Jan 262012
 

I happen to like Red Fang’s music, but when it comes to Red Fang’s videos, it really doesn’t matter what you think of the music. They could be playing “Achy Breaky Heart” on a butt trumpet and the videos would still be funny as shit to watch. And now, hot from the cutting room, we have yet another addition to the Red Fang cinematic library: The “Hank Is Dead” video.

People who’ve been following the advance hype already know that the video involves an air guitar competition, but there’s more: awkwardly unclothed dudes who should never be seen without clothes, aerodynamically magnificent paper airplanes, an awesome wristwatch, plenty of beer, and plenty of beer. Also, there is a lot of beer.

If you don’t have some fun with this song set to this film footage, then, as much as I love you for reading NCS, I have to conclude that you have a case of tight-sphincter syndrome and you need a good loosening up.

Speaking of which, no, I don’t know what a butt trumpet is. It just seemed to fit the sentence. Watch the video after the jump. Continue reading »

Jan 262012
 

(DemiGodRaven helps catch us up on metal news.)

Hey folks, I’ve planted my ass in the underworld for a brief period of time in order to round up all the smaller (and maybe not so small) news stories that may have fallen through the cracks in one way or another. Some of them are simple things like album streams, others are album teasers, there’s some tour news, and hey, occasionally you’ll even get a free song or two, ya hear? Also, if you aren’t reading this in a 50’s news reporters voice after seeing the picture of the hat above YOU ARE DOING IT WRONG. First up is a pretty simple album stream, and then we’ll go on from there.

Lamb of God’s latest album Resolution saw release recently, and so they decided to run a full album stream over at AOL Music to give people a chance to get in a good listen before they decide whether to buy or not. I’ve enjoyed this release much more than Wrath, but it is still largely iterative on the sound that they started building in Sacrament.

It’s a good listen all the way through, but I can imagine it would be pretty dull if you picked a random song instead of the five or six really great ones. In other words, this is not an album built for Ipod shuffle like Amon Amarth’s stuff usually is (for example), so you’ll have to be in a really Lamb of God mood in order to really get into this one.

Also, they used the shotgun blast sample again. The same one they used on Sacrament. I was just waiting for the GOD-DAMN before it. Full review incoming soon. In the meantime, while you wait for me to validate your opinion and tell you how awesome of a metal listener you are, you can stream that fucker over here. Continue reading »

Jan 252012
 

The Curse of the Red River, the 2010 debut album from Finland’s Barren Earth, made quite the splash. That didn’t come as a huge shock, given that the band’s line-up is a collection of veterans of the Finnish metal wars, including vocalist Mikko Kotamäki (Swallow the Sun), Olli-Pekka Laine on bass (Ex-Amorphis, Mannhai), drummer Marko Tarvonen (Moonsorrow)
, and Kreator guitarist Sami Ylisirniö.

On March 13, Peaceville Records will release the band’s second album, The Devil’s Resolve, in North America. It was mixed by Dan Swanö (Opeth/Katatonia) at Unisound in Sweden, it features cover art by Paul Romano (whose work graces the covers of albums by Mastodon and a jillion other metal bands), and it includes guest vocals by Mathias Lillmåns (Finntroll) and . . . bagpipes! (courtesy of Jaakko Lemmetty from Korpiklaani).  (Nice timing, given our piece on bagpipe metal earlier today.)

So far so good — but there’s more. According to a press release, the music on the new album will cross through a variety of musical landscapes, ranging from brutal death metal to progressive and acoustic passages and sweeping melodies. You can get a taste of this via a montage of the album’s songs that Peaceville is now streaming on SoundCloud (and that we’re streaming right after the jump). And in exchange for your e-mail address, you can get a free download of a track from the album called “The Rains Begin”. Continue reading »

Jan 252012
 

(NCS writer BadWolf provides a report on last night’s Tool/Intronaut concert in Toledo and a video of dueling drummers.)

A little informality for you today.

So last night, my GF, Queen of Noise, some friends, and I saw Tool in my hometown of Toledo, Ohio.

What is Tool doing playing in my bullshit city? I haven’t the foggiest, but Good Morning America informed me a few weeks ago that the venue, the Huntington Center, is the 8th most profitable stadium venue in the USA. Who knew?

