AN NCS ALBUM PREMIERE (AND A REVIEW): MURG — “STRÄVAN”

 Album Reviews, Premieres  2 Responses »
Apr 252019
 

 

In 2015 the enigmatic black metal duo Murg, who come from the rural mining areas of Bergslagen, Sweden, began a conceptual trilogy with their remarkable debut album Varg och Björn (“Wolf and Bear:), which delivered memorable, atmospheric melodies within thorned membranes of ripping savagery. Roughly 18 months later they continued their narrative with Gudatall (“Godpine”), an album that might have been even better, encompassing music that was both incendiary and staggeringly downfallen. And tomorrow they will complete their terrible tale with the release of Strävan, which is the most overpowering of all the albums (in more ways than one).

Murg’s narrative concept, which has inspired the three albums, is profoundly bleak, summed up in these excerpts from the press materials provided by Nordvis Produktion, which will release the new album on April 26th: Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): VERWÜSTUNG — “GOSPEL OV FURY”

 Album Reviews, Premieres  2 Responses »
Apr 252019
 

 

If performed live in a club, Verwüstung’s new album Gospel Ov Fury would leave most people ringing wet and gasping for air. Their brand of feral black thrashing mayhem is relentlessly propulsive and thoroughly evil, persistently capable of channeling berserker-level chaos and triggering all sorts of fast-twitch muscle fibers, including the ones in your neck (though most people can’t headbang this fast, even they’ll want to).

Gospel Ov Fury will be released by Handful of Hate on May 1st, though there’s way more than a handful of hate in these nine songs. But while viciousness and rage set these songs on fire, these demonic Belarusians also happen to be skilled song-writers and top-shelf technicians. Not content merely to fly like the wind, or even to pack their songs with one virally infectious riff after another, they’ve paid attention to the appeal of dynamism, as you’ll discover for yourselves through our premiere of a complete album stream at the end of this post. Continue reading »

THE MONOLITH DEATHCULT: “V2 – VERGELDING: DAWN OF THE PLANET OF THE ASHES”

 Album Reviews  No Responses »
Apr 252019
 

 

This review is very late. The fault is mainly mine, though I do think the band share a certain amount of the blame. My first trip through their latest album damaged certain vital cognitive faculties (the ones that tell me who I am, where I live, and what day it is), and the injury became more severe as a result of subsequent trips. A memorial service for the fallen brain cells resulted in further delay, even though I was the only person who bothered to attend and the deceased had already been cremated (by the music).

Still, I should have done better, even under disabling circumstances, especially because V2 – Vergelding: Dawn of the Planet of the Ashes has been out since November 15, 2018, when there were still turkeys awaiting slaughter for Thanksgiving (I wonder how many farmers used a stream of V2 to exterminate them?), and I had even received a handsomely packaged (but not autographed) physical edition of the album. Amends must be made, and now they have been (I hope). Continue reading »

INFERNO FESTIVAL 2019: DAY 2

 Concert Reviews  1 Response »
Apr 242019
 

 

 

(In what has become an annual tradition, our man from the UK, Andy Synn, attended Inferno Festival on April 18 – 21, 2019, in Oslo. We are posting his reports on the event this week, day by day, accompanied by a few of his photos.)

Day 2 of this year’s edition of Inferno Festival started off on a promising note, as I woke up feeling heartily refreshed and full of piss and vinegar… and once I’d been to the bathroom, emptied my bladder, and brushed my teeth, I was still feeling pretty fresh, so was able to make it down to the gym for an hour, then off into the centre of the city to have a wander and find some food, before finally making my way back to Rockefeller where, over the course of the evening, we’d all be treated to at least three headline-worthy (or almost headline-worthy) performances, perhaps as the universe’s way of making up for yesterday’s slightly lacklustre finale! Continue reading »

SEEN AND HEARD: GAAHLS WYRD, INTOTHECRYPT, SLAEGT, LEVITAS, SIASKEL

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  7 Responses »
Apr 232019
 

 

I’m torn between the desire to back-track and continue to catch up on new advance songs that I failed to notice over the nearly three weeks when I couldn’t devote time to round-ups, and the steady impulse to focus on things “hot off the presses”. This particular collection reflects that schism: There’s a bit of both in here.

GAAHLS WYRD

The timbre of Gaahl‘s voice dominates the opening of “Carving the Voices“, which Metal Hammer premiered a week ago. Like a prophet who might actually be clairvoyant or an ancient enchanter who has just emerged from a centuries-long imprisonment within a gnarled oak, the deep resonance of his voice conveys the possession of wisdom both profound and full of dread. Continue reading »

SHADES OF BLACK (PART 2): DRATNA, GOD’S BASTARD, ZAKAZ, SERPENTINE APOSTLE, FUROR BREVIS

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Apr 212019
 

 

To have any hope of finishing Part 2 of today’s column I’ve had to carve off some of the releases I had intended to write about too. Painful decisions to be sure, but between Part 1 and what follows in this Part 2, there’s probably too much music for any normal person to focus on already, and too many threats to your financial solvency if you like all of it well enough to go on a spending spree.

