Sep 092015
 

WIndfaerer-Tenebrosum small

 

(Over in the list of Categories on the right side of the page, I’ve kept alive one called “Phro’s Posts“, hoping that one day our old friend would come back to us — and so he has. Here’s Phro’s review of the new album by New Jersey’s Windfaerer.)

Tenebrosum, Windfaerer’s newest album, is seven tracks of pure frigid despair that could be summed up with three adjectives: Melancholy, punishing, and fierce. When you get the album on September 22 (which you absolutely must, whether you think you like black metal or not), wait for a cold, rainy day to listen to it. Tell everyone to leave you alone for an hour and grab your best headphones, preferably a pair with a relatively flat but accurate frequency response. Find an empty room with a single window, turn out all the lights, and sit in the grey light of the afternoon. Then, press play and close your eyes.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The plane rattles with the kind of turbulence you’ve only seen in movies. Smoky clouds whip by the windows and the sobs of terrified passengers fill the cabin. Alarms blare for a moment and then everything disappears…

When you open your eyes, you’re neck deep in snow. The wreckage of your plane writhes a hundred meters away, hungry flames licking at the cabin. The shrieks of someone dying reach your ears before falling silent a moment later when the fire stretches out and engulfs the plane’s skeletal remains. Continue reading »

Sep 082015
 

Naked Roots Conducive-Sacred521

 

(Austin Weber takes us far off our usual beaten paths with this review of an unusual album by a violin-and-cello duo who call themselves Naked Roots Conducive — with a full-album stream.)

I think one of the most wonderful things about avant-garde and experimental music is how it seems to transport you to a very strange yet intense place where you may have to adapt in order to fully appreciate it. Such is the case with the New York City-based duo called Naked Roots Conducive. The two members are Natalia Steinbach  who plays violin and sings, and Valerie Kuehne, who plays cello and and sings as well. The range and scope of the music on their new album Sacred521 is impressive, and I’d say additionally impressive because no other instruments beyond violin, cello, and their two voices appear on the album.

Records such as Sacred521 are difficult to describe, since there aren’t many other people doing anything similar, and the musical lines they straddle coalesce into a sound that doesn’t fit into any established musical style. Naked Roots Conducive craft exquisite and intricate songs that are part classical music, and part nightmarish film score instrumentation, accompanied by heavenly singing courtesy of each member. The end result is not wholly classical music, nor simple singer-songwriter-oriented stuff either. It’s very sweeping and dramatic music, constantly traversing, back and forth, a divide between sour and sublime sounds. Continue reading »

Sep 072015
 

The Ritual Aura-Laniakea

 

(In this post Austin Weber reviews the new album by The Ritual Aura from Perth, Australia.)

In the past few months here at NCS we’ve had the honor of premiering two songs by The Ritual Aura from their newly released record Laniakea. Both songs (featured here and here) showed off a wide range of technical death metal influences and differing songwriting styles. The diversity of both “Time Lost Utopia” and “Erased In The Purge” is no fluke, as the rest of the Laniakea is just as varied and dense musically. To my ears, their colliding mass of many different tech-death influences sounds similar to Decrepit Birth-style progressive melodic death metal mixed with The Faceless, Beyond Creation, and Necrophagist. It’s very pissed off, yet frequently abounding in gorgeous melodies and spidery slithering riffs amidst sci-fi key/synth flourishes and interludes that help lend a sense of balance and space-like texture to their music.

While I know not everyone is into records having intro and outro tracks, at least the ones present on Laniakea are both barely over a minute while consisting mainly of pleasant piano playing. The album features two instrumental songs as well, “Nebulous Opus Pt I.” and “Nebulous Opus Pt. II”, with the latter being a very intense and complicated track in line with the rest of their music except sans vocals. Continue reading »

Sep 072015
 

In Twilight's Embrace - The Grim Muse front HQ

 

The Grim Muse is the name of the third album by Poland’s In Twilight’s Embrace. It’s due for a September 15 release by Arachnophobia Records in this, the band’s tenth year of existence. Two excellent songs from the album have premiered so far (one featuring guest vocals by At the Gates’ Tomas Lindberg), but we have the pleasure of bringing you a stream of the entire album.

“Melodic death metal” may be the closest simple genre description for this music, but it’s also one that would be misleading to a lot of listeners, in part because there is considerable variety among the album’s 11 tracks and in part because the record’s overall atmosphere, like its name, is grim — and vicious. If we’re going to use that genre term, let’s at least call it Melodic DEATH Metal. Continue reading »

Sep 042015
 

All Hell-The Red Sect

 

My trip to Alaska for my fucking day job proved to be a quick one. I got back home to Seattle late last night, about 36 hours after I left. If I’d had any sense, I would have gone right to bed. Instead, I spent time listening to new music, following up on links that friends sent me. And now here I am, five hours of sleep later, pecking on my keyboard about what I heard. By chance, what I enjoyed the most were songs in the vein of black metal, and so we have another Shades of Black collection. As usual, the music is quite diverse.

