SEEN AND HEARD: ROTTEN SOUND, WILT, OV SHADOWS, GHASTLY, TARASQUE, OVERACTIVE

 Metal News, RANDOM FUCKING MUSIC  4 Responses »
Feb 212018
 

 

In the first part of today’s two-part round-up of recommended new music I selected songs that included clean as well as harsh vocals. In this one, it’s all unmitigated savagery… but the savagery comes in varied exciting forms. I really, really like all six of these tracks, and hope you’ll get just as fired up about them as I have.

ROTTEN SOUND

The Finnish grind merchants Rotten Sound, who are favorites around our crumbling domain here at NCS, have a new EP named Suffer to Abuse slated for release by Season of Mist on April 13th in Europe, and on May 18th in North America, because the bastard step-children must apparently wait their turn. Fortunately, we were served at the same time as everyone else with the EP’s first single, “Harvester of Boredom“. Continue reading »

VARIED VOICES: AILS, SARASVATI, CAGE OF CREATION, MYKRAVERK

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  8 Responses »
Feb 212018
 

 

I don’t know if I’ll manage to follow through, but my plan for today is to post two round-ups of new music, this one being the first. As the post title suggests, I carved these songs away from the others and pulled them in here because the vocals in each of them aren’t solely of the kind that would suit the (demonstrably porous) rule in our site’s title. That’s right (gasp), there are some clean-sung melodies in these tracks… combined in each song with harsh ones.

Of course, to my ears the tracks have many other things to recommend them or I wouldn’t have asked you to listen. But the varied voices in these tracks are part of what made them stand out to me.

AILS

In April of last year I came across and wrote about a song from a two-track demo by a Bay-area band named Ails, whose line-up included two former members of the sorely missed Ludicra — vocalist Laurie Sue Shanaman and guitarist/vocalist Christy Cather — as well as guitarist Sam Abend (Desolation, Abrubt, Scurvy Dogs), drummer Colby Byrn (One In The Chamber, 2084, Aequorea), and bassist Jason Miller (Apocryphon, Cretaceous, Phantom Limbs). At the time, Ails was in the process of mastering their full-length debut and were seeking label support — and they got it, to no surprise of mine or anyone else who heard that demo. Continue reading »

SEEN AND HEARD ON A SATURDAY (PART 2): THY CATAFALQUE, GRAVEYARD, SKELETAL REMAINS, BLACK ROYAL, OUTER HEAVEN

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
Feb 172018
 

 

Still playing catch-up after a week devoted mainly to premieres, I picked the following five tracks to conclude this two-part Saturday round-up. I’m definitely not caught up yet, but this will have to do for now. More catching up will happen tomorrow, with the usual Sunday focus on black metal.

THY CATAFALQUE

Tamás Kátai has recorded a new Thy Catafalque album, and I could hardly be more excited to hear it. If perchance you haven’t discovered Thy Catafalque, carve out some time this weekend and go explore the Bandcamp page, which I’ve linked below. I think you’ll find the music distinctive and enthralling.

The new album (the eighth one) is Geometria, and Season of Mist plans to release it on May 4. Tamás explains that this one includes violins, electronica, occasional saxophone, trumpet, and fretless bass, plus the voices of Martina Veronika Horváth (Nulah, Niburta) and Gyula Vasvári (Perihelion), in addition to his own. Viktoria Varga also provides narration. Continue reading »

SEEN AND HEARD ON A SATURDAY (PART 1): AUGURY, THE CROWN, DRUDKH, ROTTING CHRIST

 Metal News, RANDOM FUCKING MUSIC  6 Responses »
Feb 172018
 


Augury – photo by Mélany Champagne

 

I made a resolution last night: I resolved that henceforth I will post no more than two premieres a day, and only one per day if it’s a full album stream. During the week just ended, I posted 14 premieres, and two of those were full albums.

I might not care about the volume if I could be content to write little more than, “Here — listen to this!”, and then just provide the music stream. But where’s the fun in that? Besides the fun, I feel a compulsion to include reviews with the premieres, even if only the bands or labels might pay attention to what I write. Given that mindset, working on a big flood of premieres tends to constrict my ability to do anything else — such as compile round-ups like this one.

Full disclosure: I’ve made resolutions like this one before, and couldn’t stick to them. Did I mention that we’ll have another premiere tomorrow? It’s really good!

Anyway, as you can see, this is a two-part round-up. I decided to collect some older arrivals in this first part, organized alphabetically. My colleague DGR suggested all of them for a newsy post that would have been timely if I’d been able to get it done when he made the suggestions. Maybe some of these will still be news to a few of you despite the delay. They also involve higher profile bands; I’ve got some lesser-known groups for Part 2. Continue reading »

DRONE THERAPY

 RANDOM FUCKING MUSIC  3 Responses »
Feb 122018
 

 

(Grant Skelton returns to NCS with a round-up of new music with a particular stylistic focus, as he will explain below.)

Greetings, friends! It’s been quite some time since I’ve shared a proper roundup of music. The following four artists heavily employ the use of drones in their sound. I used to hate drone music, but have grown quite fond of it in recent months. I’m listing the artists at the beginning of the article while holding my usual lunatic ravings until the end. Why drone? And why should you care? Music first. Lunatic ravings after.

