Oct 052021
 

(Apexapienthe highly anticipated debut album from Canada’s Atræ Bilis is out this Friday via 20 Buck Spin, and Andy Synn would like to tell you exactly why that should be so exciting)

It really is a pleasure to see/hear a band living up to their potential, isn’t it? Especially a young band who seemingly have the world at their feet and a bright future laid out before them.

Case in point, when I wrote about Divinihility, the debut EP from up-and-coming Canadian death-dealers Atræ Bilis, last year I noted that while the band clearly owed a great debt to some of the biggest and best names in the genre – describing their sound, at one point, as “a combination of beefy, Blood Red Throne inspired riffs, chunky, Suffocation-style slam parts, and unexpectedly Ulcerate-esque moments of eerie dissonance” – they still, even at this early stage of their career, managed to pull it all together in a way that implied greater ambitions, and possibilities, for the group than just being one of the crowd.

As you might imagine, then, I predicted (and expected) big things for the band’s next release, and now, finally, we get to see/hear whether that prediction was in any way accurate.

Spoiler alert: it was.

Continue reading »

Oct 012021
 


Unto Others

(NCS contributor Gonzo returns with another end-of-month roundup of music that caught his ears.)

There are a few bittersweet observations I’ve come to realize in the past month, related both to music and to the endless hellscape that is the human condition:

As of this writing, 2022 is just three months away and I’m still processing whether 2020 was even real. This means that while I survived the endlessly overwhelming shitstorm of that year, it does beg the question of how much worse this planet could get for humans over the next decade.

While live music is back and I’ve been reveling in the joy of sweaty venues and the sleep deprivation that comes with festivals again, I was just notified that Judas Priest is postponing the rest of their tour due to Richie Faulkner’s heart condition.

The next date would’ve been where I would see them (for the first time, no less) here in Denver.

Fuck.

The good news? Sabaton, who opened for Priest on this tour, is still playing a show in Denver, and by the time this piece goes to print, I’ll have seen the show and will post a full review in the coming days.

In the meantime, I’m at least somewhat distracted by the troves of amazing heavy music that keep blasting out of the darkest corners of the netherverse as of late.

Join me as I take you through some unfettered heaviness and savagery that’s emerged in the past month and kept me sane as we descend into 2021’s final few months. This month, I’ve got two albums and three singles for you to delve into. Continue reading »

Oct 012021
 

 

Fans of Chicago’s Vukari will want to pay special attention to the following album premiere on the day of its release. Entitled Próżnia, it’s the debut full-length by the atmospheric black metal band Bialywilk, which is the solo side project of leading Vukari member Marek Cimochowicz. For this album, he’s also aided by an impressive group of session musicians — drummer John Kerr (Marsh Dweller, Noltem, Seidr), bassist Spenser Morris (Vukari), and Adam Harris, who performs synths on “Próżnia I”.

The title of the album is a Polish word that refers to the void — to the vacuum of space. Although Próżnia is not a concept album, the songs do deal with space and celestial realms, as well as mysticism and philosophical subjects. As Marek has explained to us: “So, overall the inspiration is about space and the void, but how vast and humbling it could be to the human experience. We are all part of the universe in a way but our bodies and consciousness are just a blip in the grander scheme, and as bleak as that sounds I find it pretty relieving”.

As you will discover, the music fits the grand and momentous themes of the lyrics, creating panoramas of blazing splendor that channel moods of awe, fear, and loss, coupled with heart-pounding rhythmic propulsion and vocals of harrowing intensity — and a couple of gripping ambient excursions into the void of deep space. Continue reading »

Sep 302021
 

 

Of all the titles that Malgöth might have chosen for their debut album, the one they picked is a near-perfect representation of the music: Glory Through Savagery. The experience is indeed one of breathtaking ferocity and destructive impact, but both the band and the songs also revel in their psychotic excesses, creating a continuous atmosphere of no-holds-barred derangement that glories in the chaos they create.

While the album maintains connections to the vaunted traditions of malignant Canadian blackened death metal, it carves its own abominable path in unorthodox yet still terrifying ways. The music is not merely a titan of globe-spanning ruination but it’s also delirious — and deliriously inventive. The press materials for Iron Bonehead Productions, who will release the album tomorrow (October 1st), describe it as “a kaleidoscopic experience, a fever dream of war metal turned absolutely inside out”, and that’s absolutely true — as you’re about to find out through our premiere of a complete album stream. Continue reading »

Sep 282021
 

 

After a trio of short releases, the ravishing French death metal band Venefixion have at last prepared a debut full-length that’s set for an imminent October 1 release by Iron Bonehead Productions. Curiously entitled A Sigh From Below, the only sighs it’s likely to produce are breaths of wonder at how explosive and exhilarating the music is.

