Feb 092012
 

This is the third of three posts today featuring single songs recently released for streaming by bands who are new blips on our radar screen. This one comes from an Italian band named Gory Blister.

Now, it seems that the core members of Gory Blister have been playing off and on since the early 90s, with three albums to their credit and a fourth one scheduled for release by Bakerteam Records on April 23, to be titled EarthSick. What caught my eye was the report that Nile’s Karl Sanders would be making a guest appearance on two songs — one of them being “Soul-Borne Maladies”, which the band have recently released for streaming.

Before you Nile fans get too wild, Sanders is contributing vocals, not guitars, and the vocals are a near-chanting monotone, cavernous and cadaverous. But Gory Blister do just fine with their own instrumentals and song-writing. Their brand of technical death metal is all flying fingers and blazing footwork, constantly changing tempos and bludgeoning rhythms. And when the guitar solo in this song erupts, it’s like the second coming of Vesuvius.

Damned fine blowtorch metal, and it appears we have another Italian death metal album to anticipate this year besides the next one from Hour of Penance. Put on your asbestos suit and have a listen after the jump. Continue reading »

Feb 092012
 

This is the second of three posts today that focus on individual song releases by bands we’ve only recently discovered here at NCS. Credit to TheMadIsraeli for tipping me to Dissipate.

Dissipate are a prog/djent band from Livermore, California. Given my personal tastes in music, a little bit of prog/djent goes a long way, and a lot of prog/djent should just go away. I’m not trying to ignite a debate, just being clear about where I’m coming from.

However, although the nekro part of my multiple personality disorder has become increasingly dominant over time, I’m not too kvlt to dismiss this genre altogether. I still occasionally get a charge out of the sheer instrumental exuberance that some bands display, and that’s how I’m feeling about Dissipate’s new song, “Motion”.

Dissipate has chosen to include their fans in the gestation of this song, first posting their talented guitarist Mike Gianelli’s play-through of a rough mix last fall (here), then following that in January with a different play-through by the band’s bassist, JT (here), and finally uploading a Gianelli play-through of the finished song yesterday.

Despite the fact that I’m not conditioned to eat up this kind of music in big mouthfuls, I found myself hypnotized by this new video. Continue reading »

Feb 092012
 

This is the first of three short posts today about single songs from divergent corners of the metal sphere — divergent not only geographically, but also musically.

Forceps is a Brazilian band who plan to release a debut EP called Humanicide later this year. I don’t know how many songs it will include, when it will be released, or what factors will determine the timing. What I know is that the band have released a song from the album for streaming. It’s on YouTube and Bandcamp. The name of the song is “Transmutation of Internal Organs”.

I came across them via a Facebook friend’s recommendation. When I began listening, my loosely organized brain immediately began loosely organizing the music according to genre. I thought, “brutal slam metal, with groove.” Gunner drumming, hammering/blistering riffs, abyssal growls. And then some spacey atmospherics intruded, and the vocals elevated into an abraded shriek. And then at 2:40 a too-short phalanx of headbangery came running out of hiding. And then came a brief burst of melody.

By song’s end, I decided my original genre classification was wrong, or at least too simple. Brutal, yes. Slamming, yes. But the tech-intensive riffing and all that groove and the vocal variety and the catchy melodic hooks — they mean something else. Whatever the label, this is nice. Check it out following the jump; we’ll update you when the EP drops. Continue reading »

Feb 082012
 

Let’s see now . . . where do we go next? The progression so far today: French old-school gore/death from NecroWretch; abraded female vocalization (and a flood of accompanying commentary) from Landmine Marathon, Wykked Wytch, and Izegrim; teasers from Finland’s Before the Dawn; words from the Demisery duo; and death-rap from Death Grips. Decisions, decisions . . .

