Jan 082013
 

Yesterday brought many items of news and new music that caught my attention, so many that I’m funneling them your way in a couple of posts this morning, this being the first.

THE BLACK DAHLIA MURDER

Last night the above image appeared on the Facebook page of The Black Dahlia Murder, with no further explanation. Preceding the appearance of this visual announcement, the gents at Metal Sucks posted some studio photos and a few more details, speculating that the band would have a new album ready by June — which turns out to be a good guess.

Presumably, the above image is simply a flyer of sorts and not the album cover, yet I’m intrigued by the absence of color and by the album’s title — Everblack. Not that I really needed anything further to cause eager anticipation for the band’s next work. That was a given.

Next, we move from a band whose name has become something of a household word in the realms of extreme metal to one I had never heard of before last night — and whose new album I’m now anticipating just as eagerly as new BDM. Check out this arresting album cover: Continue reading »

Jan 072013
 

Here are just a few items I spotted over the last 24 hours that interested me. Mayhaps they will interest you, too. I may have more later.

TRONDHEIM METAL FEST

I do a pretty half-assed job reporting about European festivals and tours. Actually, it’s more like quarter-assed. Or maybe eighth-assed. I do a somewhat better job when it comes to North American tours and fests — at least those that interest me — because I’m a resident of the continent and so are a bare majority of NCS readers. But the forthcoming Trondheim Metal Fest did catch my eye, because . . . look at that line-up!

Of course, there’s no chance I will be in Trondheim, Norway, on March 14-16, 2012, unless Seattle’s tech geeks finally perfect teleporter technology in time. Also, I think I’d rather see them experiment first with melons instead of me. Melons to Trondheim!!

Where was I?  Oh yeah, Gojira, Napalm Death, and Anaal Nathrakh on the same bill is pretty fuckin’ strong. And there will be approximately 17 other bands performing as well, including those other three headliners whose names you see on the above flyer. You can get more details via the following links: Continue reading »

Jan 052013
 

We’ve picked up a lot of new readers over the last couple of weeks, so for their benefit let me explain what others have already figured out about our news reporting: We make no effort to be comprehensive. We don’t cut and paste every press release we get. Actually, we don’t cut and paste any news releases. We write our own thoughts, and what we write about is filtered through my mind and occasionally the minds of our other writers when they message me about something they think is interesting.

So, for better or worse, what you see here is what we think is interesting, according to our tastes. And here are a few items I saw and heard over the last 24 hours that interested me.

CANDLEMASS vs ENTOMBED

Candlemass and Entombed are two Swedish bands who have reached near-legendary status in distinctly different corners of the metal spectrum, Candlemass in the realms of doom and Entombed in the fields of death metal and death ‘n’ roll (though over time Entombed has plowed other fields as well).

Someone at Sweden Rock Magazine, the country’s top-selling music magazine, had the bright idea of asking each band to cover one of the other band’s songs. The result will be a CD single exclusively included with the magazine’s 100th issue that will be sent to subscribers on January 8. For now at least, it won’t be available elsewhere. But fortunately, as of today both tracks are up on YouTube. Continue reading »

Jan 042013
 

Herein: an assortment of new music and one new video I discovered over the last 24 hours from a couple of bands previously featured at NCS and a couple of newcomers.  Varied and interesting stuff all the way around.

LAGO

This band from Phoenix is one of the newcomers. According to Metal Archives, they released a five-song EP (Marianas) via Pale Horse Recordings in 2010, which I haven’t heard yet, and then last month they released a new two-song demo entitled Tyranny. Last night I saw a recommendation of Tyranny from one of my Facebook friends and decided to give it a spin. Sure glad I did.

On Tyranny, Lago deliver something that sounds like a cross between old-school Morbid Angel and late-stage Behemoth, plus interesting elements that you won’t find in the music of either of those bands, such as the noodling bass notes and incredible guitar solo in “The Tyranny of Men”.  Both songs are rhythmically dynamic (and rhythmically compulsive) and expertly played. And the vocals are also deep as ocean trenches and monstrous, in the vein of something like Disma’s Craig Pillard (though some banshee shrieking also makes a brief appearance in the second song).

This is really fuckin’ impressive stuff! Continue reading »

Jan 022013
 

Yesterday I posted two catch-up features in an effort to spread the word about new music and news I came across over the long holiday weekend. But two really wasn’t enough. So, here’s a third.

SORCERY

The revival of old school death metal marches on.  In this instance, the purveyors are not newcomers mimicking the style, but people who were doing this when the old school was young.

Sorcery are a Swedish band who originally came together in the late 80s. By 1991 they had recorded an assortment of demos and one full-length album (Bloodchilling Tales), and then dissolved. Their revival began in 2009 with the recording of a new demo (followed by a second in 2012), and now they’re on the verge of releasing a new album — Arrival At Six — on the Xtreem Music label (release date: Jan 15). Of course, it was recorded at Sunlight Studios, by Tomas Skogsberg. And as you can see, it features completely killer cover art by Daniel Devilish.

Thanks to a tip from Utmu, yesterday I listened to the first single from the album, “Warbringer”.  Continue reading »

Jan 012013
 

This post is the second part of a round-up in which I’ve collected items of interest I observed over the last few days. Part 1 is here.