With the exception of an ominous and eerie intro track in which distorted voices roar and howl through an increasingly cacophonous maelstrom, and an otherworldly, chiming and swirling instrumental interlude (“Subterranean Deathspell”) that creates an atmosphere of gloomy gothic horror, what stands out first and foremost about the album is the feeling of brazen and blazing haughtiness that the music generates — as well as the band’s formidable talent for melding sensations of grim defiance, violent ecstasy, and sinister supernatural downfall. Continue reading »

Sep 272021
 

 

The magnificent cover art for Skverna Liniya‘s debut album В венке из воска (In A Garland Of Wax) portrays a scene that’s both classically elegant and desolate. It reveals grand architectural achievements that have become relics, looming beneath daunting grey skies, surrounding a cobble-stoned plaza virtually empty of life and a mysterious garland resting in a liquid pool. It’s a haunting vision, and an intriguing one. And it turns out to beautifully suit the music on the album.

This Russian band’s full-length advent (which will be co-released by Casus Belli Musica and Beverina Productions) summons adjectives like “atmospheric” and “progressive”, because it’s so powerful in creating moods and so fascinating in its dazzling instrumental and stylistic diversity (which include ingredients of doom and post-metal). As a preview of how the music will affect listeners, we share the conceptions that inspired it, as disclosed in the press materials: Continue reading »

Sep 272021
 

 

The German band Fiat Nox have already established a prominent place for themselves in the fire-and-ice realms of black metal through the strength of a debut demo (2016’s Light the Torches), and a debut album (The Archive of Nightmares, released in June of this year). Wasting no time, Fiat Nox have now readied a new EP for release by Personal Records on October 1st, and it further elevates the place of Fiat Nox as a band capable of creating marvelously dynamic and multi-faceted music that gets the blood racing with its muscular, hard-charging aggression but also creates wholly enthralling atmosphere through its emotionally powerful melodies.

We’ve previously lavished praise upon the EP, and now have the opportunity to present a stream of it in its entirety. Its entirely fitting title is In Contemptuous Defiance. Continue reading »

Sep 232021
 

(Andy Synn would like to remind you that while his country may be regressing, their music scene definitely isn’t)

In case you haven’t been keeping up with the news, the good ol’ UK is currently, well… fucked… especially when it comes to international relations and trade with other countries.

Thankfully, however, our homegrown music scene is as strong as it’s ever been, which is why I’m here today to recommend three recent releases which are well worth importing into your ears.

And I won’t even charge you anything for the privilege.

Continue reading »

Sep 222021
 

 

Slovenia’s Hellsword came together a dozen years ago, dedicated to the sounds of first-wave black metal, drawing inspiration from the likes of Venom, Bathory, and Hellhammer. With two well-received EPs to their name — 2011’s Blasphemy Unchained and 2014’s Sounding the Seventh BellHellsword are now on the verge of launching their first full-length strike: On September 24th their debut album Cold Is The Grave will be discharged by Emanzipation Productions, and today we’ve got the premiere of all nine tracks.

Lyrically, the band deal with topics such as devil worship, the end of the world, death, desolation, mortality, and the absurdity of human existence. And with such happy thoughts in mind, and a take-no-prisoners attitude, Hellsword deliver 42+ minutes of blazing heavy metal hellfire. Continue reading »

Sep 222021
 

 

(This is Gonzo’s review of the new album by Finland’s Shadecrown, which was released on September 17th by Inverse Records.)

If you’re reading this, I’m not going to tell you anything new by saying Finland is home to some of the world’s darkest, heaviest, and most depressing music. From the booze-drenched misery of Sentenced to the heartbreaking brutality of Insomnium, Finland’s storied history of sonic angst has transcended time and continues to reinvent itself – even with its best-known export in Children of Bodom being no more.

Part of that continuous reinvention is the emergence of up-and-coming heavy hitters, and one band from the tiny village of Viitasaari has just released an album that will most assuredly add them to that list: Shadecrown. Continue reading »