Part 1 was devoted to advance tracks from forthcoming releases (and one new single), but this installment includes complete streams of five new EPs, which ought to be enough to thoroughly burn this Easter to the ground. (Four of them are “name your own price” at Bandcamp.)

DRATNA

In the space of little more than a year, the Northern Ireland one-man black metal band Dratna (which is its creator’s name rendered in a medieval Irish language) has released three EPs of increasing quality and coalescing focus. The first two were Clíodhna and Altar (reviewed here), and the latest is An Cath (The Battle), which was on released April 20th. Continue reading »

XAON: “SOLIPSIS”

 Album Reviews  1 Response »
Apr 192019
 

 

(This is Andy Synn‘s review of the new album by the Swiss metal band Xaon, which was released on April 12th by Mighty Music.)

Somewhere along the way we’ve developed a bit of a reputation here at NCS as a site that primarily covers Black Metal (I suppose the fact that my last three reviews were for Darkened Nocturn Slaughtercult, Skald In Veum, and Mephorash might have contributed to that a little).

So, despite the fact that I’m currently in Norway, the home of Black Metal, I decided it was about time to write about something of a less corpse-painted colour, in this case the new album from Swiss Symphonic Melodeath maestros Xaon. Continue reading »

SHOW REVIEW: CHILDREN OF BODOM, SWALLOW THE SUN, WOLFHEART, SUMMONER’S CIRCLE — LIVE IN ATLANTA, APRIL 11, 2019

 Concert Reviews  1 Response »
Apr 182019
 

 

(On April 11th our Atlanta-based contributor Tør returned to The Masquerade venue to take in Finnish-heavy performances by Children of Bodom, Swallow the Sun, Wolfheart, and local openers Summoner’s Circle. He sent us this report, along with a large batch of his own excellent photos from the show, most of which appear after the review.)

The traffic makes me want to ditch my car in the middle of I-75 and move to Europe. I get to The Masquerade customarily late but manage to catch a bit of the openers, Summoner’s Circle.

On their Facebook page the Knoxville outfit describe themselves as “a six-piece theatrical metal band that blends elements of doom, death, black and progressive metal into what they refer to as simply Epic Metal”. While genre-blending is not my cup of tea, I am pleasantly surprised by the solid display on stage. These guys are serious about what they do and the costumes and imagery match the grandiose sound they produce. Check out their first full-length, Tome, if you haven’t already done so. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): DEVOID OF THOUGHT — “COSMIC APOPTOSIS”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Apr 182019
 

 

In October 2017 we premiered a demo named Astral Necrosis by the Italian band Devoid of Thought, whose name I thought would also describe the mental state of listeners exposed to the demo’s three tracks. The music was a whipsawing amalgam of death metal and thrash, with the kind of blazing instrumental performances and brain-spinning intricacy that might lead one to slap a “progressive” label on the ingredients as well — except the music seemed too maniacal and vicious for that word. It was insanely good, and also just insane.

Now Devoid of Thought are returning with a new EP, which proves to be just as severely destabilizing and perhaps even more ghoulishly fascinating than Astral Necrosis. Entitled Cosmic Apoptosis, it will be released on April 19th — tomorrow! — by Caligari Records, but we’ve got a full stream for you today. For those who’ve encountered  the earlier demo, you’ll have a decent idea of what’s coming. The following paragraphs are for everyone else — because it would just be cruel to expose newcomers to these three tracks without some kind of warning. Continue reading »

MEPHORASH: “SHEM HA MEPHORASH”

 Album Reviews  5 Responses »
Apr 172019
 

 

(This is Andy Synn‘s review of the new album by the Swedish band Mephorash, which will be released by Shadow Records on April 18th.)

Black Metal, as we all know, contains multitudes. And within these multitudes it also contains (and practically revels in) a multitude of contradictions.

For instance, despite the genre’s seemingly endless (and not entirely unjustified) fixation on issues of authenticity and artistic purity, it’s also one of the most image-obsessed styles of Metal in existence.

That’s not necessarily a bad thing though. In fact I have a lot of respect for those bands who go to the extra effort of ensuring that their visual aesthetic – from their album art, to their promo shots, to their stage get-up – both reflects and complements their musical identity.

Oh, I’ve definitely seen it go very wrong in the past… just throwing on some cheap robes you bought off Amazon doesn’t suddenly make you more “occult”, and no amount of corpse-paint is ever going to make someone like Carach Angren look or sound any less embarrassing… but those bands who really go the extra mile, bands like Mephorash, who match their appearance to their art in every possible aspect, truly offer something a cut above the standard Black Metal experience. Continue reading »

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