May 092022
 


Bonginator

(We welcome a new writer to our putrid site, one who goes by the name fetusghost, and we’ll let him explain his particular interests in his own words.)

Hello, friends, and welcome to the first of hopefully many Bong Metal Round-ups. Bong metal, of course, is heavy metal from bands who have ‘bong’ in the name (eg, Bongzilla, Bongripper, Belzebong, etc). If pornogrind can be a genre, then why not bong metal? The round-up part comes from the fact that getting high leads to missed deadlines, so everything covered here has already been released and awaits your ears and hard-earned dough.

On another heavy metal website, staffed by fine and handsome writers, on the twentieth day of the fourth month of the (very shitty) year of 2020, I wrote a Bong Metal Primer. Having taken a hiatus and switched teams since then, it’s now back to the bongs for this dumb writer. I chose to focus on the underground (ie, I didn’t cover Weedsconsin, which is not Bongzilla’s best, but it’s still an excellent album and we should all be delighted that they are active again), and highlight each band’s most recent release.

As a final note before we do the damn thing, I would like to humbly request your suggestions and recommendations on all things bong metal/stoner metal/weird metal/etc. Holler at me in the comments, or send your electronic mail to bongmetal420@gmail.com, and gimme those sweet streaming links! Bong metal bands take precedence of course, but sharing awesome underground metal is my love language.

Now pack a bowl/hit the vape/roll a fatty, and join me on a Bong Metal Journey! Continue reading »

May 052022
 

Harvested are an Ottawa-based quartet (with members from Quebec as well as Ontario) who are on the brink of releasing their self-titled debut EP, and it is indeed an explosive debut. Drawing influence from the likes of Cannibal Corpse, Deicide, Suffocation, Dying Fetus, and Hate Eternal, Harvested blast their way through five ferocious tracks that combine visceral destructive power, megawatt vocal intensity, and the kind of high-speed technically impressive performances that tend to pop eyes wide open.

That melding of speed, savagery, and technical fireworks makes the run through the full torrent of the EP an electrifying (and indeed breathtaking) experience, and it’s an experience we’re providing today through our premiere stream of the EP in its entirety. So, take some deep breaths, and proceed…. Continue reading »

May 052022
 

(Andy Synn dives headfirst into the abyss with the new album from Feral Lord, out tomorrow)

This week is a big one for those who consider themselves fans of the more abstract, abrasive, and avant-garde end of the Extreme Metal spectrum, with new albums from HaunterCosmic Putrefaction, and Feral Lord all scheduled to hit the streets on the same day.

Sadly I was never going to have time to write about all three of them (not, at least, before they’re released), and since I fell so hard for Feral Lord‘s debut album, Purity of Corruption, last year, the choice of which of the three to devote my time to pretty much made itself.

The thing is, even though I am a huge fan of the duo’s previous work, I’m not ashamed to admit that I simply was not prepared for what they’ve created on Vires In Absoluto, and chances are – no matter what you think you’re about to hear – neither are you.

Continue reading »

May 032022
 

(Andy Synn presents four artists/albums which you may have overlooked last month)

Ok, I promise I won’t make a habit of this, but I discovered so many new releases in April – records which seem to have been largely overlooked elsewhere, as far as I can tell – that I’m going to have to break up this edition of “Things you may have missed…” into two parts, the first coming today, the second coming… whenever I get chance to get around to it.

For today’s post I’ve chosen some ripping Black/Death from Canada (Althotas), some powerfully melodic Death/Doom from Portugal (The Chapter), some darkly dramatic Progressive Thrash from Greece (Disharmony) and some atmosphere heavy – as well as just plain heavy – Deathcore from the USA (Null Valley).

Chances are there’ll be at least something here you haven’t checked out before, so give them a spin if and when you get chance – you might just discover your favourite new band!

Continue reading »

May 032022
 


Somali Yacht Club – photo by May Lee

(April 2022 is in the history books, and our man Gonzo follows its end with a selection of albums released during the month that brightened his days, and we hope will brighten yours.)

If only my fucking day job made it easier to listen to all the music I wanted to. Pipe dreams, man. Pipe dreams.

The past month saw me venturing out to several shows, though; Archspire in particular ripped my face off for an hour straight while grinning maniacally the whole time. Amorphis and Uada were amazing as well, and I’ve got Behemoth and Arch Enemy lined up for this coming Wednesday. (I’ll likely be at that show by the time you read this column.)

All that being said, none of the bands I cover here are anything I saw live recently, but god damn does it feel good to be getting back into my pre-pandemic cadence of live music again.

