SHADES OF BLACK: MÜTTERLEIN, 0-NUN, ELLES VĀRTI, CRUCIFIXION BELL, WOLVES IN THE THRONE ROOM, WORMWITCH, NYTT LAND

 Album Reviews, SHADES OF BLACK  3 Responses »
Jul 112021
 

 

Hate to say it, but this week’s column is in some respects going to be linguistically abbreviated, if not musically. The day job has been a bear this weekend, and on top of that I’m getting together via Zoom in a couple hours with Andy Synn and DGR to record “voice breaks” for our next session as Gimme Metal DJs on July 30 (at noon PDT, 3:00pm EDT, 9:00pm CET). I’m not confident in my ability to ad lib about the music we’ve picked, so I need to make some notes to myself, e.g., “don’t fuck this up!” We’ve picked a lot of good stuff for our two-hour show, so I hope you’ll tune in.

Anyway, my writing eventually peters out today (you’ll see what I’ve done to short-cut things as you move through this collection), but that’s not a sign of lack of enthusiasm or appreciation for the music itself. I do believe it’s all still worth your time.

MÜTTERLEIN (France)

About three weeks ago in one of these columns I highlighted the release of a giant 24-track sampler by Les Acteurs de L’Ombre Productions. At that time I picked out tracks from three French black metal bands to feature, because they were all from forthcoming albums. I also mentioned that the sampler included tracks from a new split by Limbes (formerly known as Blurr Thrower) and Mütterlein — though I hadn’t yet listened to them. Now I have, and I want to draw special attention to Mütterlein’s track here, in part because it creates such great anticipation for a new Mütterlein album headed our way via Debemur Morti Productions. Continue reading »

PESTILENCE: “EXITIVM”

 Album Reviews  3 Responses »
Jul 092021
 

 

(This is TheMadIsraeli’s review of the new ninth album by Pestilence, which is out now on Agonia Records.)

Patrick Mameli is a musician in the extreme metal music space I’m often conflicted about.

One one hand, I think he is an absolute genius. What he’s created with Pestilence and continues to do under the Pestilence banner never has been replicated convincingly, and probably cannot be replicated.  He has an unparalled command and mastery, both as a guitarist and as a songwriter of dissonance and chaos.  Pestilence is one of the few bands out there (and the only band that does it the way they do it) who completely shun away from conventional melody while using a jazz bent to create a twisted brand of death metal that I can only say sounds like what it feels like to experience real and severe mental illness and terror.  There is a pathos to Pestilence that is undeniable. Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  2 Responses »
Jul 092021
 

(Andy Synn offers us a chance to catch up with a quartet of albums you may have overlooked)

Is it just me, or was June an insanely busy period for music?

Honestly, despite doing my best to cover as many new releases as possible, and despite the best efforts of my NCS cohorts to do the same, it feels like we missed out on a lot of records this month.

This, of course, made it pretty difficult to pick just 4 artists/albums for this article, and at one point there was a version of this column that was all Death Metal (including Diabolizer, Noctambulant, and Cathexis, if memory serves) until I realised that maybe, just maybe, that didn’t give the broadest picture of the last 30 days (but you should still check out all three of those bands/albums if you haven’t already).

Don’t worry, there’s still some serious brutality on offer, but I’ve managed to widen the scope a little since then so that today’s article – which features four, count ‘em, four debut albums – should have the potential to appeal to a slightly broader cross-section of our readers than just those who like to have their eardrums perforated by the musical equivalent of a turbo-charged jackhammer.

And, speaking of…

Continue reading »

DEAD AND DRIPPING: “MIASMIC EULOGIES PREDICATING AN ETERNAL NOCTURNE”

 Album Reviews  No Responses »
Jul 072021
 

 

(Vonlughlio returns to NCS with a review and recommendation of the second album by the New Jersey brutal death metal band Dead and Dripping, which was released in mid-May of this year.)

It’s been a long time without yours truly doing a small review, mainly due to work commitments and family time in this pandemic-infested world. If you are reading this, I hope you and your loved ones are well.

This time around I have the opportunity to write about the solo BDM project Dead and Dripping from the multi-instrumentalist Evan Daniele. I became aware of this project back in 2017 when they re-released their demo Disillusioned by Excessive Human Consumption, which I believe is back in the Dominican Republic with other CDs I could not take with me when I moved to US.

Last year saw the release of the debut album Profane Verses of Murderous Rhetoric, which we reviewed here at NCS, and that release made it to my list of top 2020 BDM albums. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): OWL CAVE — “BROKEN SPEECH”

 Album Reviews  1 Response »
Jul 072021
 

 

Prepare yourselves for an extraordinary 43-minute trip, because that’s what you’ll find in Broken Speech, the extravagant debut album by the French band Owl Cave that we’re premiering today in advance of its release later this month by the new French label Time Tombs Productions.

For those who need genre references, this creation is very difficult to pigeonhole in such ways. Over the course of its twisting and turning path, you can pick out ingredients of dissonant and avant-garde black metal, industrial, electronica, and prog, among others.

