(Here’s DGR’s writeup about the new album from The Haunted. I think it’s finally time to suck it up and rename the site NO SHORT REVIEWS.)
Exit Wounds has been out for a week plus by now, and I am still consistently surprised by how The Haunted are one of the few bands out there who can do anger and aggression incredibly well. It’s hard to believe that a group lucked into having two incredibly distinct and different frontmen, both of whom were able to help elevate the band with a sense of utter malice — whilst directing it toward two different things. There’s always been an essence of conviction to the band’s reason for yelling, when so many other groups out there have a sort of toothless aggression, metal and brutality for their own sake and feeling like it was done paint-by-numbers style. The Haunted have always had bite, where other bands have felt like being gummed to death by the world’s angriest toddler, full of energy but not a whole lot getting done.
When the band effectively hung up their hats, it was a bummer, because although there are people out there who will relentlessly bitch about Unseen, it was a progression in one of the two ways that the band could have followed after The Dead Eye. It was joyfully demented, but not necessarily as sharp and pointed as The Haunted usually are. That said, it’s not like the band haven’t done a “return to form” before; it seems to be The Haunted’s calling card, but listening to the group talk, maybe it just wore on them a little bit too much. Which made the sudden re-formation both surprising and exciting. Two of the group’s members decided to stick it out, and on top of that the band filled in the empty spaces with Haunted members from the past, as well as recruiting a hell of a weapon in the form of Feared guitarist Ola Englund.
Exit Wounds, released September 2nd here in lovely North America (and a week earlier in Europe), is the result of the group’s new lineup, one for a band who may have found themselves with a lot to prove this go ’round. It’s a common narrative: re-formed band with a new lineup and a new album, scrappy as hell, and coming off of a divisive as hell previous disc. The crazy thing with Exit Wounds is that it also feels partially like an unintentional comeback tour, especially after pulling back musicians who haven’t associated with the band for some time. So, flag planted, line drawn in the sand, foot on the ground, pancake on head, robe and wizard hat donned, various other metaphors for standing your ground and facing opposition — just how well does Exit Wounds make the case for The Haunted’s continued existence? Continue reading »