I know!  We need some stripped-down bass and drum from Estonia’s Neoandertals! And to be clear, I am NOT talking about that pseudo-rave electronic music that came out of the UK in the early 90s. Blech! No, I’m talking about this:

That’s a track from a Neandertal instrumental album called Australopithecus that’s scheduled for release on February 17 and will be available on Bandcamp HERE. But wait, there’s more! There’s this piece of freaky bass-driven death metal from the band’s 2011 album, Ebu Gogo Gutting the Child: Continue reading »

Feb 082012
 

Death Grips isn’t metal in any conventional sense (shit, did I just use “metal” and “conventional” in the same sentence?!?), but they’re still definitely metal. If you ain’t up on Death Grips yet, you can find a good introduction in BadWolf’s NCS post about them here. That post pushed me to explore Death Grips’ music, and the music made me a believer. Based on the comments we got and the page hits on that feature, there are lots more believers out there, too.

It goes, it goes, it goes, it goes 
It goes, it goes, it goes, it goes
Guillotine – YAAAAAH!

Where was I?  Oh yeah, so, for all Death Grips believers and those who will become believers, we have some news from the Death Grips facebook page: “we’re releasing two full length albums this year world-wide .. first one drops in April ”

We also have some new Death Grips 2012 music . . . after the jump.

I close my eyes and seize it 
I clench my fists and beat it 
I light my torch and burn it 
I am the beast I worship… 

Continue reading »

Feb 082012
 

Let’s be honest: women vocalists in extreme metal are still a curiosity. I’m referring to women whose vocals range from bestial growls to blood-curdling shrieks, not the ones who sing pretty in folk metal bands or outfits like Nightwish and Epica. Of course, as soon as you step outside the extreme-metal-loving world, dudes who sing harsh are curiosities, too. Fuck, in that outside world, so are all of us. But within our world, it’s the female growlers who are the novelties.

What makes them a curiosity isn’t that they can do it well, it’s that they can do it at all. And so some fans get overly excited about women vocalists whose vocals really aren’t all that great. On the other hand, because metal is a male-dominated culture, good female vocalists are also the victims of prejudice — the kind of judgmental pomposity that proclaims there’s no place for a woman in the front of an extreme metal band. Consider those two phenomena together and you reach the conclusion that it’s damned tough for a woman’s vocals to be considered for what they are, on the merits, divorced from who’s delivering them.

Maybe the day will arrive when everyone becomes gender-blind in judging metal vocalists, but human biology and male-female relationships being what they are, I doubt it. Fuck, I’m as susceptible to the curiosity effect as anyone else. Why else do you think I’m writing this post?

What I’ve collected here are four new songs or videos by female-fronted extreme metal bands: Landmine Marathon (U.S.), Wykked Wytch (U.S.), and Izegrim (The Netherlands). Continue reading »

Feb 072012
 

We didn’t review Asylum Cave, the 2011 Season of Mist album by France’s Benighted. Nevertheless, it was one of the most blistering death/grind albums of last year. Today, we got a reminder of that when the band released their official video for “Let the Blood Spill Between My Teeth” — which is such a vividly descriptive title not only for this particular song, but also for what happens to most people when they hear it.

It is for songs such as this that we keep close at hand the patented NCS rawhide chew, which allows us to listen comfortably without biting through our tongues.

Such a great song. It unexpectedly moves from fast to blazing, and then back to merely fast, like a speed-shifting, coked-to-the-eyes Formula One driver with a behemoth engine behind him and an open road in front . Within the great blur of this tightly controlled but utterly bestial song, the band even manage to spin out an unexpectedly melodic passage, and stomp their whirlwind delivery with gut-shaking grooves that make it stand out even more.

I confess that I’m not entirely sure what’s happening in the parts of the well-made video that don’t involve the band whipping up a whirlwind of sound, except it seems to involve blood and a death (but what else did you expect?). If you don’t have a good rawhide chew handy, proceed with caution, but do check out the video after the jump. Continue reading »

Feb 072012
 

Timeline of my exposure to Stam1na:

Dec. 8, 2010: During our Finland Tribute Week series more than a year ago, Stam1na was recommended to us in a comment. Stupidly, I didn’t check them out.