FEN

Fen are a three-man UK band whose new album Dustwalker is set for release by the Code666 label on January 21, and today they debuted one of the new songs, “Consequence”. I’ll say up-front that apart from coming across an isolated song or two in the past, I’m largely unfamiliar with their previous works. But I’m mighty impressed with “Consequence”.

In this long song you’ll find a combination of sheer vocal ferocity and almost ethereal choral voices; jagged discordance and blasting coupled with majestic melodies and progressive instrumentals; gloom and doom paired with soaring atmospherics; a mix of the abrasive and the sublime. And there’s an awfully sweet bass line running through the song as well. Have a listen to this striking song right after the jump. Continue reading »

Jan 012013
 

Your humble editor has been so busy over the last four days with year-end lists, Most Infectious Song posts, and non-blogging life events that I haven’t compiled a news/new-music round-up since last week. However, I was watching out for developments, and now I’m finally collecting those which seemed worthy of notice. I have enough items to vomit forth into your laps that I’ve divided them into two posts, this being the first.

ETERNAL TEARS OF SORROW

It would be poor form to start the new year at NCS without some Finnish metal. As it happens, this first day of 2013 has delivered something new from Finland, and what it delivered also gives us a chance to start the new year by again confusing people. Sowing confusion makes life worth living.

The news is that Finland’s Eternal Tears of Sorrow have a new album entitled Saivon Lapsi that’s scheduled for release on February 22. It features album art (above) by Travis Smith. In addition to that news, the band also premiered today a music video for one of the new songs, “Swan Saivo”. The video is a beautifully made allegory with a visually arresting finish (and includes some great footage of the band headbanging). And I enjoyed the song, too . . . though its appearance at this site will indeed confuse some people. Continue reading »

Dec 312012
 

(Yesterday, TheMadIsraeli began what turned out to be a glowing review of a new album by a Japanese metal band named Shatter Silence with his opinion that, generally, “Japan’s metal scene sucks”. Here follows a response by our Japan-based contributor Phro, whose own blog is here.)

So, apparently if TheMadIsraeli doesn’t know anything about your scene, it sucks. While we probably shouldn’t spend too much time kowtowing to the whims of Internet badasses, here’s a list of some Japanese metal bands I found after 15 minutes on Google. Gee, that wasn’t so hard, was it?

(Obviously, this is hardly a complete list, nor is it in any way representative of the entirety of the Japanese metal scene. And it largely reflects my personal taste, though I’ve included some bands that I know are popular, even if I’m not necessarily a fan.)
Continue reading »

Dec 292012
 

Happy fuckin’ Saturday to one and all. I’m starting to think about what kind of rowdiness I should get into on New Year’s Eve. I may really pull out the stops and stay up ’til 10:30 this year, and maybe see if there are some fireworks on TV in a later time zone. Y’know, get really raw and wild. I might even try to get frisky with my wife, though I’ll have to get her liquored up and hide her knives.

In the meantime, here are a few items of interest I discovered over the last 24 hours.

BRUJERIA

Don’t tell my wife, but I have rough, hot, sticky man-love for Brujeria. I would dearly love to catch them live, and get up really close where I could feel their heat and they could feel mine, and perhaps there would be an exchange of bodily fluids such as sweat and saliva. And I could wear a bandana over my face and a ballcap and I’d brush up on my Spanish so I could yell along to the lyrics without sounding like the fuckin’ gringo that I am.

But until then, I will have to make do with videos such as the one below, which was shot at the RBF Club in Sofia, Bulgaria, on December 21, 2012, by Vasil Vasev. The up-close-and-personal footage is high-quality and captures the sense of chaos that I imagine a Brujeria show would spawn. Also very cool: the flashes of green that appear in this black-and-white film. More of Vasse’s clips from this show can be found here. Continue reading »

Dec 272012
 

And here we go again . . . a round-up of things I saw and heard by sifting through the effluent of the internet and my e-mail in-box in search of shiny nuggets.

TAAKE

I learned this: It turns out that 2013 will mark the 20th anniversary of metal musicianship for Hoest, the main man behind Norwegian black metal veterans Taake. The fact that Hoest is still alive and making music of any kind is worth celebrating all by itself. The fact that Taake continue to deliver superb metal is icing on the birthday cake.

Here’s one of the things that’s being done to celebrate the anniversary: On March 1 in Norway and March 4 everywhere else, Dark Essence Records will be releasing a 20-song, 2-CD collection of Taake music entitled Gravkamre, Kroner og Troner (“Burial Chambers, Crowns and Thrones”). The contents are primarily rare and previously unreleased songs, as well as alternative versions and recordings that have previously been available only on vinyl — but the album will also include exclusive new tracks.

Today I saw that Taake have begun streaming one of the tracks from this anniversary album named “Et Pust av Oeyne”. It’s a riff-heavy mosh-trigger of a song, marked by Hoest’s scathing vocal attack and some old-school, hard-rocking rhythms. It also includes a dose of blasting and thrashing, as well as a lengthy, spiraling melodic breakdown.

I’m really digging the variations in the song and hope you will, too. Continue reading »