AN NCS ALBUM PREMIERE (AND A REVIEW): WOLF’S SOURCE — “Ремиссия духа (REMISSION OF SPIRIT)”

 Album Reviews, Premieres  3 Responses »
Oct 032019
 

 

Behind every metal album there is a story. Most such stories are unremarkable, usually of little interest except to die-hard fans of the bands, and often providing little insight into the music beyond what you could gather from simply listening. On the other hand, the story of Волчий Источник (Wolf’s Source) and this Russian project’s lone album Ремиссия духа (originally released in 2007) is like no other. It’s a story worth telling before we get to the music of the album, which we’re streaming in full at the end of this article.

In relating this narrative we’re dependent on what we’ve been told through the label (Goatowarex) that is releasing the album on vinyl for the first time on October 6th, and this is how the story goes (qouting from the promotional material): Continue reading »

IN MOURNING: “GARDEN OF STORMS”

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Oct 032019
 

 

(Accompanied by a full stream of the album, this is TheMadIsraeli’s review of the new album by the Swedish band In Mourning, which will be released on October 4th by Agonia Records.)

I’m kind of in a strange place when it comes to In Mourning. As far as melodic death metal goes, they are one of the genre’s best exports and one of the best bands of the style in a modern era extremely lacking in such. However, I feel that with the band’s last record, Afterglow, they started to make a very deliberate departure from what defined them and revealed an interest in expanding their horizons. I loved Afterglow, but it became impossible not to notice the band engaging in a little more ’70s prog death, and adopting some black metal and more post-y elements into their sound. In Mourning aren’t what I first looked to them for any more, not that that’s at all a bad thing, but the new path they are treading feels like it’s a work in progress.

That isn’t to say the band’s new album Garden Of Storms isn’t good. It’s fantastic, and it’s a super step up from Afterglow in just about every way, but it also definitively signifies that the band are done with their take on the doom-driven melodic death metal style and want to be more of an amorphous progressive band with a death metal foundation. Continue reading »

HIGHER CRITICISM: SLAYER (PART 13) — “REPENTLESS”

 Album Reviews  5 Responses »
Oct 032019
 

 

(In the penultimate installment of a series devoted to a retrospective chronological analysis of the discography of Slayer, today TheMadIsraeli addresses the band’s last album, 2015’s Repentless. Links to all preceding segments of the series are at the end of the writing.)

After the absolute disappointment of World Painted Blood, Slayer would undergo a massive tectonic shift upon the death of founding member, guitarist, and key song-writer Jeff Hanneman.

This was a tragedy to be sure. Hanneman was responsible for many of the band’s best songs and he was a half ‘n’ half of a song-writing duo with Kerry King.  There were obviously concerns among fans that any future material would be heavily impacted by his absence. A lot of people at the time claimed Slayer should just hang it up, with a solid enough catalogue to go out on, and despite my feelings on World Painted Blood I agreed at the time.

I think on some level though, they knew World Painted Blood was a bad move, because the band’s final album Repentless may be unapologetic in its core message as a record, but it is definite repentance for the album that came before it. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DYSANGELIUM — “DEATH LEADING”

 Album Reviews, Premieres  2 Responses »
Oct 022019
 

 

Five long years ago we premiered the terrorizing second demo (Leviaxxis) by the German black metal band Dysangelium, and then had some very positive reactions to their debut album Thánatos Áskēsis, which followed later that same year. Now, at last, a second album is on the horizon like a looming storm.

Death Leading will be released by W.T.C. Productions on October 8th, and as you’ll discover through our premiere of a full album stream, it marks a triumphant return, presenting music of frightening power and wholly immersive effect, remorselessly carrying the listener ever deeper into an other-dimensional black vortex from which there is no escape, as mesmerizing as it is fearsome. Continue reading »

VUKARI: “AEVUM”

 Album Reviews  3 Responses »
Oct 022019
 

 

(This is Andy Synn‘s enthusiastic review of the new album by Chicago’s Vukari, which was released on October 1st by Vendetta Records.)

Remember some time ago… last week… when I said that 2019 has been a banner year for Death Metal?

Well, I wasn’t wrong. But did you also know it’s been a hell of a year for Black Metal too?

Just scratching the surface of the last nine months or so I can think of albums from (let me just stretch a bit first)…Consummation, Barshasketh, Misþyrming,Sinmara, Enthroned, Idolatry, Vanum, Mephorash, Kampfar, Idolatry, The Negative Bias, Panzerfaust, Mgła, Deadspace, Darkened Nocturn Slaughtercult, Neptunian Sun, Advent Sorrow, Blut Aus Nord … and we’ve still got new records from Mayhem, Schammasch, Abigail Williams, Dawn Ray’d, The Great Old Ones, and more, to look forward to.

This week, however, it was the turn of Chicago quartet Vukari to make their case for why their new album deserves to stand alongside the very best Black Metal that 2019 has to offer. Continue reading »

HIGHER CRITICISM: SLAYER (PART 12) — “WORLD PAINTED BLOOD”

 Album Reviews  11 Responses »
Oct 022019
 

 

(TheMadIsraeli has reached an ugly point in his chronological series on the discography of Slayer, with the subject now being the band’s 2009 album World Painted Blood. Links to previous installments in the series are at the end of this post.)