As usual, here’s a smattering of new shit I found worthy of writing about this month. Continue reading »

May 022022
 

In the Faith That Looks Through Death, the 2020 debut EP of Vital Spirit (which we had the privilege of premiering), was a true gem. Black metal provided the backbone for the music, but it flourished through the fuel of other wide-ranging inspirations, both conceptual and musical.

The band is a Vancouver duo — guitarist/bassist/vocalist Kyle Tavares (Seer, Wormwitch) and drummer Israel Langlais (Wormwitch) — but the EP took shape in between Wormwitch’s 2018 and 2019 American tours, and thus it was animated by the lands to the south that these two saw and the histories of those places. “Harrowing ballads imbued with the enduring spirit of the Americas” is how they described that four-song EP, and through it they brought to life visions of the Old West and Southwest of the U.S.

After hearing that remarkable EP we hoped it wouldn’t be a one-off adventure but instead an excursion that would continue. “There is, after all,” we wrote, “a lot of source material in the history and landscapes of the Americas that’s yet to be mined!” We and a lot of other fans have gotten our wish, because on May 6th Vendetta Records and Hidden Tribe will release Vital Spirit‘s debut album, Still as the Night, Cold as the Wind. Continue reading »

May 022022
 

(Andy Synn shares his thoughts on the new Misery Index album, scheduled for release next Friday)

“The more things change, the more they stay the same.” That’s how the hoary old cliché goes, right?

It just so happens, though, that it’s very much true in this particular case, as there’s no mistaking a Misery Index album when you hear it, whether you’re listening to their more overtly Grind-influenced early work, or their more recent, Death Metal focussed records, or anything in between.

That being said, it definitely feels – in hindsight – that the band’s post-Traitors transition into being a “pure” Death Metal act reached its apex (or nadir, depending on how you feel about it) on 2014’s The Killing Gods, with 2019’s Rituals of Power suggesting a slight return towards their thrashier, punkier roots in places.

That’s why it shouldn’t be too surprising, if you’ve been paying attention, to learn that on Complete Control the Baltimore bruisers have decided to let their inner Hardcore band out to play… and I couldn’t be happier about it.

Continue reading »

May 022022
 

(Wil Cifer wrote the following review of a new album-length EP by the Australian extreme doom band Mournful Congregation. The first in a two-part series of EPs, it will be released by 20 Buck Spin (North America) and Osmose Productions (everywhere else) on May 27th.)

When it comes to sub-genres in metal, funeral doom is one of my favorites. It is typically the more depressive of the doom sub-genres, though just playing at a dopamine-draining tempo is not the requirement to excel in this style. With any form of extreme music, the oppressive heaviness might be enough for the first song, then after that it boils down to the question, “But can you write a song ?”

Here is what puts this Australian band at the top of the funeral doom heap. They might even be the best, though Evoken is neck-and-neck with them. In saying that it means my expectations are high. What I hoped for was a new full-length album, since it has been four years since their last release. The reality is this is the first of a two-part series of EPs. We are getting three songs, one of these being a reworking of a song from their 1995 demo tape. Which, considering that was 27 years ago, makes this for all practical purposes a new song. Continue reading »

Apr 282022
 

It’s fair to say that we’ve been following the L.A.-based death-doom outfit Holy Death very closely ever since discovering their second EP in 2020 — following them like a panting dog scampering after a moving car, tongue wagging and slobber flying. In fact, the post you’re now reading marks the sixth time we’ve written about them in barely two years. Yes, we are big fans.

The occasion for today’s slobber is a new Holy Death EP, a two-song discharge entitled Moral Terror Vol. 1, so-named because it’s the first in a three-part series that the band plan on releasing this year. It’s set for digital release on April 29th, but we’ve got a premiere stream of its two diabolically punishing tracks today. Continue reading »

Apr 272022
 

The heavyweight Danish death metal band Thorium are just a few days days away from releasing their fifth album in a career that’s now more than two decades in the making. With Denmark, they again prove both their devotion to undying traditions of the old school(s) and their talent for making them come vibrantly and viciously alive in the here and now.

Students and lovers of death metal know that there’s not just one old school of the craft, and Thorium draw their influence from multiple institutions — from the chainsaw chugging and creepy eeriness of Swedish death metal to the faster and more vicious variants from the old Floridian scene, and more besides (including a bit of “blackening” on some tracks). They engage in mayhem, but make abundant use of punishing groove, and they have an ear for ear-worm melody that makes the songs catchy as well as gruesome and exhilarating.

And so it’s a genuine pleasure for us to host a premiere stream of Danmark in its entirety, in advance of the April 29 release by Emanzipation Productions. Continue reading »