Album Reviews Archives - Page 383 of 557

PEDOPHILE PRIESTS: “DARK TRANSGRESSION OF THE SOUL”

Jan 112016

(TheMadIsraeli reviews the new album by Pedophile Priests from Dublin, Ireland.)

You see a name like Pedophile Priests and if you’re like me, your first instinct is to dismiss it on account of the name. It’s that kind of shlock, over-the-top band name that just hits you the wrong way. But on the merit of the cover art I decided to look further into their music. What I ended up with was an eccentric top-notch death metal record telling me to take my opinion of their name and shove it up my ass, as well as disembowel myself in a seppuku ritual for the shame of my error.

There is no comparing the sound of Pedophile Priests to, like, fucking anyone. Polish natives who migrated to Ireland for whatever reason decided to produce a brand of death metal full of cheesy lo-fi early ’90s black metal keyboards, ’80s production value aesthetic, technical trail-blazing riffage that borrows from every facet of the late ’80s to early ’90s evolution of death metal, all played with modern song structure conventions and severely over-the-top drumwork and one of the most demonically oppressive and original vocal attacks I’ve ever heard. Continue reading »

LYCUS: “CHASMS”

Album Reviews 8 Responses »

Jan 112016

(Allen Griffin reviews Chasms, the forthcoming second album by Lycus from California’s Bay Area.)

Oakland Doom quartet Lycus, are poised to kick 2016 off with the release of their second album Chasms on Relapse Records. The band have already established themselves with a highly regarded demo (Demo MMXI, released in 2011) and their debut album Tempest, which appeared in 2013 courtesy of 20 Buck Spin.

On this second album, it is now apparent the long shadow that Finnish funeral doom masters Thergothon cast over Lycus. It would be surprising if Lycus were unfamiliar with Thergothon’s sole full-length, Stream from the Heavens; the sorrowful, lumbering rhythms and walls of sustained guitars are here in great abundance. But this isn’t merely idol worship on the part of Lycus. They are certainly adept enough not only to modernize the sound but also to add elements in order to make it their own. Continue reading »

SHORT BUT SWEET: MALDEVERA , WALL OF WATER, PROFANAL & INTO DARKNESS

Album Reviews, Free Shit, SHORT BUT SWEET 3 Responses »

Jan 082016

What follows are delayed reviews of three short releases that I’ve enjoyed, two of which are available for free. And by “delayed”, I mean that I started writing this post in November, put it aside, got caught up in other things — and forgot to finish it! Better late than never, I hope.

MALDEVERA

In the middle of November a Dallas band named Maldevera released a new three-song EP entitled Incarceration Plague via Bandcamp. According to Metal-Archives, this is the fourth demo they’ve released since 2012 — and this one is awesome. Continue reading »

RIPPER: A PREMIERE OF “MAGNETIC SOLAR STORMS” AND A REVIEW OF “EXPERIMENT OF EXISTENCE”

Album Reviews, Premieres 5 Responses »

Jan 072016

Today we bring you the premiere of a song named “Magnetic Solar Storms” from the second full-length by the Chilean band Ripper. You can stream it at the end of this post. But first, we welcome back guest writer Allen Griffin, who provides this review of the album from which it comes: Experiment of Existence.

The thrash revival of the past several years seems to have been spawned almost exclusively by a focus on the Bay Area scene, to the exclusion of almost everything else that was going on in the past. Perhaps predictably, this thrash resurgence has often neglected some of the darker and more brutal roots of the sub-genre’s origins. Thankfully, the latest album from Chilean death/thrashers Ripper is set to fix the imbalance.

Titled Experiments of Existence, this release in many ways appears to channel the savagery of groups like Possessed, Dark Angel, and particularly Pleasure to Kill-era Kreator. Yet, one thing that quickly becomes apparent to the listener is the precision of execution. One hesitates to use the term “technical” for all the baggage that comes along with it, but this difficult material is performed flawlessly. The aggression, though, is never compromised. This is neither Watchtower nor Voivod, just a death/thrash hybrid performed at the highest standard. Continue reading »

BORKNAGAR: “WINTER THRICE”

Album Reviews, Exceptions to the Rule 21 Responses »

Jan 062016

(Andy Synn reviews the new tenth studio album by Borknagar.)

Show of hands, how many of you have heard of Theseus’ paradox? A few of you? Good to know.

For those of you unfamiliar with the concept, it refers to questions of identity and continuity, and whether an object can be considered to be the same entity even after all its component parts have been steadily replaced over time, piece by piece.

Now, obviously, there are some parallels here with how bands work. I can tick off a number of names in my head of some of my favourite bands who no longer have any original members left and yet are still, in some ephemeral fashion, the same band.

Prog-Metal overlords Borknagar, of course, have something of an advantage in this area in that their existence has always been anchored (to stretch the nautical metaphor a little further) by the presence of mastermind Øystein G. Brun, but it only takes a quick glance at the Membership Timeline on the band’s Wikipedia page to see how many different members and line-ups the group have gone through over the years, while somehow still retaining the same creative drive and overarching musical identity that first brought the band together.

So perhaps it’s fitting that the line-up featured on Winter Thrice represents perhaps more distinct incarnations of the band at one time than ever before… reaching right back to their earliest days, while still forging boldly, progressively forward. Continue reading »

ABORTED: “TERMINATION REDUX”

Album Reviews, SHORT BUT SWEET 8 Responses »

Jan 042016

(TheMadIsraeli reviews the new 20th anniversary EP by Belgium’s Aborted.)