World Painted Blood was heavily marketed as a “return to form”, a throwback album to Slayer’s glory days, and the fanbase seemed to eat the PR campaign for this album the fuck up.  Lots of music journos at the time heaped endless praise onto this album. I was excited for this record, because while I had enjoyed Slayer’s more modern direction I had faith the band could reproduce something as good as Reign In Blood or South Of Heaven.  I pre-ordered the album, received my copy, popped it in and began listening.

I wish I could get that money and time back. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SLUTVOMIT — “COPULATION OF CLOVEN HOOVES”

 Album Reviews, Premieres  No Responses »
Oct 012019
 

 

Seattle-based Slutvomit released their debut album Swarming Darkness six years ago through Invictus Productions, and left incinerated wreckage in their wake. Summed up by one prized reviewer (autothrall) as “dirty vest-slinging speed-death thrashing black madness”, it demonstrated a ton of high-octane energy, authentically barbarous and blasphemous spirit, and fiendishly impressive instrumental skill. In the years since then there have been some line-up changes, and as their new album proves, a lot of honing of their blades to an even sharper edge.

It’s commonplace for labels, publicists, and bands themselves to say that a group’s newest release is a step ahead of their last one, but here it’s verifiably true. Slutvomit‘s second album, Copulation of Cloven Hooves, again due for release by Invictus Productions (on October 4th), takes every good quality from their debut album and elevates it, while retaining the music’s capacity to set your hair on fire and race you ’til you’re out of breath. Continue reading »

IRKSVM: “MORIBUND”

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Oct 012019
 

 

(Our contributor Vonlughlio hereby proves that he does listen to varieties of metal other than Brutal Death, and here he recommends the debut album by the Seattle-based black metal band Irksvm.)

Today’s subject is the black metal project Irksvm from Seattle, Washington, whose debut album Moribund was released via Vargheist Records this past August 30th.

As some of you dear readers might know, Brutal Death Metal is one of my favorite genres and I tend to concentrate my write-ups on bands in that realm, since others here at NCS do a fine job covering all the other genres. But from time to time I do review bands who are not BDM and have made an impact on me, as Irksvm did.

For this particular case, I was not familiar with their music, but became really impressed by how good this offering is. The mastermind behind this band is Duncan Mccue (Doctor Professor, Incestuous Impregnation, Marburg) who does all instruments and vocals. Continue reading »

A DGR REVIEW ROUND-UP (PART 3): OMOPHAGIA, INANIMATE EXISTENCE, VALE OF PNATH

 Album Reviews  1 Response »
Oct 012019
 


Omophagia

 

(NCS scribe DGR continues to catch up on reviews after a long hiatus with a multi-part collection, of which this is the third of three parts.)

There’s something to be said for comfort food in music and there’s something to be said for the weird looks I receive when I say that tech-death has become something of a comfort food. I recognize fully that I will always be somewhat wowed by the musical equivalent of dangling shiny keys in front of me, but my god is that a lot of keys and boy howdy, they sure are shiny.

The tech-death explosion over the years has led to a large amorphous mass that can often lean a little too heavy in both the technical or the -core direction, often making bands seem like expert musicians that just jammed a massive ton of breakdowns in between, making the musical adventurism and haughtiness feel somewhat unearned. 2019 has of course seen a massive number of additions to the genre as groups push and pull at its boundaries to see what else they can do with it or find ways to stick out in an increasingly crowded field.

Some of those releases came from some now pretty-established names. Such was the case with the following three, where my familiarity with the groups’ extended discographies led me to have them on constant play — even when the latter two hit in the first half of the year and we’re now at the point where as writers we’re panicking to try and get as many of the groups as we’ve listened to out there, so we can start focusing on the craziness that is the year-end release schedule. Of course, none of this pile-up was helped by what was previously alluded to as real life rearing up and kicking yours truly right in the head — much as this music has done over the past few months. Continue reading »

HIGHER CRITICISM: SLAYER (PART 11) — “CHRIST ILLUSION”

 Album Reviews  4 Responses »
Oct 012019
 

 

(TheMadIsraeli continues his retrospective chronological analysis of the discography of Slayer, moving into the band’s 2006 album Christ Illusion, which saw the return of Dave Lombardo.)

So after two albums that proved rather controversial, I think a lot of the fans displeased with Diabolus In Musica and God Hates Us All suspected the band would go back to doing the old sound that they were attached to.  But I think those people were in a minority, especially naysayers of God Hates Us All, where we can see in hindsight that quite a big swath of the Slayer fanbase likes the album.  And in any event Christ Illusion was Slayer digging their heels into their new thrash-meets-metallic-hardcore direction with renewed vigor, but with a dialing back of the modernity in favor of something much more ’80s and ’90s slanted.

Christ Illusion is one of my favorite Slayer albums, and I think it’s the last great album the band made. Continue reading »

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