Jun 192017
 

 

(Our friend Gorger from Norway brings us this 24th installment in his ongoing series reviewing releases we’ve overlooked. To find more of his discoveries, type “Gorger” in our search bar or visit Gorger’s Metal.)

Four reviews in a row means quite a lot of text to ingest. I’ve been pondering on a way to decrease the amount without compromising too much on the content. I’ve come up blank save for one solution. A means that involves resorting to self-promotion. I was hoping to avoid this attention-seeking hey-look-at-me-everyone approach, but what the hell, I’ll give narcissism a shot.

Feel free to comment on this, the music or how your wife left you due to you wasting three years on a useless Ph.D. on perpendicular circular movements in vacuum. Or simply enjoy some tunes without blabbermouthing about it, if that suits you. Continue reading »

Jun 192017
 

 

(Andy Synn prepared this review of the new album by Wode.)

 

The absolutely stunning self-titled album by British Black Metal initiates Wode was, without doubt, one of the finest albums released in 2016.

In fact, I felt so strongly about this assertion that I even went as far as to select it as part of my Critical Top Ten albums, stating that it captured “the true spirit of classic Black Metal with unflinching, unapologetic ferocity, without ever resorting to simply aping the classics” – a statement, and a decision, which I continue to stand by today.

Clearly aiming to capitalise on the momentum generated by their debut, the Mancunian quartet (now incorporating the additional guitar and synth work of one Karl Sveinsson) wasted no time in writing and recording their second album, Servants of the Countercosmos, which finally dropped at the end of last month, and which is available right now from the group’s Bandcamp site.

The big question, however, is this – is the band’s latest slab of blackened beef as devilishly delicious as their debut, or has the short turn-around time between albums left things feeling a little… undercooked? Continue reading »

Jun 162017
 

 

(We present another edition of Andy Synn’s three-line reviews.)

With Islander and associates currently knee-deep in the complexities and logistics of this weekend’s Northwest Terror Fest, it looks like it’s fallen to me to try and keep the lights on around here.

Honestly, the things I do for this place…

Anyway, to keep things ticking over, here’s a little something to highlight three bands who have, so far, slipped between the cracks of our usually comprehensive coverage (other than a couple of mentions in some round-ups), all of whom lean towards the darker, more atmospheric side of things. Continue reading »

Jun 152017
 

 

(Andy Synn reviews the just-released new album by New Jersey’s Death Fortress.)

Following the release of their debut album, Among the Ranks of the Unconquerable, New Jersey triumvirate Death Fortress quickly became one of my favourite Black Metal acts of the modern era.

Heck, I’d even go so far as to say that they’re one of the very best Black Metal bands ever to come out of the USA at this point.

As a result, my expectations for this, their third full-length album, are practically sky-high, and I’ve been champing at the bit to get my hands on it ever since it was announced.

So, now that the album has finally appeared online (with surprisingly little fanfare), it’s time to see whether the third time is (still) the charm. Continue reading »

Jun 142017
 


DISFEAR

 

The latest edition of Roadburn Festival took place at Tilburg, The Netherlands, on April 20-23, 2017, and L.A.-based photographer extraordinaire Levan TK was there to capture the performances on film.

We are fortunate to bring you some of his amazing photos, divided among the days of the festival, with his photos from the third day in this post. To see the photos from Day One, go here, and the photos from Day Two are here. Photos from the final day of fest will be coming soon.

P.S. Levan was quick to get us these photos. The delay in sharing them is entirely the fault of our half-wit editor. Continue reading »

Jun 132017
 

 

This is the third and final installment of a SHADES OF BLACK feature that I began two days ago. You’ll be shocked to learn that as long as this post has been, I added music from two more bands on top of what I originally planned for this Part 3 yesterday. If I hadn’t been placed in restraints by orderlies here at the asylum, I would have added more.