I fucking love Aborted, especially their last two albums. It’s no secret that here at NCS we were foaming at the mouth like a horde of ravenous hyenas and cackling as we ripped apart the carcasses of Global Flatline and The Necrotic Manifesto when they came our way. To my ears, The Necrotic Manifesto, compared to Global Flatline, signified a departure from the sound the band had always been semi-attached to. Until then, every Aborted record had included the more technical, more tempo-dynamic flare reflected on Global Flatline, although I think most would agree that Global Flatline was their sound taken about as far as you were going to get.

The Necrotic Manifesto was even more aggro than any Aborted release before it. It was streamlined, grindier, noisier, faster, and more belligerent, while largely ditching the more dynamic song-writing of previous Aborted albums. And in between those two albums, Aborted had acquired guitarist Mendel bij de Leij, whose solo project we have covered before (along with his and vocalist Sven’s side project, System Divide — which appears to have transformed into the band Oracles).

So where does that leave Termination Redux? When it comes to EPs, I see them as serving one or more of three specific purposes nowadays: You use them to introduce your craft; you use them to tide people over with some goodies before the next big release; or you use them to plant the flag — to sow the seeds of a new direction and sound in a digestible format, or sometimes to make a defiant statement of said new direction and sound.

I do believe that Termination Redux is the third of those types of EPs, signifying an interesting evolution in the band’s music, capped off by the gesture of re-recording the opening song of one of their most praised early records, Engineering the Dead. Continue reading »

SHADES OF BLACK: ENTROPIA, END OF PROCESS, IFRINN, MORBOSIDAD, DEATH FORTRESS, 1914, NEVERENDING WINTER, AND MYSTIC MYSTERIES

Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK, SHORT BUT SWEET 12 Responses »

Dec 312015

I had intended to post most of the new music in this collection on Sunday, hot on the heels of Saturday’s Shades of Black post. However, I was distracted by the sound of a passing car, chased it for a few blocks, and then forgot what I had been thinking by the time I found my way home (I also blame those squirrels for not stopping so I could lick them). Other distractions have materialized since then, including the death of Lemmy Kilmister.

On the bright side, I discovered more excellent new songs as the days have passed since Sunday; in fact, I heard the first three in this collection only after the weekend. The result is a rather humongous assembly of music, but please don’t let the quantity deter you from wading hip-deep into it, because there are a lot of gems to follow. And besides, it’s my last round-up of new music for 2015!

I really do hope you’ll like everything here as much as I have, and I hope you have a great New Year’s Eve too. As is often the case with these Shades of Black posts, I want to thank my Serbian friend “M” for linking me to much of what you’re about to hear. Continue reading »

SHORT BUT SWEET: THE FIVE HUNDRED — “WINTERS”

Album Reviews, SHORT BUT SWEET 3 Responses »

Dec 302015

(Grant Skelton reviews the new EP by The Five Hundred from Nottingham, England.)

I initially caught wind of Nottingham, England’s The Five Hundred after hearing a demo of the song“Winters.” That track introduced me to the band’s particular brand of aggressive, but melodic metal. It also serves as the title track to The Five Hundred’s new self-released EP. “Winters” was produced by Justin Hill, vocalist of the recently reactivated Sikth.

I don’t consider myself a connoisseur of djent by any means. While I recognize the influence of the djent sound attributed to bands like Sikth and Meshuggah, I am not as familiar with it as I am with other genres. Notwithstanding, here at NCS we don’t like to pigeonhole ourselves by treating genres as immutable. Music is fluid, as are our personal proclivities for what music we do and don’t enjoy. That being said, if you are one who has drawn a proverbial line in the sand regarding anything djent-influenced, I submit The Five Hundred’s Winters EP for your consideration. Continue reading »

SHADES OF BLACK: ALTARAGE, SELBST, ANCESTORS BLOOD, OCERCO, NABAATH

Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK, SHORT BUT SWEET 11 Responses »

Dec 262015

I had no Christmas rant this year. Truthfully, I said about all I have to say on the subject five years ago. And if I were even more honest with myself, I’d admit that I’m not quite as big a humbug about the day as that post might suggest. It has its good points, to the extent that it provides an occasion for people who actually do like or love one another to get together and enjoy themselves (and I hope that happened for you).

Now that the day has been interred for another year, it’s time to return to the unearthing of new underground metal. In this collection, and in another one I have planned for tomorrow, I’ve got music to recommend in a blackened vein — not all of it black metal, but all of it pleasingly dark nonetheless.

ALTARAGE

In July I reviewed a two-song demo by a Spanish death metal band named Altarage, concluding as follows: “This is primitive, poisonous, electrifying music from a band that’s now squarely on my radar screen for the future.” They’ve now made a new appearance on the screen. Continue reading »

AN NCS ALBUM PREMIERE: JESUSEGG — “JESUSEGG”

Album Reviews, Premieres 11 Responses »

Dec 222015

If you have any sense of irony at all, you would have a hard time thinking of a better date than Christmas Day for a band named Jesusegg to release an album named Jesusegg via a label named Seeing Red Records, especially when that album has not one fucking thing to do with peace on earth or good will to men (or women). You’ll see (or rather, hear), because if you scroll down in this post you’ll be able to listen to a full stream of the album.

Jesusegg come from Cleveland, a town I think of as one of America’s premier spawning grounds for extreme music that embodies politically charged rage and does so in ways that have lasting power. While hardcore may be the Cleveland genre that comes to my mind first, Jesusegg are split-personality grindcore militants who take their cues from the likes of Human Remains, Discordance Axis, Nasum, Rotten Sound, and Anal Cunt.

This new album collects recordings that span the band’s history from 2003 – 2007, most of which are previously unreleased. It’s intended as a laying of groundwork for new material that’s projected for discharge by the same label before next year ends. Continue reading »

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