imperfections, but you can hear the song pretty well and the visuals are amazing, notwithstanding the imperfections. Strobing lights, explosions of flame, great plumes of smoke — combine all that with the power of the song, and it’s quite a thing to see and hear. Which you can do right after the jump. Continue reading »

Aug 102013
 

I know you didn’t ask what I’ve been watching and listening to on this gray Pacific Northwest morning, but I’m telling you anyway, because that’s how blogging works.

ARSIS

A new Arsis video premiered yesterday. The song is “Scornstar” from their 2013 album Unwelcome. It was directed by Scott Hansen. It’s footage of the usual kind of thing that happens at an Arsis show. You know, people foaming at the mouth, chicks showing their tits, dudes ripping their hearts out of their chests, people’s guts exploding, bodily fluids and intestines spraying every which way. For people who’ve seen them play live before, it’s kind of old hat. But if you’re new to the band I guess it might be interesting.

I don’t really understand why this kind of regular occurrence was newsworthy. Must have been a slow news night at the TV station that broadcast the report. You can watch it next if you want. Continue reading »

Aug 092013
 

Here’s a collection of recommended things that caught my eyes and ears over the last 24 hours.

RUSSIAN CIRCLES

My introduction to Chicago’s Russian Circles came at a live show in Seattle a few years ago, and I was sold, fast. Their fifth album, Memorial, is due on October 29 via Sargent House. Long way off, but based on a track that premiered yesterday at Pitchfork it’s a date worth remembering.

For anyone who still thinks instrumental “post rock” doesn’t pack enough visceral kick to shake your skeleton from skull to tarsus, listen to “Deficit”. Man, it’s a heavy beast. It sets a doomy tone with a moving wall of guitar noise and a hypnotic drumbeat at the outset. The intensity builds from there, and beginning at the 3:00 mark it’s fuckin’ headbang city all the way forward (accompanied by a memorable chiming melody). Listen to “Deficit” below all these links. Continue reading »

Aug 092013
 

Well, this was just too damn cool not to share.

It’s a new video produced by The Onion’s AV Club of Melvins covering a song by Butthole Surfers in Chicago’s Humboldt Park. Joining in on the song was the Surfers bassist Jeff Pinkus in place of Jared Warren. Behind them is an ice cream truck.

According to the AV Club, the ice cream truck was basically there as a prop. But then Buzz Osborne had the bright idea of yelling “free ice cream!”, and before you know it the band had an enthusiastic audience. The fact that the audience consisted of a bunch of kids didn’t stop the band from playing “Graveyard”, or from causing the song to collapse into a squall of bass-driven feedback while Osborne tossed ice cream into the crowd and Melvins drummers Dale Crover, and Coady Willis beat the shit out of their kits.

“You lie in the graveyard / Well, you’re rotting away / When I talk to you daily / You’ve got nothing to say”. Such wholesome lyrics. Such a heart-warming sight. Watch the video after the jump.

Continue reading »