It incorporates widely varying but relentlessly visceral rhythms and an equally wide and richly textured array of hallucinatory emanations that are both entrancing and unnerving; in those ways it’s both earthbound and completely unearthly. It’s often monumentally heavy, and continuously capable of seizing control of your reptile brain, but equally capable of uncomfortably twisting your mind inside-out or placing it under the power of spells, some of them seductive and some of them harrowing. Continue reading »

HANNES GROSSMANN: “TO WHERE THE LIGHT RETREATS”

 Album Reviews  No Responses »
Jul 072021
 

 

(We present another one of DGR’s typically deep-dive reviews, this time focusing on the latest album by Hannes Grossmann, which is out now.)

Hannes Grossmann has over the years become one of metal’s more prolific names and certainly one of metal’s more recognizable drummers, and for good reason. His unerring precision behind the kit could make anyone jealous. Had Gene Hoglan not already earned the nickname ‘The Atomic Clock’ through his own hard work, Hannes could easily step up as the next candidate to experiment with how gravity affects time via blastbeats after being launched into space.

When you have a resume that has included banner names of the tech-death scene and on some of their landmark works, it’s easy to understand how Hannes has gained the following he has. It also makes sense, then, that he could easily make his way in the world of solo projects, and in fact has been doing so for four albums now, the most recent of which — To Where The Light Retreats — saw release in early June, following a solo single last year. Continue reading »

SALLOW MOTH – STASIS COCOON

 Album Reviews  4 Responses »
Jul 062021
 

(Andy Synn gazes once more into the void… and finds the new album from Sallow Moth gazing back!)

I know I’ve said this before, but it still bears repeating – one of the (many, many) great things about writing for NCS is that we don’t have to stick to anyone’s schedule but our own.

Oh, sure, if we agree to host a premiere or some such then we’re bound by our word to stick to that date/time, but the fact that we don’t have any print deadlines to meet, no advertisers to placate, and no pressure from above to produce a certain number of articles or reviews every day/week/month means that we can be a lot more flexible with what we write about, and when we write about it.

Case in point, when lepidopterous Death Metal dreamer Sallow Moth surprise-released their new album, Stasis Cocoon, at the end of last week, I was able to quickly pivot and switch up my writing/reviewing schedule in response, ensuring that – hopefully – this succulent little slab of metallic sci-fi mayhem receives at least some of the attention it deserves.

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HINSIDES — “UNDER BETLEHEMS BRINNANDE STJÄRNA”

 Album Reviews, Premieres  No Responses »
Jul 052021
 

 

Last year Shadow Records introduced denizens of the underground to the Swedish black metal band Hinsides (which is the solo project of Ultra Silvam’s M.A.), through a split release with Monstraat. Only two Hinsides songs were presented, but enough to make a fiendishly promising impression. From there Hinsides went on to complete work on a debut album, which the same Shadow Records is now set to release on July 9th.

The album’s name is Under Betlehems brinnande stjärna, and it is a confluence of surprises that create what might seem to be paradoxical results, harboring music that at first blush is so willfully abrasive it might repel rather than attract, but turns out to be exhilarating and unexpectedly enthralling — even magical. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): VURVARAT — “THEURGIA MORTEM”

 Album Reviews, Premieres  No Responses »
Jul 052021
 

 

“All good things come to those who wait.” That hopeful proverbial saying is attributed to the English poet Lady Mary Montgomerie Currie (1843-1905), under her pseudonym of Violet Fane. Yet the same poem that’s the source of the saying also includes this stanza: “‘Ah, all things come to those who wait’ / (I say these words to make me glad) / But something answers soft and sad / ‘They come, but often come too late.'”

It has been a long wait for Theurgia Mortem, the debut album of the occult French black metal band Vurvarat. One advance song from the album first surfaced in January 2018, and we premiered a second one in April of that year. At last, it will be released soon by Atavism Records, and thankfully patience is rewarded. It is indeed very good, and comes not too late. Continue reading »

GONZO’S BEST OF BRUTAL SHIT: JUNE 2021

 Album Reviews, RANDOM FUCKING MUSIC  4 Responses »
Jul 022021
 


Photo by Jørn Steen

(Today we launch what we hope will be a long-recurring column by our contributor Gonzo in which he spotlights favorite releases from the month just ended.)

No matter how much ground we cover at NCS on a daily, weekly, and even monthly basis, there’s always some music lurking in some dark corner of the metal universe that gets overlooked somehow. Some of that is, of course, by design – we don’t typically highlight the bigger names you’ll see in larger publications; we tend to reach farther down the smoldering depths of the metal underbelly for the stuff that doesn’t get as much exposure.

Earlier this year, I tried to keep up with a New Music Friday weekly column that was, unfortunately, all too short-lived. I blame my day job, in which I also write for a living (though it’s much less satisfying than heaping profanity-laced praise upon my favorite music.)

So, given the aforementioned constraints, Islander has been kind enough to green-light my latest idea: A monthly column dedicated to the bands, songs, and albums that I want to highlight from that month, without double-dipping into territory that’s already been covered.

Enough backstory – let’s dig into what kicked ass in June (and late May, since this is post #1.). The lead band was once in a deep, dark corner, but no longer is. Continue reading »

 Older Entries  Newer Entries