So the opening band was some pretty sick The Sword/Kyuss-style super-heavy biker-metal band. Nothing too original, but pretty cool—too bad their name was incomprehensible. I think it was Ram-Knight? Anyway, I expect to hear more about them soon.

Intronaut opened and played a strong set with “The Literal Black Cloud” from Prehistoricisms and then every good song from Valley of Smoke in a row. Sick. The crowd seemed to really dig them, which is strange considering that Tool’s fanbase is notoriously picky (according to anecdote, they nearly boo’ed Meshuggah off the stage multiples times, and Meshuggah is basically Tool with lower guitars and growling…). Good for them, I hope this opens doors for the boys in Intronaut. Continue reading »

Jan 252012
 

When it comes to bagpipe music, my sense is that most people either love it or hate it. I don’t know anyone who falls in the middle ground. I happen to love it.

I know of a handful of folk metal bands — including Arkona, Suidakra, Skyforger, Cruachan, and Eluveitie — who feature the bagpipes in some or all of their music. But until yesterday, I only knew of one metal band who used the bagpipes as their lead instrument: South Africa’s Haggis and Bong (still one of the best band names ever created). We’ve featured them at NCS more than once, and most recently here.

Yesterday, thanks to groverXIII (The Number of the Blog), I discovered another band who use bagpipes as their lead instruments: Germany’s Schelmish. Now, based on a little reading about Schelmish, it appears that they’re commonly referred to as a “medieval rock band” — a style of music that seems to have originated in Germany — but they sure as hell seem metal as fuck to me (with punk in the mix, too).

Between 2000 and 2010, they’ve released 10 albums, including a live performance CD. But I’m writing this post based on only one song — “Chaos”. It happened to be the first Schelmish YouTube video I watched after groverXIII recommended the band, and man does it sell.

Reasons why the “Chaos” video is the shit:

First, this band appears to have not one but five pipers. Second, the ends of the drones on their bagpipes look like the flared mouths of ancient muskets. Third, Schelmish also have some gargantuan drums to accompany the bagpipes. Fourth, the band members themselves are gargantuan (with the exception of one whippet-like piper who looks like Johnny Rotten). Fifth, they can really jam. Sixth, the song is called “Chaos”, and the music lives up to the name. Continue reading »

Jan 242012
 

“Dude, gimme another huff a that embalming fluid.”

“You wanna go easy on that shit.  Will fuck you up somethin’ fierce.”

“Fuck you man, just pass it over here.”

“I’m serious, you huff too much embalming fluid, you’ll start to see some weird shit. Teeth and eyeballs and skulls and shit.  And space.”

“Yeah, well that would be better than what I’m lookin’ at now.  Just shut the fuck up and pass it over.”

“Okay, moron, your funeral.  Don’t say I didn’t warn you.”

(The song is from The Hunter (one of the best on the album, I think.) The video was directed and animated by Tim Biskup and just premiered at boingboing. Go easy on the embalming fluid.)

Jan 242012
 

(The psychic damage caused by working in retail, the pain of 80’s music, the guilty pleasure of listening to a black metal band play that 80’s music . . . DemiGodRaven gets it all off his chest.)

Earlier this January, MetalSucks.net put up a quick little post about a group called Necrocomiccon, a joking sort of internet project that ‘fused’ black metal with 80’s music. Basically, it breaks down to a bunch of goofballs who sat around and covered 80’s music with some black metal vocals. While the joke didn’t quite ring true with the editors over there (some get it, some don’t), I found myself chuckling at the idea and giving the music a download. It’s free over on the Necrocomiccon Facebook page, so if you want, you can hit them up there or on their bandcamp, where the guys have been kind enough to link everything in case the free bandcamp downloads run out.

The post itself was interesting because I think it actually reflected a little microcosm of metal music these days and how the internet has had an effect on it. The internet and its vast reaches have basically given rise to the art of gimmickry as an art form, and if a band has a decent gimmick, it is highly likely you’ll see it taken up by the louder voices on the web and spread like wildfire.

This phenomenon can have huge, lasting implications — it popularized the crabcore movement as a whole, for example, taking what was a bunch of assholes on the internet enjoying stuff ‘ironically’ and transforming it into a whole style that has jumped past the point of being mildly self-aware to a full blown ‘serious’ style, at least to the people who listen to it.