Bismuth

In 2013, our esteemed Editor-In-Chief covered Bismuth’s split with Undersmile (which featured a glorious noisy testament called “Collapse”). For those who, like me, are perpetually late to the party, Bismuth is Tanya Byrne on bass and vocals and Joe Rawlings on drums. Together they create a barbarically slow, deeply entrenched interdimensional wall of sound that is likely to entrance few and repel many. Bismuth’s music is best thought of less in terms of song structure and more in terms of an agonal cycle of musical misanthropy. The unrepentant ugliness of their sound, though, is an aloe for a soul made bitter by the frequent futility of life. Continue reading »

SEEN AND HEARD: GLORIOR BELLI, ABRAHAM, OUR PLACE OF WORSHIP IS SILENCE, SCIENTIST, FOEHAMMER, HOSTIA, KALMAH

 Metal News, RANDOM FUCKING MUSIC  7 Responses »
Feb 122018
 

 

The flood of outstanding new metal is unceasing. I actually wouldn’t mind a break — not long, mind you, maybe a week or 10 days of absolutely no new music at all. But since that won’t happen, I’ll continue doing my best to tread water and keep my flaring nostrils above the tide.

Here’s a collection of new tracks that I sifted from those that appeared late last week. In genre terms, they’re all over the map.

GLORIOR BELLI

It has gotten increasingly difficult to predict what Glorior Belli is going to do from album to album, or even from song to song. The one you’ll find below is “Deserters From Eden“, the first single off this French band’s new album, The Apostates. Continue reading »

IMPURE SOUNDS: GOLGOTHAN REMAINS, GRAVEIR

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  2 Responses »
Feb 102018
 

 

Impure Sounds is an appropriately named independent label and recording studio based in Melbourne, Australia. Their past releases have included works I’ve written about at NCS, including a split by Graveir and Mar Mortuum, and the debut album by Dødknell. Impure Sounds now has two new releases on the way, one of which can now be streamed and downloaded in full and the other of which has an advance track up for listening — and both are very good.

 

GOLGOTHAN REMAINS: PERVERSE OFFERINGS TO THE VOID

Sydney’s Golgothan Remains launched their first demo two years ago and are now following that with a full-length record through Impure Sounds named Perverse Offerings To the Void. A digital version of the album is available now, and a 12″ vinyl is scheduled for April 20.

“Vehemence (Through Pain Divine)” opens the album in stunning fashion, with titanic rumbling and booming in the low end, bursts of freakish, swarming guitar dissonance in the upper reaches, and grim grinding in the mid-range, like a bone saw scything through gangrenous limbs. The destructive barrage of sound is segmented by slower cascades of pile-driving brutality. A heartless roaring monstrosity has somehow seized the microphone, venting a tyrannical tirade in the midst of this war zone. Continue reading »

AN NCS EP PREMIERE: NEGATIVE SLUG — “BLISS OF CORPSE”

 RANDOM FUCKING MUSIC  5 Responses »
Feb 082018
 

 

On February 9th — tomorrow — Cimmerian Shade Recordings will release a new EP by Negative Slug from Zagreb, Croatia. Before this record, the band had released a trio of EPs and a debut album. I hadn’t heard any of them, but I read the song titles before listening to the new release.

As a representative sample, they included tracks named “Horrendously Noxious”, “Black Smoke Atrocities”, “Rotten Existence”, “Thermal Piss Eyes”, and “Blotted Rotted”. I began to expect something foul and mean-spirited was headed my way. And of course the name of the new album is Bliss Of Corpse.

Some of the song titles on the new record can be found on the earlier releases, as well as the title track and an ode named “Slugs & Snails”. I was not expecting happy or polite music. Aural hell was what I was expecting. I mean, look at that creepy-as-shit album cover up there. Continue reading »

A TUMULTUOUS TUESDAY (PART 4): CARDIAC ARREST, VEISLAKT, UHRILAHJA

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Feb 062018
 

 

All good things must come to an end, and so I must end this Tuesday torrent of tumultuous sound in order to pay a small amount of attention to the rest of my life. If you’ve managed to make your way through all four parts of this round-up, congratulations on your fortitude and thank you (and I’m sure the bands would thank you too), but I assume no responsibility for the cost of medical treatment for your eardrums.

In this final chapter, I’ve ranged far and wide in genre terms, perhaps more so than in the previous chapters. Buckle up for a swerving ride.

CARDIAC ARREST

Songs like “It Takes Form” make me feel like Pavlov’s dog at the sound of the dinner bell: I start salivating uncontrollably. This kind of utterly morbid but powerfully electrifying vintage death metal, composed and performed this masterfully, always seems to have that effect. Continue reading »

A TUMULTUOUS TUESDAY (PART 3): RUST, ITERU, VISIONS OF THE NIGHT

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Feb 062018
 

 

“Once more unto the breach, dear friends… when the blast of war blows in our ears, then imitate the action of the tiger; stiffen the sinews, summon up the blood, disguise fair nature with hard-favour’d rage….”

And I do have some raging metal in this third installment of today’s new-music round-up. Furthermore, despite how much savage new stuff I’ve launched at your earholes today, I have one final installment planned. And now, cry “Havok!” and let slip the dogs of war.

RUST

To begin Part 3 of this round-up I’ve chosen “Windumanouth“, a track from Urstoff, which is the debut album of the Italian black/death band Rust. It will be released in the spring of this year by Dusktone, which characterizes the music as “magical, evocative and enchanting work, as well as tragic, apocalyptic, cruel, painful, fatal, nefarious, violent and deadly….” With one possible exception, I wouldn’t quarrel with any of those adjectives. Continue reading »

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