Jun 022021
 

 

This coming Friday, June 4th, Metal Assault Records will release Narci, the second album by the anonymous international collective known as Circle of Sighs, and today we bring you a full stream of all its wonders — and the wonders are indeed manifold.

“Progressive-synth-doom” is a label you might have seen for their constantly surprising music, but that barely scratches the surface. More revealing are the PR characterizations which drop references to glitch-pop, prog rock, dark jazz, industrial gaze, and grindcore influences, or which remark upon the band’s exploration of “the outer reaches of metal’s avant garde”. Not for naught is the album recommended for fans of such disparate groups as Yob, Tubeway Army, Pallbearer, King Crimson, Depeche Mode, Thomas Dolby, Brian Eno, and Neurosis — and that’s not nearly an exhaustive list. Continue reading »

Jun 022021
 

 

(We welcome guest writer Nick Awad, who shares his review of a 2020 black metal split release among Hajduk, Akantha, Nimbifer, and Sørgelig that deserves more attention.)

Though the style of Raw Black Metal is not particularly new, it is currently having a moment. These days, countless bands are emerging from the shadows with ominous promo photos, grainy audio production, and fast-selling physical releases. Depending on who you ask, this is either a golden age or the dumbest thing since the recent OSDM revival. As with most things, there is some validity to either stance. For every worthwhile Raw Black Metal project, there are about a hundred duds. Duds that may check plenty of the grim aesthetic boxes, but offer no real substance. That being said, those aforementioned worthwhile projects are absolute gold. Among those praiseworthy projects is a split released in the late summer of 2020.

Ruins of Humanity is a four-way split full of vicious songwriting and macabre ecstasy. The bands on the release; Hajduk (Bulgaria), Akantha (Greece), Nimbifer (Germany), and Sørgelig (Greece); prove themselves to be an arterial cut above the endless menagerie of aesthetic-obsessed internet vampires. Though the songs on this split do nod to the ideas that precede them, they are far from the soulless riff recitations of a “worship-style” project. They represent a culmination of traditions coupled with modern influence that does not stray from the necessary orthodoxy of the craft of Black Metal. Continue reading »

Jun 012021
 

 

(TheMadIsraeli reviews the latest album by the UK band Evile, which was released in April by Napalm Records.)

I think the story going on with this album and band right now is pretty cool: Matt Drake stepping down from Evile due to health issues, only for his brother, who’d left the band previously to pursue other endeavors, to come back and keep the band going.

Matt and Ol Drake both worked hard on this band. Evile is undoubtedly at the absolute top of the thrash resurgence hierarchy if ever a band deserved it. Their immaculately calculated mix of technicality, precision, speed, melody, chaos, and brutality is something a lot of their contemporaries just lack in some form or another, Moreover, Matt and Ol Drake are one of the most comprehensively synergistic guitar duos in modern metal. Ol Drake is, frankly, probably the only shredder in the modern thrash metal space worth paying attention to right now.

So, considering what just happened — the Evile we knew didn’t unify; it just changed forms again with only half of the core that defined the band still present — what do they do from here?

They write the best thrash metal record of 2021, past, present, or future. Continue reading »

May 302021
 


Ritual Moon

 

Especially after yesterday’s humongous round-up it probably wasn’t smart for me to follow it with another one, but that’s what I’ve done. As you’ve probably figured out by now, careful thinking and reflection never have much to do with my NCS contributions. Impulse and enthusiasm tend to rule the day.

RITUAL MOON (U.S.)

I had intended to fully explore this L.A. band’s January 2021 debut album after listening to an advance track many months ago, but never got back to it until my comrade DGR recently posted about it. He figured it would be up my alley. It definitely is. Continue reading »

May 282021
 

 

I continue to write about this Norwegian hardcore punk band (I’m calling them that here, though as you’ll learn, that’s an overly simplistic genre label) despite the fact that their music just hovers on the edges of what we usually cover here. Why is that?

I suppose part of the attraction is that I was into punk long before I was into metal, and even though (thanks to this blog) extreme metal has almost entirely supplanted punk in my listening, it’s still capable of striking a chord. But that’s not the whole story of why Shevils have grabbed me again, this time with their new album Miracle of the Sun — their best work yet and a marked evolution in their sound.

Though it would probably go too far to call Shevils a “metallic hardcore band”, the punch in their music still has heft behind it, enough to raise welts. And the songs also carry a dark intensity, an emotional fabric woven in multi-faceted ways, and that’s one of the key qualities that also draws me to metal.

Moreover, the songs are so full of hooks they would leave a fisherman envious and greedy. Continue reading »

May 272021
 

(Andy Synn has decided to break the cardinal rule of our site – again – by throwing his weight, and his words, behind the new album from Portland Progressive Power Metal paladins Silver Talon)

The ability to compare one band with another – or with many others – is, in my opinion, one of the most valuable tools in a writer’s arsenal.