ALL HELL

My friend and NCS contributor Leperkahn messaged me about the promo of a new album by a band named All Hell that he had just received, with these words:  “Trust me when I say stop whatever you’re doing and listen to it, or at least the track at this link, immediately”. Continue reading »

Sep 042015
 

Under the Pledge of Secrecy-Black Hole Mass Evolution

 

(Andy Synn looks back at three albums from 2014 that we sadly neglected to review.)

Despite what you all clearly think, even your humble Metal overlords here at NCS aren’t completely infallible. Try as we might, sometimes even we miss out on stuff amongst the hustle and bustle of this thing we call life.

Case in point: I’m still discovering albums from last year (and the year before that… and the year before that…) which we failed to adequately cover properly, and which I’m metaphorically kicking myself for having missed.

So, in the interest of correcting such heinous oversights, I’ve decided to wax lyrical about three albums which went cruelly unappreciated here at NCS during the chaos and confusion of last year, each of which offers something very different to tease your musical tastebuds! Continue reading »

Sep 042015
 

The Horn and Nekrasov-Volume 13

 

This review began as what I thought would be the final installment in a Shades of Black collection of new songs that I will post later today. But by the time I finished, it had become long enough that I thought I should post it separately.

I knew nothing about this album when I started listening to the first song, which is the album’s centerpiece. It will require some dedication to get through it — not because the music is dull or tedious, but because the song (“Spell 1 / Spell 1b”) is almost 20 minutes long. That song is the product of a collaboration between two prolific Australian musicians who call themselves The Horn and Nekrasov. The album on which it appears is named Volume 13, a three-track work inspired by ancient Egyptian funeral texts. It was released via Bandcamp on September 1. Continue reading »

Sep 032015
 

I Chaos-Masterbleeder

 

(In this post TheMadIsraeli reviews the new album by the Dutch death metal band I Chaos, and we also have a stream of the first single from the new album.)

There’s going to be a bit of setup here, so please humor me.

I wrote a about a Dutch band named Cypher WAY back when I first started writing at NCS in 2011 (relevant pieces here and here) who had an unfortunately short life span. They were melodic death metal prodigies who never got off the ground in the way they deserved and still to this day, unfortunately, continue to be an unknown quantity to most.

Main man Tobias Borra quit music altogether for a few years, and that left bassist Joost and drummer Koen to seek new avenues of musical expression. One of those happened to be a band they both ended up in, named I Chaos. Continue reading »

Sep 022015
 

Wolfheart-Shadow World

 

(DGR reviews the superb second album by Finland’s Wolfheart.)

There exists a temptation when writing reviews to try and come up with a narrative and attach it to each album. It’s been a way of doing things for a long time, and to be honest, I’ve struggled with trying to come up with one for Wolfheart’s newly released album Shadow World and the two-year gap between it and its predecessor.

The temptation lay in trying to paint the two albums as fraternal twins, discs that share a lot of DNA but actually are opposing and contrasting with each other in a lot of their elements. If you were to glance at the cover art for Shadow World and the cover art for Wolfheart’s 2013 debut Winterborn, you’d almost immediately notice the red-and-orange, warmer aesthetic of Shadow World pulling a first-lesson-of-art-class contrast with the prominent blue and cold themes of Winterborn. However, the music within doesn’t bear out the difference, and actually shares some similarities in terms of number of songs and track times with its older sibling.

So, I suggest we try to take a different tack and explain what Shadow World is. Continue reading »

Sep 022015
 

Manii-Skuggeheimen

 

In its original incarnation, Manes was one of the primordial Norwegian black metal bands, a two-man group consisting of instrumentalist Cernunnus and vocalist Sargatanas who released their first three demos in 1993-1995, followed by their 1999 debut album Under Ein Blodraud Maane. As the years passed, Sargatanas parted company with the band and Manes transformed into a very different musical entity, as manifested on 2003’s Vilosophe, 2007’s How the World Came To An End, and last year’s Be All End All.

Yet while Manes followed its own course into avant garde and electronica territory, Sargatanas and Cernunnus reunited to form the band Manni, which released their debut album Kolaps in 2013. Manni have been at work on a second full-length that’s projected for release in a few months, but in the meantime Debemur Morti Productions has just released (yesterday) a new Manii EP entitled Skuggeheimen — and it is a return to Manes’ black metal roots in more ways than one. Continue reading »