While none of this has had a direct effect on Necrocommicon, I think it helps explain how something like this could have been birthed. I find this whole idea fucking hilarious, and the music actually interesting from the standpoint of it being a novelty. You also do have to appreciate the fact, though, that something like this really shouldn’t work because it only appeals to to two types of people with one unifying factor. They either have to love 80’s music or, like me, be trapped in retail where you’ve heard every single one of these songs to the point where emptying out your skull with some well-placed buckshot seems better than hearing Phil Collins ever again.

That unifying factor, however, is the whole gist of the joke: You have to find that adding black metal to anything is fucking hilarious (which, to be very clear, I do). Continue reading »

Jan 232012
 

In 2003 a Ukrainian black metal band called Drudkh (the Sanskrit word for “wood”) released their debut album, Forgotten Lands. One of the long songs on the album was called “Eternal Turn of the Wheel”. Nine years later, Season of Mist is about to release Drudkh’s ninth album — Eternal Turn of the Wheel.

I’ve not heard much of Drudkh’s music — a song here, a song there, including a great (long) track called “Skies At Our Feet” from the Estrangement album that I featured in an NCS post about a year and a half ago and another great song called “Furrows of Gods ” from the Blood In Our Wells album, which Johan Huldtgren put on his list of the best 10 albums of the last 10 years in this guest post.

Late last week, NPR premiered a song from the new album, one called “When Gods Leave Their Emerald Halls”. Season of Mist described the song this way: “”When the Gods Leave Their Emerald Halls” witnesses Ukrainian Black Metal heroes musically returning to their dark roots. Taken from the album “Eternal Turn of the Wheel”, which represents the ancient pagan cycle of the seasons, this track portrays the blue skies and Ukraine’s golden fields being harvested. The wheel turns to the twilight of autumn and leaves wither from emerald green to fiery red and blazing yellow gold before crumbling to the black and brown of winter…”

Unfortunately, the NPR page no longer includes the audio stream, but the song has surfaced on YouTube. And it’s quite a song. Continue reading »

Jan 202012
 

We hardly ever actually “plan” anything around here.  Impulse is in the driver’s seat most of the time.  But sometimes a pattern develops despite the absence of design, and this week our content has been heavier than usual with videos and album art. Yesterday I saw even more eye-catching artwork for forthcoming albums, so I’m collecting them here (along with some music, of course).

BORKNAGAR

This long-running avant-garde Norwegian band is one I learned about through readers on this site back in the early days of NCS. What with all the clean singing, I didn’t immediately love the music, but I’ve developed an appreciation for what they do, and so I’m interested in the new studio album they recorded with Jens Bogren at Fascination Street Studios (Opeth, Paradise Lost, Katatonia) in Örebro, Sweden. The album is titled Urd and will be released on March 26 in Europe and March 27 in North America via Century Media Records.

The eye-catching album art was designed by Brazilian artist Marcelo Vasco, who did the cover for this band’s previous Universal album. He has also created album art for many other bands, some of which we’ve featured here, including Belphegor, Einherjer, Dimmu Borgir, The Faceless, Noctem, and Keep of Kalessin.

The cover for Urd captures the look and feel of a Nordic wood carving. More info about the design and the album can be found on a post at Borknagar’s official site, here. As for the clean singing, the new album will feature three pretty talented vocalists working together – Vintersorg, Lars Nedland, and ICS Vortex. One of the heavier tracks from the band’s last album comes right after the jump. Continue reading »

Jan 202012
 

(TheMadIsraeli’s former boss at The Metal Register, Kyle Brady, requested that he write a piece on Middle Eastern metal, and here we have it. We’ve spotlighted bands from that region in previous writing at NCS, and I’ll add some further examples at the end of this post.)

When I say “Middle East”, what comes to mind?  War?  Brutal weather conditions?  The desolation of endless expanse of desert?  Regardless of what you think of, it’s probably not a region you’d immediately associate with metal, but with the evolution of the internet and the advent of file-sharing, becoming a successful band over there is slowly but surely becoming more of an option as we speak.  As a result, over the last four so years, a rash of bands have cropped up who are proving they’re already prepared to take the world by storm.

Consider this a sort of primer, or introduction to bands from the Middle East, with a mix of older and newer. Without further delay let’s begin doing a little analysis of the kind of shit we got going on over there.


Continue reading »