July 14, 2011: Finnish NCS reader jeimssi leaves a comment pushing Stam1na, with links to sample songs. I have a vague recollection of listening to one of them and planning to write about them. Something must have distracted me, because I didn’t.

Dec. 14, 2011: During the NCS year-end Listmania, our Finnish guest fireangel names two Stam1na songs to her list of favorites from 2011. She wrote: “Stam1na have a huge following in Finland; they were founded in 1996 and  nowadays they are one of the biggest and best-selling metal acts. What I like about them is the mix of excellent musicianship, very obscure humour, and outspokenness regarding the protection of nature.”

Feb. 5, 2012: jeimssi takes a break from his compulsory military service to tell us in a comment that Stam1na are releasing a new album that he’s greatly anticipating. I follow up on that and discover that the new album, Nocebo, is being released in Finland tomorrow.

Feb. 6: Heavy Blog Is Heavy publishes a post about a new Stam1na video for the first single from the album, “Valtiaan uudet vaateet”, which is Finnish for “I’m about to get really fucked up”.

I watch the new video, and lose my shit. Continue reading »

Feb 072012
 

This is the second EYE-CATCHERS feature in as many days. In yesterday’s installment, we reported on new cover art for a forthcoming album from a band whose music we know — 16. In this post, we’re returning to the original intent of the EYE-CATCHERS series: using cool album art as a guide to finding music from bands we don’t know.

In this case, the album art was created by the talented Italian artist Marco Hasman. We’ve featured his artwork before at NCS, in posts about albums from Fleshgod Apocalypse, Beyond Creation, and Blasphemer. This time, his work will grace the cover of a debut record by a band from Evansville, Indiana, named Visceral Throne. The album is called Omnipotent Asperity and it will be released by Brutal Bands at some point later this year.

What Visceral Throne produced before that album was a two-song, 2010 demo. Both of those songs appear on the track list for the album; don’t know if they’ve been re-recorded for the album. The demo versions are still available for free download via Bandcamp (HERE), though that option will close once the album is released.

Let me attempt to describe the two songs without using the word brutal: barbarous, bloodthirsty, ferocious, heartless, inhuman, insensitive, merciless, pitiless, remorseless, rough, rude, ruthless, savage, severe, vicious, and impolite. Continue reading »

Feb 062012
 

In my observation, nearly everyone who’s a serious fan of metal started out in one particular genre. But I think if you’re passionate about music, the more you listen, the more your interests will expand to encompass different styles. It’s not necessarily the product of boredom with where you started, though that might be part of it. Sometimes, it’s the listener who is changing, and a different kind of music begins to appeal to a different you. And sometimes as your sophistication and knowledge as a listener grow, you simply begin to understand and appreciate aspects of music that once held no interest.

In my case, I’m developing a new-found enjoyment of heavy-riffed stoner metal, a school of music that for me used to start and stop with Mastodon. Don’t get me wrong — it’s not going to replace more extreme forms of metal as my favorites, but I’d be lying if I denied that I’m having fun with it. Most recently, I’ve been having fun with the forthcoming album by long-running UK band Orange Goblin. It’s titled A Eulogy For the Damned, and Candlelight Records is scheduled to release it on February 14. I don’t know if we’ll review it here — I don’t feel particularly qualified to do it myself — but we’ll see.

However, it doesn’t take deep knowledge of the genre to spot a good video for a good song, and that’s what I did this morning. Orange Goblin and Candlelight just released a black-and-white, part-performance, part-animation video for a new track called “Red Tide Rising”. The song is a titanic motherfucker of a headbanging romp, with hooky melodies rising and falling, evil lyrics addressing the rise of Cthulhu, and instrumentation that does its level best to break necks. All those who worship at the church of the riff, come forth and lend your ears to this: Continue reading »