EREB ALTOR

The wonderful Swedish band Ereb Altor, who have taken their main cues (but not their only ones) from the mythic Viking metal of Bathory as established in Hammerheart and Twilight of the Gods, have a new album named Ulfven that will arrive on July 21 via Hammerheart Records. Earlier today they revealed a song from the album that’s simply magnificent. Continue reading »

Jun 122017
 

 

Loom is the new album by the post-hardcore band Tired Minds from Newcastle, Australia. It’s scheduled for release on June 16 by Art As Catharsis, and today we bring you a full stream of the album.

“Post-hardcore” can be an amorphous label, encompassing a range of different sounds with greater or lesser degrees of hardcore in the scaffolding of the music and variations in the other construction materials as well. In the case of Tired Minds, attempting to formulate a linguistic synopsis for the music is especially challenging — Art As Catharsis pulls together references that extend from The Dillinger Escape Plan to Converge, from La Dispute to Cursed, and even The Bronx. And indeed, this wrecking crew aren’t moving down any well-manicured, well-mapped, straight-ahead path. And “easy listening” definitely isn’t a term in their vocabulary. Continue reading »

Jun 122017
 

 

(Guest contributor “Bathy Kates” makes his first appearance at NCS with this review of the new album by Shadow of Intent from the northeastern U.S.)

Deathcore gets a bad rap. Sure, it has plenty of trendy and mediocre bands but it has lots of music worth listening to as well. The genre shares with other great metal institutions, like power metal and thrash metal, a steady flow of bands who ignite a visceral reaction in listeners, and hasn’t that always been a major selling point of metal? Deathcore was created to bring out the primal energy within its listeners. When deathcore fails it’s usually due a serious lack of originality, relying too heavily on gimmicks, and annoying vocals. When it succeeds, it combines the grisly aesthetic of death metal with well-distributed breakdowns and hones in on a particular abdication of sanity that hardcore and death metal share. Deathcore should be about relinquishment. It should go there.

Shadow of Intent succeeds in going there. From the onset of the refreshingly not-pointless introduction track, this band makes their unique brand of sophisticated depravity clear for all to see. With snarling, diverse vocals, crystal-clear guitars that speed by like lightning, and a rhythm section that can do more than just keep up, Reclaimer lives up to its name. Continue reading »

Jun 122017
 

 

This is the second part of a collection of new black metal recommendations that I began yesterday. There were eight bands whose music I included in Part 1, and originally there were eight more here. Yes, I know, I’ve gone overboard. But since that’s never ever happened before, I know you’ll be in a forgiving mood — especially when I tell you that I’ve siphoned off three of the second group of eight and have put them into a Part 3, coming later today or tomorrow.

ELFSGEDROCH

The debut album of Elfsgedroch (which is apparently Dutch for “mischief of elves”) was released on tape during the spring of 2016, but was released as a digital download and on vinyl in the spring of this year. The album’s name is Op de beenderen van onze voorvaderen (“on the bones of our ancestors”, if Google Translate is to be believed).

I’ve written twice before about individual tracks from the album as they appeared, and intended to write a proper review of the entire album. But now I’m afraid I may never get around to doing that — which makes me feel guilty because I’ve thoroughly enjoyed this record. Not only is the music exceptional, so is the care with which it has been packaged. Take a look: Continue reading »

Jun 112017
 

 

It’s been three weeks since the last time I compiled music for a Shades of Black post, mainly because I was away from home the last three weekends. To somewhat make up for lost time, I’ve picked recommended new music in a blackened vein from more than a dozen bands and have divided the collection into two parts. Not sure if I’ll get Part 2 posted today or Monday, but most likely the latter.

GRAVEIR / MAR MORTUUM

I decided to start this post with a new split release by the Australian bands Graveir (Brisbane) and Mar Mortuum (Melbourne) so I would have another excuse to prominently feature Jef Whitehead’s artwork for it (I already posted it on our Facebook page yesterday). The music is also very good. Continue reading »