Oh, sure, it can be abused and misused – so can any tool – but being able to say that “band [a] sound a bit like band [b]”, or “like the bastard child of [x] and [y]” or “a more modern version of [z]” is a great way to put your reader in the right sort of mindset, and give them some useful context and perspective, to help them appreciate the music they’re about to hear and/or read about.

Still, even I’m willing to admit that it can sometimes be used as a crutch, especially in cases – such as this one – where there’s one particularly obvious comparison that would be far, far, too easy to make.

So, to challenge myself, I’ve decided to review the new album from Progressive/Heavy/Power Metal posse Silver Talon without explicitly mentioning that band at all.

Will I be able to do it? Quoth the raven…

Continue reading »

May 262021
 

 

After releasing a pair of demos and an EP from 2012 through 2017, the Italian death metal band Riexhumation then turned their energies to the creation of a debut album that’s now set for release by Lavadome Productions on this coming Friday, May 28th — and it turns out to be a big, eye-opening surprise that should be greedily welcomed by death metal connoisseurs.

It’s not as if this quartet are green newcomers — in addition to those three previous Riexhumation releases, a glance at their resumes on Metal-Archives shows their involvement in other noteworthy extreme metal collectives — but this album is still a most impressive accomplishment.

To borrow some of the (accurate) words from the PR material, it embraces primeval and frightening energies that “dwell somewhere deep within the chasms of the cosmos” to create “ominous, old school death metal darkness” that’s alternately “doom-laden, eerie, raw, and blistering”. It evokes anguished dread, instinctual terrors, and visceral thrills in equal measure, and does so with admirable song-writing dynamism and instrumental execution. Continue reading »

May 262021
 

(Sweden’s Dödsrit are back with their first album as a quartet – out this Friday via Wolves of Hades – and Andy Synn has the exclusive scoop right here)

The formula for mixing Black Metal and Crust Punk is so deceptively simple, but so undeniably effective, that it’s really no surprise that the past several years – the past decade, really – have seen such a major increase in bands looking to embrace this particular style and make it their own.

Of course, the crossover between the two styles isn’t a new phenomenon by any means, and stretches back even further than you might imagine, but the fact that it isn’t new doesn’t make it any less devastating in the right hands… and there’s practically no-one else whose hands I’d rather see it in than Dödsrit.

Continue reading »

May 252021
 

 

(Our contributor Gonzo returns to us with a trio of reviews, focusing on records released within the last month — by Stone Healer, Dordeduh, and Kataan.)

 

STONE HEALER // CONQUISTADOR

To say “there’s a lot to unpack here” about the latest album from Connecticut duo (!) Stone Healer would only be touching the very tip of an extremely jagged and angular iceberg.

Practically bursting with trailblazing creativity at every turn, Conquistador is a massively satisfying listen. Brothers Matt and Dave Kaminsky manage to compress three or four albums’ worth of ideas into each of the seven songs here, and absolutely none of it sounds rushed or contrived. Just with opening track “One Whisper,” the brothers flex an incredible amount of musical muscle: They go from a light acoustic intro, segueing into a cowbell-laden alternative rock verse, and seamlessly shift into a punishing blast-beat. And that’s not even half the song length. Continue reading »

May 252021
 

 

(Here’s DGR’s review of the debut death metal EP by a group of Swedish veterans who’ve taken the name Grand Cadaver.)

It’s very likely that a large part of what might catch people’s eyes with a project like Grand Cadaver comes from the band’s lineup – so much so that I assumed our search bar had to be broken within our smoking crater of the internet since I could’ve sworn they’d gotten a shoutout here before.

The project itself is one of many recent creations of the swede-death revivalist forge. While the genre has never gone away, the last few years have seen a humongous resurgence of groups playing that blueprint-perfected, chainsaw-toned, snare-drum-thumping style of death metal. The revivalists often seem to have been made up of names from larger projects – many from the melodeath scene even, as if to stake some sort of claim along the lines of ‘We can play this type of shit too!’.

In the case of the newly founded Grand Cadaver project you have Dark Tranquillity‘s Mikael Stanne at the vocal front, and alongside him stands journeyman drummer Daniel Liljekvist (whom you might recognize as having sat behind the kit for In Mourning and Katatonia in times past), with Stefan Lagergren (whose resume is deep in the death metal scene, including an early stint in Tiamat as well as years in Expulsion), Alex Stjernfeldt (most recently of Let Them Hang, and Novarupta) and Christian Jansson (Pagandom, ex-Transport League) completing the lineup. To say that the group’s resume is stacked is putting it mildly.

So, when you see names like that with the death metal tag attached to it and a near-thirteen-minute EP entitled Madness Comes… you pretty much know what you’re in for from moment one. Continue reading »